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"Mainstreaming Gays discusses a key transitional period linking the eras of legacy and streaming, analyzing how queer production and interaction that had earlier occurred outside the mainstream was transformed by multiple converging trends: the emergence of digital media, the rising influence of fan cultures, and increasing interest in LGBTQ content within commercial media. U.S. networks Bravo and Logo broke new ground in the 2000s and 2010s with their channel programming, as well as bringing in a new cohort of LGBTQ digital content creators, providing unprecedented opportunities for independent queer producers, and hosting distinctive spaces for queer interaction online centered on pop culture and politics rather than dating. These developments constituted the ground from which recent developments for LGBTQ content and queer sociality online have emerged. Mainstreaming Gays is critical reading for those interested in media production, fandom, subcultures, and LGBTQ digital media"--
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Gay liberation movement --- Sexual minorities in mass media.
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This book explores how queerness and representations of queerness in media and culture are responding to the shifting socio-political, cultural and legal conditions in post-Soviet Russia, especially in the light of the so-called "anti-gay" law of 2013. Based on extensive original research, the book outlines developments historically both before and after the fall of the Soviet Union and provides the background to the 2013 law. It discusses the proliferating alternative visions of gender and sexuality, which are increasingly prevalent in contemporary Russia. The book considers how these are represented in film, personal diaries, photography, theatre, protest art, fashion and creative industries, web series, news media and how they relate to the "traditional values" rhetoric. Overall, the book provides a rich and detailed, yet complex insight into the developing nature of queerness in contemporary Russia.
Sexual minority culture --- Sexual minorities in mass media --- History
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Der interdisziplinäre Forschungsbereich innsbruck media studies an der Universität Innsbruck zielt auf das Verstehen, Erklären und Gestalten von Strukturen der Medien und deren Wandel, Kommunikations- und Vermittlungsprozesse in den Medien, Auswirkungen auf Wahlverhalten und Parteienstrategien sowie auf die Entwicklung innovativer Modelle und Frameworks in diversen IKT-Sektoren. Die interfakultäre Arbeitsgruppe, eine Plattform für die inter- und transdisziplinär ausgerichtete Medienforschung an derUniversität Innsbruck, hat im Wintersemester 2010/2011 eine Ringvorlesung zum Thema "Medien und Minderheiten" abgehalten sowie am 10. November 2010 den Medientag der Universität Innsbruck zum selben Thema durchgeführt. Die meisten der in diesem Rahmen gehaltenen Vorlesungen sind in diesem Sammelband vereint. Dabei weisen die Beiträge in exemplarischer Weise auf, welche Zusammenhänge zwischen Medienangeboten, -technologien und -institutionen sowie Minderheiten bestehen.
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Der interdisziplinäre Forschungsbereich innsbruck media studies an der Universität Innsbruck zielt auf das Verstehen, Erklären und Gestalten von Strukturen der Medien und deren Wandel, Kommunikations- und Vermittlungsprozesse in den Medien, Auswirkungen auf Wahlverhalten und Parteienstrategien sowie auf die Entwicklung innovativer Modelle und Frameworks in diversen IKT-Sektoren. Die interfakultäre Arbeitsgruppe, eine Plattform für die inter- und transdisziplinär ausgerichtete Medienforschung an derUniversität Innsbruck, hat im Wintersemester 2010/2011 eine Ringvorlesung zum Thema "Medien und Minderheiten" abgehalten sowie am 10. November 2010 den Medientag der Universität Innsbruck zum selben Thema durchgeführt. Die meisten der in diesem Rahmen gehaltenen Vorlesungen sind in diesem Sammelband vereint. Dabei weisen die Beiträge in exemplarischer Weise auf, welche Zusammenhänge zwischen Medienangeboten, -technologien und -institutionen sowie Minderheiten bestehen.
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"Queer media is not one thing but an ensemble of at least four moving variables: history, gender and sexuality, geography, and medium. While many scholars would pinpoint the early 1990s as marking the emergence of a cinematic movement (dubbed by B. Ruby Rich, the "new queer cinema") in the United States, films and television programs that clearly spoke to LGBTQ themes and viewers existed at many different historical moments and in many different forms. Cross-dressing, same-sex attraction, comedic drag performance: at some points, for example in 1950s television, these were not undercurrents but very prominent aspects of mainstream cultural production. Addressing "history" not as dots on a progressive spectrum but as a uneven story of struggle, writers on queer cinema in this volume stress how that queer cinema did not appear miraculously at one moment but describes currents throughout the century-long history of the medium. Likewise, while queer is an Anglophone term that has been widely circulated, it by no means names a unified or complete spectrum of sexuality and gender identity, just as the LGBTQ+ alphabet soup struggles to contain the distinctive histories, politics, and cultural productions of trans artists and genderqueer practices. Across the globe, media makers have interrogated identity and desire through the medium of cinema through rubrics that sometimes vigorously oppose the Western embrace of the pejorative term queer, instead foregrounding indigenous genders and sexualities, or those forged in the global South, or those seeking alternative epistemologies. Finally, while "cinema" is in our title, many scholars in this collection see that term as an encompassing one, referencing cinema and media in a convergent digital environment. The lively and dynamic conversations introduced here aspire to sustain further reflection as "queer cinema" shifts into new configurations"--
Sexual minorities in mass media. --- Minorités sexuelles --- Au cinéma. --- Sexual minorities in mass media --- Minorités sexuelles --- Au cinéma.
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Queer Media Images: LGBT Perspectives comprises 15 articles that address how the gay, lesbian, bisexual, and transgendered communities are depicted in the media. This collection of articles focuses on how the LGBT community has been silenced or given voice through the media.
Sexual minorities in mass media. --- Mass media and sex. --- Sex and mass media --- Sex --- Mass media
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"Queer, la télévision? À en croire certains éditocrates excédés, il serait désormais impossible d’ouvrir la télé sans y voir toutes les couleurs de l’arc-en-ciel. S’il est vrai que la diversité sexuelle et la complexité des genres sont de plus en plus représentées à la télévision, les efforts déployés par les Netflix de ce monde pour rester en phase avec les attentes du public sont souvent suspects... et incomplets. Que signifient au juste ces nouvelles représentations? Peut-on faire confiance à un média qui cherche avant tout à engranger des profits? La télévision peut-elle être queer ?" --
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Qu'est-ce que la diversité ethnoculturelle ? Le choix de cette expression signifie, d'une part, la volonté de porter l'attention sur la question des identités et sur les discriminations etc. qui peuvent leur être attachés et d'autre part, le souhait de ne pas disperser cette attention sur un trop grand nombre de variables sociales mais de la focaliser sur l'une d'elles, qui a trait à l'appartenance, ressentie, attribuée d'un individu à un groupe humain qui se distingue des autres par un certain nombre de caractéristiques physiques et/ou culturelles. Réfléchir à la « diversité ethno-culturelle » dans les arts et le patrimoine, c'est interroger la place qui est faite aux individus identifiés comme appartenant à des minorités racisées ou ethnicisées, dans ces domaines essentiels de la vie publique que sont les fabriques de l'imaginaire contemporain.
Multiculturalism in art --- Multiculturalism in mass media --- Minorities in art --- Minorities in mass media.
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Marriage in popular culture --- Turks --- Minorities in mass media --- Social life and customs --- Social conditions
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