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Mörike, Eduard --- Mörike, Eduard, --- Mërike, Ė., --- Molike, Aidehua, --- Möricke, Eduard, --- Mörike, Eduard,
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Artists in literature --- Mörike, Eduard, --- Mërike, Ė., --- Molike, Aidehua, --- Möricke, Eduard, --- Characters --- Artists. --- Mörike, Eduard
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Mörike, Eduard --- Morike, Eduard Friedrich --- Authors, German --- Mörike, Eduard, --- Mërike, Ė., --- Molike, Aidehua, --- Möricke, Eduard, --- Mörike (Eduard). --- Mörike, Eduard,
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Eduard Mörike (1804-1875) gilt in der Literaturwissenschaft als ungewöhnlich schwer zugänglicher Dichter. Nach jahrzehntelanger Arbeit an der Historisch-Kritischen Gesamtausgabe wollte Ulrich Hötzer die Ergebnisse seines dialogischen Umgangs mit Mörike veröffentlichen. Dieser Band, posthum herausgegeben, folgt dem Editionsplan des Verfassers: Mörikes Formkunst - Einzelinterpretationen - Mörikes Hellenismus. Den drei großen Kapiteln sind Aufsätze, unveröffentlichte Vorträge, Interpretationen und Aufzeichnungen zugeordnet. In dem weiten Spannungsbogen von antiker bis zu moderner Dichtung wird der Versuch unternommen, Mörike als Nachfahre des Horaz und Gefährte von Baudelaire zu fassen - beide Pole gleichsam unerforscht in der Mörike-Forschung. Mörikes Rückbindung an die Tradition der antiken Dichtung äußert sich im Anknüpfen an bestimmte antike Autoren in Motiv, Struktur, Gattung (Epigramm, Epistel, Satire) und Form (Distichon, Senar, paraphrasierte Hexameter, Sapphische Ode). Somit steht Mörike in einer von Wieland in die deutsche Literatur eingeführten Tradition, die in Mörikes Formkunst ihren Höhepunkt erreicht. Die hohe Formkunst des poeta doctus herauszustellen, die von Wieland eingeklagte 'Leichtigkeit' in der Aneignung und Handhabung der griechisch-abendländischen Vers- und Strophenformen, war das Anliegen Hötzers. An den feinsinnigen Einzelinterpretationen wird dies deutlich, dann besonders im dritten Kapitel "Mörikes Hellenismus". Die genaue Textanalyse macht das Verfahren der imitatio als einer Maske deutlich, in deren Fremdheit sich das Eigene und Eigentliche der Welterfahrung des Dichters spiegelt. Sie zeigt aber auch die zentrale Bedeutung, die der Erinnerung als Grundelement im dichterischen Prozeß zukommt, zeigt die Antizipation moderner Welterfahrung, die das Mörikesche Werk der literarischen Moderne annähert.
Mörike, Eduard, Friedrich --- Languages & Literatures --- Germanic Literature --- Mörike, Eduard --- Mörike, Eduard, --- Criticism and interpretation. --- Mërike, Ė., --- Molike, Aidehua, --- Möricke, Eduard,
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Even today, Mörike (1804-1875) is still not accorded the attention he deserves, not least because of the difficulty of relating him to the major tendencies of the 19th century. He is not an intellectual like Heine. He did not intervene in the major political debates of his time. We find little trace in his works of economic or social upheavals. He did not rebel against the dominance of the great German classics. He has nothing of the iconoclast about him. In his works apparently insignificant things attain significance. They are incorporated into the process of aesthetic reflection and set off against concrete features of his life-world. Accordingly, 'aesthetics' and 'sociability' are mutually productive, the one being a reflection of the other. Nach wie vor findet Mörike (1804-1875) nicht die Aufmerksamkeit, die ihm eigentlich zukäme - wohl auch, weil er sich nicht leicht den großen Tendenzen des 19. Jahrhunderts zuordnen läßt: Er ist kein Intellektueller wie Heine. Er mischt sich nicht in die großen politischen Debatten ein. Er thematisiert nicht die wirtschaftlichen und sozialen Umwälzungen. Er begehrt nicht gegen die Dominanz der deutschen Klassik auf; er ist kein Denkmalstürzer. Das Nebensächliche bekommt bei ihm besondere Bedeutung; es wird in einen ästhetischen Reflexionsprozeß hineingezogen, der mit lebensweltlichen Konkretisierungen einhergeht, so daß sich "Ästhetik" und "Geselligkeit" gegenseitig hervorbringen und spiegeln.
Mörike, Eduard --- Morike, Eduard Friedrich --- Mörike, Eduard, --- Mërike, Ė., --- Molike, Aidehua, --- Möricke, Eduard, --- Aesthetics --- Criticism and interpretation --- Kongress. --- Mörike, Eduard. --- Rheinfelden ‹Aargau, 2003›. --- LITERARY CRITICISM / European / German.
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Viennese composer Hugo Wolf produced one of the most important song collections of the nineteenth century when he set to music fifty-three poems by the great German poet Eduard Mörike. Susan Youens reappraises this singular collaboration to shed new light on the sophisticated interplay between poetry and music in the songs. Wolf is customarily described as 'the Poet's Composer', someone who revered poetry and served it faithfully in his music. Yet, as Youens reveals, this cliché overlooks the rich terrain in which his songs are often at cross purposes with his chosen poetry. Although Wolf did much to draw the world's attention to the neglected Swabian poet, his musical interpretation of the poetry was also influenced by his own life, psychology and experiences. This book examines selected Mörike songs in detail, demonstrating that the poems and music each have their own distinctive stories which at times intersect but also diverge.
Mörike, Eduard Friedrich, --- Wolf, Hugo, --- Musical settings --- History and criticism. --- Mörike, Eduard, --- Mërike, Ė., --- Molike, Aidehua, --- Möricke, Eduard, --- Wolf, Hugo --- Mörike, Eduard, Friedrich --- History and criticism --- Duitsland --- 19e eeuw --- Liederen --- Morike, Eduard,
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When one thinks of German artist-novels and 'Bildungsromane,' works long available in translation come to mind-by Goethe, Novalis, Hoffmann, Stifter, Keller, or more recently by Mann, Kafka, Musil, or Grass. Yet Eduard Mörike's provocatively subtitled 'Maler Nolten: Novelle in zwei Teilen' (Nolten the Painter: A Novella in Two Parts, 1832) has remained neglected and misunderstood, and until now has never been translated into English, despite its obvious ties to other artist-novels and its striking modernity in playing with conventions of narrative authority and heroic identity. Witness the subtle irony of the opening sequence, in which the narrator is subverted by hints at his own clumsiness and intimations about the dire truths that lurk behind the protagonist Nolten's relationships to his male friends and to the seductive yet somehow frightening women in his life. Or the interplay between the narrator's attempts to make sense of Nolten's complex inner motivations in his loves and art and the ludicrously pompous pathos with which Nolten persists in speaking and thinking, as he concocts a heroic persona caught up in passion, intrigue, and tragedy. Fascinating too is the mysterious trail of the 'Grenzgänger,' or border-line characters, with their hints at the dimension of 'Gypsies, Tramps, and Thieves' that seems to threaten and at the same time to foster the complex unfolding of the realities of life and art that defy Nolten's all-too-artful 'mastery.' Raleigh Whitinger is professor in the Department of Germanic Languages at the University of Alberta.
Bildungsromans, German. --- German Bildungsromans --- German fiction --- Mörike, Eduard, --- Mërike, Ė., --- Molike, Aidehua, --- Möricke, Eduard, --- LITERARY CRITICISM / General. --- Bildungsromane. --- Eduard Mörike. --- German Artist-Novel. --- Gypsies. --- Heroic Identity. --- Narrative Authority. --- Raleigh Whitinger. --- Thieves. --- Tramps. --- Morike, Eduard,
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Mörike, Eduard --- Storm, Theodor --- Mörike, M. --- Morike, Eduard Friedrich --- -Storm, Theodor --- -Correspondence --- Correspondence --- Authors, German --- Correspondence. --- Storm, Theodor, --- Mörike, Eduard Friedrich, --- Mörike, Eduard, --- Shih-tu-mo, Tʻe-ao-to-erh, --- Storm, Hans Theodor Woldsen, --- Mërike, Ė., --- Molike, Aidehua, --- Möricke, Eduard,
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Mörike, Eduard --- Mörike, Eduard, --- Criticism and interpretation --- Morike, Eduard Friedrich --- -Criticism and interpretation --- -Addresses, essays, lectures --- Mörike, Eduard Friedrich, --- Criticism and interpretation. --- Mërike, Ė., --- Molike, Aidehua, --- Möricke, Eduard, --- Mörike (Eduard). (Mélanges) --- Mörike (Eduard). (Versch. onderwerpen) --- Mörike, Eduard, - 1804-1875 --- Mörike, Eduard,
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Mörike, Eduard --- Authors, German --- Mörike, Eduard, --- Criticism and interpretation --- Mörike, Eduard Friedrich, --- Criticism and interpretation. --- Mërike, Ė., --- Molike, Aidehua, --- Möricke, Eduard, --- Authors, German - 19th century - Biography --- Mörike, Eduard, - 1804-1875 --- Mörike, Eduard, - 1804-1875 - Criticism and interpretation
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