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Photograms --- Exhibitions --- Moholy-Nagy, László, --- Exhibitions.
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Aesthetics --- Esthétique --- Philosophy. --- Philosophie --- Moholy-Nagy, László,
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Cet ouvrage regroupe trois essais dédiés à la série de photographies que Laszlo Moholy-Nagy a consacrées au pont transbordeur de Marseille en 1929. Cet ouvrage d'art, réalisé par l'ingénieur Ferdinand Arnodin durant les premières années du XXe siècle, a suscité l'émerveillement du plasticien hongrois. Les auteurs rendent compte de cette inspiration architecturale, abstraite et moderniste.
Bridges --- Photography, Artistic --- Moholy-Nagy, László, --- Criticism and interpretation.
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"When Dessau was bombed in early 1945, the Director's House and Moholy-Nagy's Master House were reduced to rubble as well. After the Dessau Masters' Houses - epitome of the 20th-century artists' colony - had been restored to their original state in the 1990s, a debate began on the reconstruction of the two houses destroyed in the war. In 2010, after consultation with the British star architect David Chipperfield, the decision was made to recreate the Master Houses of Gropius and Moholy-Nagy using contemporary means, rather than rebuilding them 1:1. And so they have now been reconstructed on the basis of designs by the Berlin firm Bruno-Fioretti-Marquez, as innovative reductions and abstractions of the original houses. This volume describes the chequered history of the Dessau Masters' Houses, presenting the reconstructed buildings for the first time in book form, with photographs by Armin Linke and Heidi Specker."--Provided by publisher
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Art, Modern --- Artists --- Deconstruction. --- Germany. --- Visual arts. --- Biography --- History and criticism --- Moholy-Nagy, László,
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"Although recognized today as a pioneer in constructivist art, kinetic sculpture, and graphic design, the Hungarian artist Laszlo Moholy-Nagy (1895-1946) may have made his most important contribution to twentieth-century art in photography. Picturing Modernism is the first comprehensive treatment of the photographs and theoretical writing of this pivotal figure in modernist photography." "Eleanor Hight rejects the traditional view that sees Moholy as merely applying formalist means to his subject matter. Instead, her penetrating study focuses on his intensive program to develop a visual language, which he called the "New Vision," to explore and image the modern world. She examines such issues as the relationship between his theory and Russian formalist criticism, the impact of contemporary physics on his use of light in abstract photography, the new concepts of architectural space that informed his photographs of buildings, and his visual scrutiny of modern urban society." "After several years as an exile in Berlin, Moholy was invited by the architect Walter Gropius to teach at the Bauhaus from 1923 to 1928, the most fertile period of Moholy's career. His work from this period, Hight observes, represents the first attempt by an artist of the modern movement to develop a cohesive theory of photography and to propose a broad, brilliantly innovative set of applications for photography, film, and light equipment."--Jacket.
Art and photography --- Modernism (Art) --- Moholy-Nagy, László, --- Moholy-Nagy, Laszlo
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Photomontage --- Pictures --- Printing --- History --- Moholy-Nagy, László, --- Moholy-Nagy, László --- Bauhaus.
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