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Was heißt es, eine Milieuästhetik vor dem Hintergrund des mimetischen Zusammenhangs zwischen Leben und Milieu zu entwerfen? Im Anschluss an Roger Caillois' Untersuchungen zu mimetischen Insekten, deren Anähnlichung an das Milieu er als fotografisches Verfahren versteht, untersucht das Buch einen nicht-anpassungsgeleiteten Milieubegriff, der sich auch bei Georges Canguilhem findet, und fragt nach dessen Konsequenzen für die ästhetische Praxis und eorie. Dafür wird Caillois insbesondere ins Verhältnis zu Walter Benjamin gesetzt, um die Spannungen, aber auch hintergründigen A nitäten dieser beiden Autoren hinsichtlich von Mimesis und technischer Reproduzierbarkeit auszuloten. Auf dieser Grundlage lässt sich das Konzept einer Ästhetik neu fassen, die sich an scheinbar rein reproduktiven Mechanismen ausrichtet, mittels derer das Leben im Milieu operiert. Eine solche Milieuästhetik bewegt sich jenseits tradierter Gegensätze von Produktions- und Rezeptionsästhetik, um so die Frage nach den heteronomen Beziehungen des künstlerischen Subjekts zu Milieu und Technik zu stellen.
Mimetic insects --- Photography --- Technical reproduction --- Paris 1930s.
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Iconicity (Linguistics) --- Polish language --- Mimetic words --- Onomatopoeic words
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Expressives in the South Asian Linguistic Area offers the first comprehensive account of this important understudied word class from synchronic, diachronic, literary, and descriptive perspectives. The work contains studies from the four major language families of South Asia (Indo-Aryan, Dravidian, Austroasiatic, Tibeto-Burman) and covers domains in semantics, morphosyntax, and phonotactics. It also includes studies from literature and film that show how expressive form and function are embedded in performative contexts. Finally, the volume also contains first of its kind data from several small endangered languages from the region. Proposing an innovative methodology that combines structural and semiotic analysis, the volume advances a more holistic understanding of areal phenomena that departs from previous studies of the South Asian linguistic area.
South Asia --- Languages --- Ideophone. --- Mimetic words. --- Semantics. --- Morphology.
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Japanese language --- English language --- Onomatopoeic words. --- Mimetic words. --- Grammar, Comparative --- English. --- Japanese.
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This volume explores new frontiers in the linguistic study of iconic lexemes known as ideophones, mimetics, and expressives. A large part of the literature on this long-neglected word class has been dedicated to the description of its sound symbolism, marked morphophonology, and grammatical status in individual languages. Drawing on data from Asian (especially Japanese), African, American, and European languages, the twelve chapters in this volume aim to establish common grounds for theoretical and crosslinguistic discussions of the phonology, morphology, syntax, semantics, pragmatics, acquisition, and variation of iconic lexemes. Not only researchers who are interested in linguistic iconicity but also theoretical linguists and typologists will benefit from the updated insights presented in each study.
Iconicity (Linguistics) --- Visual communication. --- Mimetic words. --- Language and languages --- Onomatopoeia --- Graphic communication --- Imaginal communication --- Pictorial communication --- Communication --- Iconism (Linguistics) --- Icons (Linguistics) --- Linguistics --- Semiotics --- Mimetic words --- Visual communication --- E-books
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Thomas Pynchon was born on May 8,1937 in Glen Cove. Long Island, New York. He started his writing career in his high school days, published his early stories in a series of magazines, came to fame in 1963 with his first novel, V., and has since been consistently praised as one of the major American writers of all times. The papers in this volume address all of Thomas Pynchon’s works to date, from his earliest production in Voice of the Hamster to Inherent Vice. The collection brings together fifteen specialists from three continents-America. Australia and Europe. They contribute to the current debates on Pynchon’s supposed ’post modernism, either by revitalizing established postmodern critical perspectives and applying them to seldom read texts, or by reappraising Pynchon’s fiction within broader literary and philosophical contexts. Though individual approaches vary, common concerns are expressed, among which a marked interest in the reappraisal of ethical and political dimensions, as well as a focus on the questions of return and the potential emergence of the new out of the old.
Literature American --- Literature (General) --- politique --- éthique --- Thomas Pynchon --- postmodernisme --- littérature américaine contemporaine --- roman historiographique --- oeuvres de jeunesse --- post-mimétique --- contemporary American fiction --- postmodernism --- historiographic fiction --- politics --- ethics --- early works --- post-mimetic
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We are fascinated by what words sound like. This fascination also drives us to search for meaning in sound - thereby contradicting the principle of the arbitrariness of the linguistic sign. Phonesthemes, onomatopoeia or rhyming compounds all share the property of carrying meaning by virtue of what they sound like, simply because language users establish an association between form and meaning. By drawing on a wide array of examples, ranging from conventionalized words and expressions to brand names and slogans, this book offers a comprehensive account of the role that sound symbolism and rhyme/alliteration plays in English, and by doing so, advocates a more relaxed view of the category 'morpheme' that is able to incorporate less regular word-formation processes.
English language --- Onomatopoeia. --- Sound symbolism. --- Phonetic symbolism --- Phonosemantics --- Symbolism, Phonetic --- Grammar, Comparative and general --- Psycholinguistics --- Semiotics --- Symbolism --- Synesthesia --- Language and languages --- Sound symbolism --- Sounds, Words for --- Mimetic words --- Onomatopoeic words. --- Phonology --- Germanic languages --- Onomatopoeia --- Onomatopoeic words
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