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Modernisme (Esthétique) --- Arts

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La thèse de ce livre est fascinante : Zola est un écrivain du XXIe siècle. Il est actuel pour ses idées, sur la science et la machine, le travail et le capitalisme, la question sociale, la politique, le socialisme, l'utopie. Zola est un auteur de notre époque : le peuple peut encore facilement se reconnaître en lui. Il sait libérer notre imaginaire. C'est un intellectuel très humain, parlant à l'homme, parmis la foule. Sa parole résonne encore comme un coup de tonnerre. Fort engagé, il est dans la bataille de la vie, contre toute dérive du pouvoir. Lire Zola aujourd'hui, c'est le considérer comme l'un des nôtres.

Modernisme (esthétique) --- Dans la littérature. --- Zola, Émile --- Appréciation

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MODERNISME (ESTHETIQUE) --- SEMIOTIQUE ET URBANISME --- ARCHITECTURE --- ASPECT SOCIAL --- BELGIQUE --- modernisme (esthetique) --- semiotique et urbanisme --- architecture --- aspect social --- belgique

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"In A Modernist Cinema, edited by Scott W. Klein and Michael Valdez Moses, sixteen distinguished scholars in the field of the New Modernist Studies explore the interrelationships among modernism, cinema, and modernity. Focusing on several culturally influential films from Europe, America, and Asia produced between 1914 and 1941, this collection of essays contends that cinema was always a modernist enterprise. Examining the dialectical relationship between a modernist cinema and modernity itself, these essays reveal how the movies represented and altered our notions and practices of modern life, as well as how the so-called crises of modernity shaped the evolution of filmmaking. Attending to the technical achievements and formal qualities of the works of several prominent directors-Giovanni Pastrone, D. W. Griffith, Sergei Eisenstein, Fritz Lang, Alfred Hitchcock, F. W. Murnau, Carl Theodore Dreyer, Dziga Vertov, Luis Buñuel, Yasujiro Ozu, John Ford, Jean Renoir, Charlie Chaplin, Leni Riefenstahl, and Orson Welles-these essays investigate several interrelated topics: how a modernist cinema represented and intervened in the political and social struggles of the era; the ambivalent relationship between cinema and the other modernist arts; the controversial interconnection between modern technology and the new art; the significance of representing the mobile human body in a new medium; the gendered history of modernity; and the transformative effects of cinema on modern conceptions of temporality, spatial relations, and political geography. Contributors: Richard Begam, Maurizia Bascagli, Enda Duffy, Laura Frost, Andrzej Gasiorek, Scott W. Klein, Douglas Mao, Laura Marcus, Jesse Matz, Tyrus Miller, Michael Valdez Moses, Michael North, Elizabeth Otto, Carrie J. Preston, Lisa Siraganian, Michael Wood"--

Motion pictures --- Histoire du cinéma --- Cinéma --- Modernism (Aesthetics) --- Modernisme (esthétique) --- History --- Aesthetics. --- Esthétique.

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Aesthetics, Modern. --- Aesthetics, Modern. --- Art, Modern --- Art, Modern --- Modernism (Aesthetics). --- Modernism (Aesthetics). --- Modernisme (Esthétique). --- Philosophy. --- Philosophy.