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This book introduces readers to the history of the novel in the twentieth century and demonstrates its ongoing relevance as a literary form. A jargon-free introduction to the whole history of the novel in the twentieth century. Examines the main strands of twentieth-century fiction, including post-war, post-imperial and multicultural fiction, the global novel, the digital novel and the post-realist novel. Offers students ideas about how to read the modern novel, how to enjoy its strange experiments, and how to assess its value, as well as suggesting ways to unde
American fiction --- English fiction --- Modernism (Literature) --- History and criticism. --- History and criticism --- American fiction - 20th century - History and criticism. --- English fiction - 20th century - History and criticism. --- English fiction. --- Modernism (Literature) - Great Britain. --- Modernism (Literature) - United States.
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James, Henry --- Fiction --- Narration (Rhetoric) --- Modernism (Literature) --- Authors and readers --- Reader-response criticism. --- Prefaces. --- History and criticism --- Theory, etc. --- History --- Technique. --- Fiction - History and criticism - Theory, etc. --- Narration (Rhetoric) - History - 19th century. --- Narration (Rhetoric) - History - 20th century. --- Modernism (Literature) - United States. --- Authors and readers - United States. --- Fiction - Technique.
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Visual perception in literature --- Modernism (Literature) --- Art and literature --- Modernism (Art) --- Williams, William Carlos --- --Œuvre --- --Littérature --- --XXe s., --- Art américain --- --Art --- --History --- Knowledge --- Art --- Modernism (Literature) - United States --- Art and literature - United States - History - 20th century --- Modernism (Art) - United States --- Œuvre --- Littérature --- XXe s., 1901-2000 --- Williams, William Carlos - Knowledge - Art --- Williams (william carlos), 1883-1963
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Fiction --- American literature --- anno 1900-1999 --- Fictie [Literatuur ] --- Fiction Philosophy --- Literaire fictie --- Metafiction --- Novellas [Short novels ] --- Novels --- Roman (Littérature) --- Semiotics and literature --- Semiotiek en literatuur --- Semiotique et litterature --- Stories --- American fiction --- Postmodernism (Literature) --- Modernism (Literature) --- Space and time in literature --- History and criticism --- Space and time as a theme in literature --- Literature and semiotics --- Literature --- 20th century --- American fiction - 20th century - History and criticism --- Postmodernism (Literature) - United States --- Semiotics and literature - United States --- Modernism (Literature) - United States
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Erotic stories, American --- Modernism (Literature) --- Fiction --- Sex in literature. --- History and criticism. --- Technique. --- -Fiction --- -Modernism (Literature) --- -Sex in literature --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- American erotic stories --- American fiction --- History and criticism --- Technique --- Philosophy --- Hawkes, John --- -Views on sex --- Sex in literature --- Fiction writing --- Writing, Fiction --- Authorship --- Hawkes, John, --- Hawkes, J. C. B. --- הוקס, ג׳ון, --- Criticism and interpretation. --- Criticism and interpretation --- Erotic literature --- Erotic stories, American - History and criticism. --- Modernism (Literature) - United States. --- Fiction - Technique.
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What Animals Mean in the Fiction of Modernity argues that nonhuman animals, and stories about them, have always been closely bound up with the conceptual and material work of modernity. In the first half of the book, Philip Armstrong examines the function of animals and animal representations in four classic narratives: Robinson Crusoe, Gulliver's Travels, Frankenstein and Moby-Dick. He then goes on to explore how these stories have been re-worked, in ways that reflect shifting social and environmental forces, by later novelists, including H.G. Wells, Upton Sinclair, D.H. Lawrence, Ernest Hemingway, Franz Kafka, Brigid Brophy, Bernard Malamud, Timothy Findley, Will Self, Margaret Atwood, Yann Martel and J.M. Coetzee.What Animals Mean in the Fiction of Modernity also introduces readers to new developments in the study of human-animal relations. It does so by attending both to the significance of animals to humans, and to animals’ own purposes or designs; to what animals mean to us, and to what they mean to do, and how they mean to live.--publisher.
Fiction --- Thematology --- English literature --- Animals in literature --- English fiction --- American fiction --- Human-animal relationships in literature --- Animals --- Modernism (Literature) --- History and criticism --- Social aspects --- 82.091 --- 82.04 --- 820 "17/19" --- Vergelijkende literatuurstudie --- Literaire thema's --- Engelse literatuur--?"17/19" --- 820 "17/19" Engelse literatuur--?"17/19" --- 82.04 Literaire thema's --- 82.091 Vergelijkende literatuurstudie --- English fiction - History and criticism --- American fiction - History and criticism --- Animals - Social aspects --- Modernism (Literature) - Great Britain --- Modernism (Literature) - United States --- Animals in literature. --- Human-animal relationships in literature. --- History and criticism. --- Social aspects.
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Poetry --- English literature --- anno 1800-1999 --- Modernism (Literature) --- Romanticism --- American poetry --- English poetry --- History and criticism --- Yeats, W. B. --- Pound, Ezra --- Eliot, T. S. --- Criticism and interpretation --- History and criticism. --- Eliot, Thomas Stearns, --- Modernism (Literature) - United States --- Romanticism - Great Britain --- American poetry - 20th century - History and criticism --- English poetry - 19th century - History and criticism --- Modernism (Literature) - Great Britain --- Yeats, W. B. - (William Butler), - 1865-1939 - Criticism and interpretation --- Pound, Ezra - Criticism and interpretation --- Eliot, Thomas Stearns, - 1888-1965 - Criticism and interpretation --- Yeats, W. B. - (William Butler), - 1865-1939 --- Eliot, Thomas Stearns, - 1888-1965
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English literature --- anno 1900-1999 --- Modernism (Literature) --- American literature --- Bibliography --- History and criticism --- 820 <01> --- -English literature --- -Modernism (Literature) --- -Crepuscolarismo --- Literary movements --- Postmodernism (Literature) --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Agrarians (Group of writers) --- Engelse literatuur--Bibliografieën. Catalogi --- Bibliography. --- -Engelse literatuur--Bibliografieën. Catalogi --- 820 <01> Engelse literatuur--Bibliografieën. Catalogi --- Crepuscolarismo --- History and criticism&delete& --- Modernism (Literature) - United States - Bibliography --- American literature - 20th century - History and criticism --- English literature - 20th century - History and criticism --- Modernism (Literature) - Great Britain - Bibliography
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Ethnic Modernism and the Making of US Multiculturalism in which ethnic literary modernists of the 1930s play a crucial role. Focusing on the remarkable careers of four ethnic fiction writers of the 1930s (Younghill Kang, D'Arcy McNickle, Zora Neale Hurston, and Américo Paredes) Sorensen presents a new view of the history of multicultural literature in the U.S. The first part of the book situates these authors within the modernist era to provide an alternative, multicultural vision of American modernism. The second part examines the complex reception histories of these authors' works, showing how they have been claimed or rejected as ancestors for contemporary multiethnic writing. Combining the approaches of the new modernist studies and ethnic studies, the book.
Modernism (Literature) - United States. --- American literature --- Modernism (Literature) --- Minorities --- Multiculturalism in literature --- Ethnic groups in literature --- Ethnicity in literature --- American Literature --- English --- Languages & Literatures --- History and criticism --- Minority authors --- Intellectual life --- Multiculturalism in literature. --- Ethnic groups in literature. --- Ethnicity in literature. --- History and criticism. --- Intellectual life. --- Literature, Modern-20th century. --- Literature-History and criticism. --- America-Literatures. --- Twentieth-Century Literature. --- Literary History. --- North American Literature. --- Literature, Modern—20th century. --- Literature—History and criticism. --- America—Literatures. --- Literature, Modern --- Literature --- America --- Appraisal of books --- Books --- Evaluation of literature --- Criticism --- Literary style --- 20th century. --- Literatures. --- Appraisal --- Evaluation
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