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Mind and body in literature. --- Dante Alighieri, --- Dante Alighieri, --- Religion.
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Elias Canetti's 1935 novel "Auto-da-Fé" (original German title, "Die Blendung") has traditionally been difficult to interpret and the author's intentions in writing it have remained unclear. "Science Meets Literature" argues that "Auto-da-Fé" is a novel about human nature that illustrates the workings of the human mind and some universal aspects of human behavior and human social relationships. Canetti's insights anticipated later scientific discoveries made by cognitive, social and evolutionary psychology including the existence of "irrational" biases in human cognition (e.g., in perception, beliefs and decision-making); the strengths and limitations of human "theory-of-mind" skills (i.e., our ability to think about other people's minds and "read" them); the establishment, maintenance and reversal of dominance in social relationships between two individuals; and the role of dehumanization in harmful behavior. Canetti intended to warn against the conviction held by some intellectuals that human nature can be denied, controlled, ignored or dismissed. His approach in "Auto-da-Fé" was an original attempt at the integration of knowledge formation in sciences and humanities. He pointed the way for future successful attempts at the integration of evolution, cognitive science and literature, as well as for the broader integration of sciences and humanities.
Mind and body in literature. --- Human behavior in literature. --- Canetti, Elias,
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"In the early modern period, poetic form underpinned and influenced scientific progress. The language and imagery of seventeenth-century writers and natural philosophers reveal how the age-old struggle between body and soul led to the brain's emergence as a curiosity in its own right. Investigating the intersection of the humanities and sciences in the works of authors ranging from William Shakespeare and John Donne to William Harvey, Margaret Cavendish, and Johann Remmelin, Lianne Habinek tells how early modernity came to view the brain not simply as grey matter, but as a wealth of other wondrous possibilities - a book in which to read the soul's writing, a black box to be violently unlocked, a womb to nourish intellectual conception, a creative engine, a subtle knot that traps the soul and thereby makes us human. For seventeenth-century thinkers, she argues, these comparisons were not simply casual metaphors, but integral to early ideas about brain function. Demonstrating how the disparate fields of neuroscientific history and literary studies converged, The Subtle Knot weaves the narrative of how the mind came to be identified with the brain."--
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Brain --- Drama --- Emotions in literature. --- Mind and body in literature. --- Psychology in literature. --- Imaging. --- Psychological aspects.
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French literature. --- French literature --- Mind and body in literature. --- History and criticism.
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French literature. --- French literature --- Mind and body in literature. --- History and criticism.
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The first comprehensive guide to Elizabethan ideas about the mind.
Mind and body --- Mind and body in literature --- Self (Philosophy) in literature --- History
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This book focuses on liminal bodies and their delicate transaction with themselves and other people's bodies. More specifically, it explores the spatiality and discourses of the body dying; the body opened in surgery, or through MRIs, CATs, and sometimes
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Ideas about the human mind are culturally specific and over time vary in form and prominence. The Life of the Mind in Old English Poetry presents the first extensive exploration of Anglo-Saxon beliefs about the mind and how these views informed Old English poetry. It identifies in this poetry a particular cultural focus on the mental world and formulates a multivalent model of the mind behind it, as the seat of emotions, the site of temptation, the container of knowledge, and a heroic weapon. The Life of the Mind in Old English Poetry treats a wide range of Old English literary genres (in the context of their Latin sources and analogues where applicable) in order to discover how ideas about the mind shape the narrative, didactic, and linguistic design of poetic discourse. Particular attention is paid to the rich and slippery vernacular vocabulary for the mind which suggests a special interest in the subject in Old English poetry. The book argues that Anglo-Saxon poets were acutely conscious of mental functions and perceived the psychological basis not only of the cognitive world, but also of the emotions and of the spiritual life.
English poetry --- Mind and body in literature --- Philosophy of mind in literature --- History and criticism
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