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Litteratur som erfaring - Modernisme og modernitet fra Obstfelder til Kjærstad
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ISBN: 8215037348 821503733X Year: 2020 Publisher: Scandinavian University Press (Universitetsforlaget)

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Abstract

I denne boken tegner John Brumo et nytt bilde av den norske litterære modernismen. Brumo viser hvordan den norske modernismen vokste fram i en tid der det norske samfunnet gikk gjennom store endringer, og hvordan forfatterne beskrev en ny, moderne virkelighet dominert av nye fenomener som fotografi, radio, bil, tv og datateknologi. Der tidligere framstillinger har sett den norske modernismen som en importert stilart, viser Brumo gjennom nærlesninger av de største norske modernistene hvordan de formet, og ble formet av, sentrale brytninger i det raskt endrede samfunnet de levde og virket i. Boken er bygget opp som en artikkelsamling som veksler mellom dypdykk i enkeltverk og kartlegging av de bredere historiske rammene som har lagt føringer for framveksten av den norske modernismen. Samlingen tar for seg arbeidene til sentrale forfattere som Sigbjørn Obstfelder, Rolf Jacobsen og Kjartan Fløgstad, men løfter også fram mindre kjente og til dels forsømte navn som Paal Brekke, Sverre Udnæs og Marie Takvam.

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Litteratur --- modernisme --- modernitet

Tradition and modernity : philosophical reflections on the African experience
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ISBN: 0195112261 1280453621 0195354672 0585180768 0195112253 0199853061 Year: 1997 Publisher: New York Oxford Oxford University Press

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This work offers a philosophical interpretation and critical analysis of the African cultural experience in modern times. Gyekye attempts to show the usefulness of Western philosophical concepts in addressing a range of specifically African problems.


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Modernity : understanding the present.
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ISBN: 9780745652900 9780745652917 Year: 2012 Publisher: Cambridge Polity press

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"We live in a modern age, but what does 'modern' mean and how can a reflection on 'modernity' help us to understand the world today? These are the questions that Peter Wagner sets out to answer in this concise and accessible book. Wagner begins by returning to the question of modernity's western origins and its claims to open up a new and better era in the history of humanity. Modernity's claims and expectations have become more prevalent and widely shared, but in the course of their realization and diffusion they have also been radically transformed. In an acute and engaging analysis, Wagner examines, among others, the following key issues: -- Modernity was based on the hope for freedom and reason, but it created the institutions of contemporary capitalism and democracy. How does the freedom of the citizen relate to the freedom of the buyer and seller today? And what does disaffection with capitalism and democracy entail for the sustainability of modernity? -- Rather than a single model of modernity, there is now a plurality of forms of modern socio-political organization. What does this entail for our idea of progress and our hope that the future world can be better than the present one? -- All nuance and broadening notwithstanding, our concept of modernity is in some way inextricably tied to the history of Europe and the West. How can we compare different forms of modernity in a 'symmetric', non-biased or non-Eurocentric way? How can we develop a world sociology of modernity?"--Page 4 of cover.


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The Disarticulate
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ISBN: 0814708331 9780814708330 9780814708460 0814708463 9780814725306 0814725309 Year: 2014 Publisher: New York, NY

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Language is integral to our social being. But what is the status of those who stand outside of language? The mentally disabled, “wild” children, people with autism and other neurological disorders, as well as animals, infants, angels, and artificial intelligences, have all engaged with language from a position at its borders. In the intricate verbal constructions of modern literature, the ‘disarticulate’—those at the edges of language—have, paradoxically, played essential, defining roles. Drawing on the disarticulate figures in modern fictional works such as Billy Budd, The Sound and the Fury, Night wood, White Noise, and The Echo Maker, among others, James Berger shows in this intellectually bracing study how these characters mark sites at which aesthetic, philosophical, ethical, political, medical, and scientific discourses converge. It is also the place of the greatest ethical tension, as society confronts the needs and desires of “the least of its brothers.” Berger argues that the disarticulate is that which is unaccountable in the discourses of modernity and thus stands as an alternative to the prevailing social order. Using literary history and theory, as well as disability and trauma theory, he examines how these disarticulate figures reveal modernity’s anxieties in terms of how it constructs its others.

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