Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Modernism (Art) --- Arts, French --- Arts, European --- Modernisme (Art) --- Arts français --- Arts européens --- Le Corbusier, --- Criticism and interpretation. --- Friends and associates. --- Le Corbusier --- Criticism and interpretation --- Friends and associates --- Arts français --- Arts européens --- Arts, French - 20th century --- Arts, European - 20th century --- Modernism (Art) - France --- Modernism (Art) - Europe --- Le Corbusier, - 1887-1965 - Criticism and interpretation --- Le Corbusier, - 1887-1965 - Friends and associates --- Le Corbusier, - 1887-1965

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"In the 1920s, the European avant-garde embraced the cinema, experimenting with the medium in radical ways. Painters including Hans Richter and Fernand Leger as well as filmmakers belonging to such avant-garde movements as Dada and surrealism made some of the most enduring and fascinating films in the history of cinema. In The Filming of Modern Life, Malcolm Turvey examines five films from the avant-garde canon and the complex, sometimes contradictory, attitudes toward modernity they express: Rhythm 21 (Hans Richter, 1921), Ballet mecanique (Dudley Murphy and Fernand Léger, 1924), Entr'acte (Francis Picabia and René Clair, 1924), Un chien Andalou (Salvador Dali and Luis Buñuel, 1929), and Man with a Movie Camera (Dziga Vertov, 1929). All exemplify major trends within European avant-garde cinema of the time, from abstract animation to "cinema pur."

film --- avant-garde --- modernisme --- dadaïsme --- surrealisme --- Richter, Hans --- Léger, Fernand --- Murphy, Dudley --- Picabia, Francis --- Clair, René --- Buñuel, Luis --- Dalí, Salvador --- Vertov, Dziga --- 1920 - 1930 --- 20ste eeuw --- Europa --- Experimental films --- Art and motion pictures --- Art and society --- Modernism (Art) --- History and criticism. --- History --- History and criticism --- Art and motion pictures - Europe --- Art and society - Europe - History - 20th century --- Experimental films - Europe - History and criticism --- Modernism (Art) - Europe --- film. --- avant-garde. --- modernisme. --- dadaïsme. --- surrealisme. --- Richter, Hans. --- Léger, Fernand. --- Murphy, Dudley. --- Picabia, Francis. --- Clair, René. --- Buñuel, Luis. --- Dalí, Salvador. --- Vertov, Dziga. --- 1920 - 1930. --- 20ste eeuw. --- Europa. --- Cinéma expérimental --- Art et cinéma --- Art --- Modernisme (art) --- Europe --- Histoire et critique --- Aspect social --- 20e siècle

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Photography --- Art styles --- Painting --- anno 1930-1939 --- anno 1920-1929 --- Central Africa --- Art, Modern --- Art, African --- Painting, Central African --- Art --- Art africain --- Photographie --- Peinture centrafricaine --- African influences --- Influence africaine --- Afrikanisme --- modernisme --- schilderkunst --- fotografie --- Afrikaanse kunst --- geschiedenis --- etnografie --- kolonialisme --- primitivisme --- Wereldtentoonstellingen --- Le Centaure --- Iacovleff, Alexandre --- Zagourski, Casimir d'Ostoja --- Bernatzik, Hugo Adolf --- Allégret, Marc --- Negrov, Iskusstvo --- Einstein, Carl --- Apollinaire, Guillaume --- Salmon, André --- Arco, L. --- De Ridder, André --- Gauguin, Paul --- Goldwater, Robert --- Laude, Jean --- Rubin, William --- 1920 - 1940 --- 20ste eeuw --- Modernism (Art) --- Art, European --- Exoticism in art --- Themes, motives --- Africa, Central --- Painting, Central African (Central African Republic) --- Africa in art --- 1920-1940 --- Modernism (Art) - Europe, French-speaking - Themes, motives --- Art, European - 20th century - African influences --- Art - Europe, French-speaking - 20th century - African influences --- Africa, Central - In art --- Afrikanisme. --- modernisme. --- schilderkunst. --- Afrikaanse kunst. --- geschiedenis. --- etnografie. --- kolonialisme. --- primitivisme. --- Wereldtentoonstellingen. --- Le Centaure. --- Iacovleff, Alexandre. --- Zagourski, Casimir d'Ostoja. --- Bernatzik, Hugo Adolf. --- Allégret, Marc. --- Negrov, Iskusstvo. --- Einstein, Carl. --- Apollinaire, Guillaume. --- Salmon, André. --- De Ridder, André. --- Gauguin, Paul. --- Goldwater, Robert. --- Laude, Jean. --- Rubin, William. --- 1920 - 1940. --- 20ste eeuw.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Cette exposition s'attache à la genèse du courant de l'abstraction. L'éclosion de l'art abstrait dans les années 1910 marque l'aboutissement logique d'une lente évolution qui eut lieu tout au long du XIXe siècle et qui ne concerne pas seulement la peinture, mais aussi les sciences et les techniques, la littérature et la philosophie, la musique. L'exposition présente un vaste domaine, et propose des idées neuves, des interprétations inédites qui rompent avec un certain conformisme de pensée. En fin d'ouvrage une chronologie de 1800 à 1914 en sciences et techniques & en art et esthétique nous est proposé

Painting --- Abstract [fine arts style] --- Art styles --- anno 1800-1999 --- Art, European --- Modernism (Art) --- Art, Abstract --- Visual perception --- Art européen --- Modernisme (Art) --- Art abstrait --- Perception visuelle --- Exhibitions. --- Expositions --- abstracte kunst --- romantiek --- expressionisme --- impressionisme --- 1800 - 1914 --- 19de eeuw --- 20ste eeuw --- Balla, Giacomo --- Baranov-rossine, Vladimir --- Blechen, Karl --- Boccioni, Umberto --- Bomberg, David --- Bruce, Patrick Henry --- Cardoso, Amadeo De Souza --- Carriere, Eugène --- Charchoune, Serge --- Ciurlionis, Mikalojus Konstantinas --- Delaunay, Robert --- Delaunay, Sonia --- Derain, André --- Ender, Xenia --- Exter, Alexandra --- Friedrich, Caspar David --- Gontcharova, Nathalie S. --- Hablik, Wenzel --- Hartley, Marsden --- Itten, Johannes --- Kandinsky, Wassily --- Klee, Paul --- Kupka, Frantisek --- Larionov, Mikhaïl Fiodorovitch --- Leger, Fernand --- Macdonald-wright, Stanton --- Macke, August --- Marc, Franz --- Matiouchine, Mikhaïl --- Mondrian, Piet --- Monet, Claude --- Munch, Edvard --- Nolde, Emil --- Picabia, Francis --- Redon, Odilon --- Rottmann, Carl --- Runge, Philipp Otto --- Russell, Morgan --- Schmalzigaug, Jules --- Schoenberg, Arnold --- Schwind, Moritz Von --- Severini, Gino --- Shkolnik, Iossif --- Signac, Paul --- Survage, Léopold --- Trachsel, Albert --- Turner, Joseph Mallord William --- Van Gogh, Vincent --- Volpedo, Giuseppe Pellizza Da --- Whistler, James Abbott Mcneill --- Serge Lemoine --- kunst --- kunsttheorie --- kunstgeschiedenis --- schilderkunst --- beeldhouwkunst --- negentiende eeuw --- twintigste eeuw --- abstractie --- kleur --- kleurenleer --- Friedrich Caspar David --- Turner Joseph Mallord William --- Rottman Carl --- Monet Claude --- Derain André --- Blechen Karl --- Van Gogh Vincent --- Carrière Eugène --- Schönberg Arnold --- Whistler James Abbott Mcneill --- Redon Odilon --- Nolde Emil --- Hablik Wenzel August --- Trachsel Albert --- Munch Edvard --- Balla Giacomo --- Pellizza da Volpedo Giuseppe --- Kupka Frantisek --- Klee Paul --- Delaunay Robert --- Macke August --- Itten Johannes --- Shkolnik Jossif --- Larionov Mikhaïl --- Severini Gino --- Schmalzigaug Jules --- Goncharova Natalia --- de Souza Cardoso Amadeo --- Russell Morgan --- MacDonald-Wright Stanton --- Delaunay Sonia --- tekenkunst --- kunst en muziek --- Runge Philipp Otto --- Ciurlionis Mikalojus Konstantinas --- Signac Paul --- Mondrian Piet --- Mondriaan Piet --- Charchoune Serge --- Kandinsky Wassily --- Baranov-Rossiné Vladimir --- Matiouchine Mikhaïl --- Ender Xenia --- Survage Léopold --- Exter Alexandra --- Marc Franz --- Boccioni Umberto --- Léger Fernand --- Bruce Patrick Henry --- Bomberg David --- Picabia Francis --- 7.036 --- 75.036 --- Exhibitions --- Art européen --- Abstract art --- Art, Non-objective --- Non-objective art --- Art, Modern --- abstracte, niet-figuratieve kunst --- Art, European - 19th century - Exhibitions --- Modernism (Art) - Europe - Exhibitions --- Art, Abstract - Europe - Exhibitions --- Visual perception - Exhibitions --- 1800 - 1914. --- 19de eeuw. --- 20ste eeuw. --- Abstract [modern European style]