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Kelley, Mike --- Mike Kelley --- 737.8 --- textile materials --- video art --- Nachtwey, James --- Documentary photography --- War photography --- Mike Kelley ° 1954, Detroit, Verenigde Staten --- Kunst ; installaties ; 1983-1999 ; Mike Kelley --- Performances --- Tentoonstellingskunst --- John C. Welchman, Isabelle Graw, Anthony Vidler --- performances --- assemblages --- Bataille Georges --- Fort Charles --- kunst en muziek --- rock --- kunst en rock --- 7.071 KELLEY --- Combat photography --- Photography, Combat --- Photography, War --- Photojournalism --- Photography, Documentary --- Beeldhouwkunst ; beeldhouwers A - Z --- Kunstgeschiedenis ; 1950 - 2000 --- Documentary photography. --- War photography. --- Kunst en maatschappij --- Conceptuele kunst --- Intermedia --- 7.07 --- 73.07 --- 7.038 --- Kelley Mike --- Verenigde Staten --- beeldhouwkunst --- installaties --- kunst --- twintigste eeuw --- tekenkunst --- kunst en architectuur --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Photography --- Drawing --- performance art --- installations [visual works] --- Film --- art [fine art] --- drawing [image-making] --- Art --- anno 1900-1999 --- United States --- ruimtelijke kunst --- Kelley, Mike, - 1954-2012 --- art [discipline] --- United States of America

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The work of artist Mike Kelley (b. 1954) embraces performance, installation, drawing, painting, video, and sculpture. Drawing distinctively on high art and vernacular traditions, including historical research, popular culture, and psychology, Kelley came to prominence in the 1980s with a series of sculptures composed of craft materials. His recent work offers dialogues with architecture and with repressed memory syndrome, and a sustained inquiry into his own aesthetic and social history. The subjects on which Kelley has written are as varied as his artistic media. They include the work of fellow artists, sound, caricature, the uncanny, UFOlogy, and gender-bending. 

This book offers a diverse collection of Kelley's writings from the last twenty-five years. It contains major critical texts on art, film, and the wider culture, including his piece on the aesthetic he calls "urban Gothic." It also contains essays, mostly commissioned for exhibition catalogs and journals, on the artists and groups David Askevold, Öyvind Fahlström, Douglas Huebler, John Miller, Survival Research Laboratories, and Paul Thek, among others. Kelley's voices are passionate, analytic, and ironic, and his critical intelligence is leavened with touches of whimsy.


Kelley, Mike, --- Art criticism --- Written works --- Aesthetics --- art criticism --- Art --- essays --- Aesthetics of art --- Kelley, Mike --- Mike Kelley ; Edited by John C. Welchman --- kunst --- kunsttheorie --- twintigste eeuw --- Kelley Mike --- kunstkritiek --- film --- gender studies --- Broodthaers Marcel --- Thek Paul --- Fahlström Öyvind --- Huebler Douglas --- Askevold David --- Miller John --- filmtheorie --- video --- videokunst --- schilderkunst --- fotografie --- installaties --- 7.01 --- Aesthetics. --- Art criticism. --- Artists' writings --- Esthétique --- Critique d'art --- Ecrits d'artistes --- Arts --- Criticism --- Analysis, interpretation, appreciation --- Written works. --- Kelley, Mike, - 1954-2012 - Written works --- Kelley, Mike, - 1954-2012 - Aesthetics --- Kelley, Mike, - 1954-2012