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'The Tiny and the Fragmented' demands a reconsideration of the social and contextual nature of miniaturization, fragmentation, and incompleteness, making the case that it was because of, rather than in spite of, their small or partial state that these objects were valued parts of the personal and social worlds they inhabited.
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Dirigé par Roussel-Gillet et Evelyne Thoizet, La miniature, dispositif artistique et modèle épistémologique s’interroge sur les nouvelles fonctions de la miniature à la croisée des arts, de l’architecture, de la littérature, des sciences et des techniques, depuis le début des années 1960. Ludique, cognitive, didactique, la miniature permet d’abord d’approcher, de comprendre et de dominer la complexité du réel (maquette, modèle réduit, maison de poupée, diorama, aquarium, et cetera) mais elle constitue aussi une œuvre d’art à part entière qui change notre rapport au monde et modifie notre regard. Contrairement au fragment et au détail, souvent étudiés, elle représente l’objet dans sa totalité en changeant d’échelle, et ouvre la connaissance et l’imagination à de nouveaux mondes. Co-edited by Isabelle Roussel-Gillet and Evelyne Thoizet, La miniature, dispositif artistique et modèle épistémologique focuses on the new functions of the miniature at the crossroads of visual arts, architecture, literature, technology and sciences since the early 1960s. Playful, cognitive or didactic, the miniature (as model, dollhouse, aquarium, diorama…) allows us to approach, understand and perhaps dominate a complex reality. Many contemporary artists consider the miniature as a fully-fledged work of art which changes our relationships with the world and modifies our perception. Contrary to the often-studied detail, ornament or fragment, the miniature provides a complete vision of the depicted object in a different scale, and opens knowledge and imagination to new worlds.
Measurement --- Miniature art. --- Space in literature. --- Knowledge, Theory of. --- Philosophy.
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Miniature painting --- Miniature paintings --- Miniature art --- Painting --- Exhibitions --- Sirag, Karel, --- Exhibitions. --- Sirag, Karel
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Miniature art --- Apocalypse in art. --- Manuscripts, medieval. --- Université de Liège. --- Manuscrit Wittert 5 --- Jerusalem --- Université de Liège --- Manuscrit Wittert 5.
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Portrait miniatures --- Miniature portraits --- Miniature art --- Portraits --- Windsor, House of --- Art collections --- Great Britain --- Kings and rulers --- Painting --- Royal Collection Trust [London] --- anno 1500-1599 --- anno 1600-1699
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Manuscripts, Armenian --- Illuminations of books and manuscripts --- Illumination of books and manuscripts, Armenian --- Manuscripts, Armenian --- Miniature painting --- Miniature paintings --- Miniature art --- Painting --- Armenian manuscripts --- Armenian illumination of books and manuscripts
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Miniature art --- Indians of South America --- Indian art --- Spindle-whorls --- Art miniature --- Indiens d'Amérique --- Art indien d'Amérique --- Fusaïoles --- Antiquities. --- Antiquités --- Ecuador --- Equateur --- Antiquities. --- Antiquités
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paintings [visual works] --- Painting --- India --- Miniature painting, Indic --- Miniature painting, Mogul --- Miniature painting --- Miniature paintings --- Miniature art --- Miniature painting, Moghul Empire --- Miniature painting, Mughal Empire --- Miniature painting, Mughul Empire --- Moghul Empire miniature painting --- Mogul Empire miniature painting --- Mughal Empire miniature painting --- Mughul Empire miniature painting --- Catalogs --- Brooklyn Museum --- Museum of Art (Brooklyn, New York, N.Y.) --- Brooklyn Institute of Arts and Sciences. --- Brooklyn Museum of Art --- Catalogs. --- Brooklyn Institute of Arts and Sciences. Museum
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Le musée Condé à Chantilly conserve une des plus importantes galeries de portraits en miniature des familles royales de France et d'Europe du XVIe au XIXe siècle. Cette collection provient des Bourbon-Condé, qui ont possédé Chantilly de 1643 à 1830, puis d'Henri d'Orléans, duc d'Aumale, qui a donné le château en 1886 à l'Institut de France. Riche de près de trois cent cinquante pièces, cette collection comprend des représentations d'illustres personnages, tels que les Bourbons, Condé, Conti, Orléans, Habsbourg ou Bourbon-Siciles, peints par les meilleurs artistes. A l'opposé des portraits en grand, la miniature, faite pour le regard intime, nous montre ces souverains d'une manière proche et humaine. Elle orne des objets personnels - pendentifs, bracelets, bagues, tabatières et carnets de bals - et s'offre souvent comme gage d'amour.
Painting --- Musée Condé [Chantilly] --- Europe --- 7.041.5 --- 069 <44 CHANTILLY> --- Iconografie: portretten --- Permanente tentoonstellingen. Musea--Frankrijk--CHANTILLY --- Exhibitions --- 7.041.5 Iconografie: portretten --- Condé Museum [Chantilly] --- Portrait miniatures, European --- Portrait miniatures --- Royal houses --- Dynasties (Royal houses) --- Royal families --- Royalty --- Kings and rulers --- Miniature portraits --- Miniature art --- Portraits --- European portrait miniatures --- Musée Condé --- Chantilly. --- Chantilly (France). --- Institut de France. --- Council of Europe countries --- Eastern Hemisphere --- Eurasia
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Miniature painting, European --- Miniature painting --- Portrait miniatures, European --- 75.041.2 --- 75.056 --- 75.041.2 Portretschilderkunst --- Portretschilderkunst --- 75.056 Miniatuurschilderkunst --- Miniatuurschilderkunst --- European portrait miniatures --- Miniature paintings --- Miniature art --- Painting --- European miniature painting --- Private collections --- Tansey, Ernest --- Tansey, Lieselotte --- Art collections --- Bomann-Museum. --- Stiftung Miniaturensammlung Tansey (Bomann-Museum) --- Sammlung Tansey (Bomann-Museum) --- Miniaturensammlung Tansey (Bomann-Museum) --- Bomann-Museum [Celle] --- anno 1800-1899 --- Europe --- Augustin, Jean-Baptiste Jacques --- Daffinger, Moritz Michael --- Isabey, Jean-Baptiste
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