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Boris Mikhailov : unfinished dissertation
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ISBN: 9783931141974 Year: 1998 Publisher: Zurich : Scalo,

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Mikhailov, Boris


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Boris Mikhailov : Bücher ; Strukturen des Wahnsinns, oder warum Hirten in den Bergen oft verrückt werden ; Fotomanie auf der Krim = Books ; Structures of Madness, or why Shepherds living in the Mountains often go crazy ; Photomania in Crimea (Ausstellung Hannover, Sprengel Museum, 24.02.2013 - 20.05.2013)
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ISBN: 9783863353032 Year: 2013 Publisher: Hannover Sprengel Museum

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Boris Mikhailov
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ISBN: 0714891673 9780714891675 Year: 2001 Publisher: Paris: Phaidon,

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Boris Mikhailov (n. 1938) est le photographe vivant le plus influent de l'ex URSS. La diversité dans son approche photographique démontre la richesse de son imagination, mais aussi celle des solutions de survie dans un cadre changeant et hostile. Son art exprime autant la recherche de son identité qu'un questionnement sur ce qu'est un artiste dans un monde à la dérive. (note de l'éditeur)


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Boris Mikhailov : time is out of joint
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ISBN: 9783942405645 9783940208217 Year: 2012 Publisher: Berlin Distanz

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Boris Michajlov.
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Year: 1995 Publisher: Stuttgart : Oktagon,

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Boris Mikhailov Suzi et cetera
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Year: 2007 Publisher: Köln : Walther König,

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A poem about an inland sea : Ukrainian Pavilion.
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Year: 2007 Publisher: Venezia : La Biennale di Venezia,

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History becomes form : Moscow conceptualism
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ISBN: 9780262014236 0262014238 9780262525084 0262525089 Year: 2010 Publisher: Cambridge (Mass.) MIT Press

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An insider's account of the art and artists of the most interesting Russian artistic phenomenon since the Russian Avant-Garde. In the 1970s and 1980s, a group of “unofficial” artists in Moscow—artists not recognized by the state, not covered by state-controlled media, and cut off from wider audiences—created artworks that gave artistic form to a certain historical moment: the experience of Soviet socialism. The Moscow conceptualists not only reflected and analyzed by artistic means a spectacle of Soviet life but also preserved its memory for a future that turned out to be different from the officially predicted one. They captured both the shabby austerity of everyday Soviet life and the utopian energy of Soviet culture. In History Becomes Form , Boris Groys offers a contemporary's account of what he calls the most interesting Russian artistic phenomenon since the Russian avant-garde. The book collects Groys's essays on Moscow conceptualism, most of them written after his emigration to the West in 1981. The individual artists of the group—including Ilya Kabakov, Lev Rubinstein, and Ivan Chuikov—became known in the West after perestroika, but until now the artistic movement as a whole has received little attention. Groys's account sheds light not only on the Moscow Conceptualists and their work but also on the dilemmas of Soviet artists during the cold war.

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