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L'ambition de ce livre est de proposer un regard nouveau sur le Guzmán de Alfarache et le Quichotte. Il adopte pour cela un angle d'attaque singulier qui consiste à étudier ces deux chefs-d'œuvre du Siècle d'or en regard de leurs Secondes parties apocryphes. Les Premières parties du Guzmán et du Quichotte ont en effet donné lieu à des continuations d'autres auteurs, parues respectivement à Valence, en 1602, et à Tarragone, en 1614, alors qu'Alemán et Cervantès préparaient eux-mêmes des suites de leurs romans. Si, de ce fait, l'entreprise littéraire de ces écrivains concurrents s'apparente à une imposture, elle comporte cependant une part remarquable de création : Luján et Avellaneda introduisent tous deux des innovations qui ne sont pas des maladresses ou des « erreurs ». De surcroît, leurs projets romanesques stimulent la créativité des auteurs originaux, qui sont contraints de remanier - voire de réécrire - leurs propres Secondes parties. C'est la fécondité et la richesse de ces différentes interactions romanesques que cet ouvrage aimerait mettre en lumière.

Essays. --- Letters. --- Ensayos. --- Cartas. --- Correspondence --- Collected papers (Anthologies) --- Papers, Collected (Anthologies) --- Biographical sources --- Literature --- Letter writing --- Prose literature --- Festschriften --- Don Quichotte --- Guzman de Alfarache --- Mateo Aleman --- Miguel de Cervantes

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"For Miguel de Cervantes, to narrate a Mediterranean experience is to necessarily speak of an emotional experience. Affective Geographies takes as its point of departure the premise that literature is as influential in constructing the Mediterranean as are its geographic, climatic, or economic features. As the writer with the most vast and varied Mediterranean experience of his era, Cervantes is exceptionally well-suited for the critical task of recovering the literary Mediterranean. Engaging with the interdisciplinary fields of Mediterranean studies, affect theory, and the history of emotion, Paul Michael Johnson reads Cervantes's texts alongside the affective structures that inscribe the Mediterranean as a space of conflict, commerce, expansion, and empire. In particular, he argues that Cervantes's writing, with its uncommon focus on the Moorish, Islamic, and North African experience, can serve to realign misconceptions about the Mediterranean we have inherited today. Affective Geographies proposes that, with a more than four-hundred-year history of impacting the hearts and minds of readers, Cervantes's works constitute a literary longue duree, ramifying beyond fiction to alter the popular imaginary and long-term cultural landscape."--

Emotions in literature. --- Cervantes Saavedra, Miguel de, --- Criticism and interpretation. --- Mediterranean Region --- In literature. --- Blue Humanities. --- Don Quixote. --- Fernand Braudel. --- Golden Age literature. --- Mediterranean. --- Miguel de Cervantes. --- Moorish. --- Moriscos. --- Oceanic Studies. --- Spain. --- affect. --- early modern Spanish literature. --- emotion. --- sentiment.

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Cervantes Saavedra, de, Miguel --- Cervantes Saavedra, Miguel de, --- Periodicals --- Letterkunde. --- Spaans. --- Schrijvers. --- Arts and Humanities --- General and Others --- Language & Linguistics --- Literature --- Miguel de Cervantes --- Cervantes's work --- Cervantes's life --- Don Quixote --- Sai-wan-tʻi-ssŭ, --- Servantes, M., --- Sirfāntīs, --- De Cervantes Saavedra, Miguel, --- Cervantes, Miguel de, --- Cervantes de Saavedra, Miguel de, --- Сервантес Сааведра, Мигель де, --- Servantes Saavedra, Migelʹ de, --- Saavedra, Miguel de Cervantes, --- Cervantes Savedra, Miguel, --- Savedra, Miguel Cervantes, --- Servantesu, M., --- Cervantes, M., --- Servantes Saavedra, Miguėlʹ, --- Hsi-wan-ti-shih, --- Serṿantes Saṿaidrah, Miguʼel de, --- Cervantes, Michael a, --- Cervantes Saavedra, Michael a, --- Servantes Savedra, Migelʹ, --- Savedra, Migelʹ Servantes, --- סערוואנטעס דע סאאוועדרא, מיגעל דע --- סערװאנטעס סאאװעדרא, מיגעל דע --- סרונטס סאאוידרא, מיגואל די, --- סרונטס סודרה, מיגל דה, --- סרונטס, מיגאל --- סרונתס סאוידרה, מיגואל די --- צערװאנטעס, מיגועל, --- ثربانتس سابدرا، ميجيل دي، --- سروانتس --- セルバンテス, --- 塞万提斯, --- Tservantes, Michaēl, --- Cervantes Saavedra, Michiel de, --- Cerbantes Saavedra, Miguel de, --- Periodicals. --- De Cervantes, Miguel, --- Writers --- Spanish. --- Literature. --- 18.32 Spanish literature. --- Cervantes y Saavedra, Miguel de, --- Cervantes y Saavedra, Miguel de --- De Cervantes, Miguel --- Cervantes, Michel --- miguel de cervantes --- cervantes's work --- cervantes's life --- don quixote --- Spanish language --- Spanish literature --- Cervantes Cortinas, Miguel de, --- Cortinas, Miguel de Cervantes, --- De Cervantes Cortinas, Miguel, --- Sai-wan-t�i-ss�u, --- Savedra, Migel� Servantes, --- Servantes Saavedra, Migel� de, --- Servantes Saavedra, Migu�el�, --- Ser�vantes Sa�vaidrah, Migu�el de, --- Servantes Savedra, Migel�, --- Sirf�ant�is, --- Tservantes, Micha�el, --- Filologia castellana --- Literatura castellana

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At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.Renaissance Futurities considers the intersections between artistic rebirth, the new science, and European imperialism in the global early modern world. Charlene Villaseñor Black and Mari-Tere Álvarez take as inspiration the work of Renaissance genius Leonardo da Vinci (1452-1519), prolific artist and inventor, and other polymaths such as philosopher Giulio "Delminio" Camillo (1480-1544), physician and naturalist Francisco Hernández de Toledo (1514-1587), and writer Miguel de Cervantes (1547-1616). This concern with futurity is inspired by the Renaissance itself, a period defined by visions of the future, as well as by recent theorizing of temporality in Renaissance and Queer Studies. This transdisciplinary volume is at the cutting edge of the humanities, medical humanities, scientific discovery, and avant-garde artistic expression.

Art and science --- Forecasting. --- Science and art --- Science --- ART / History / Renaissance. --- artist. --- artistic rebirth. --- avant garde artistic expression. --- delminio. --- european imperialism. --- francisco hernandez de toledo. --- futurity. --- giulio camillo. --- global early modern world. --- humanities. --- intersections. --- inventor. --- leonardo da vinci. --- medical humanities. --- miguel de cervantes. --- naturalist. --- new science. --- philosopher. --- physician. --- polymaths. --- queer studies. --- renaissance. --- scientific discovery.

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"Miguel de Cervantes’s experimentation with theatricality is frequently tied to the notion of revelation and disclosure of hidden truths. Drawing the Curtain showcases the elements of theatricality that characterize Cervantes’s prose and analyses the ways in which he uses theatricality in his own literary production. Bringing together the works of well-known scholars who draw from a variety of disciplines and theoretical approaches, this collection demonstrates how Cervantes exploits revelation and disclosure to create dynamic dramatic moments that surprise and engage observers and readers. Hewing closely to Peter Brook’s notion of the bare or empty stage, Esther Fernández and Adrienne L. Martín argue that Cervantes’s omnipresent concern with theatricality manifests not only in his drama but also in the myriad metatheatrical instances dispersed throughout his prose works. In doing so, Drawing the Curtain sheds light on the ways in which Cervantes forces his readers to engage with themes that are central to his life and works, including love, freedom, truth, confinement, and otherness."--

Theater in literature. --- Revelation in literature. --- Cervantes Saavedra, Miguel de, --- Cervantes y Saavedra, Miguel de --- Cerbantes Saavedra, Miguel de, --- Cervantes de Saavedra, Miguel de, --- Cervantes, M., --- Cervantes, Michael a, --- Cervantes, Miguel de, --- Cervantes Saavedra, Michael a, --- Cervantes Saavedra, Michiel de, --- Cervantes Savedra, Miguel, --- De Cervantes, Miguel, --- De Cervantes, Miguel --- Cervantes, Michel --- Hsi-wan-ti-shih, --- Saavedra, Miguel de Cervantes, --- Sai-wan-tʻi-ssŭ, --- Savedra, Migelʹ Servantes, --- Savedra, Miguel Cervantes, --- Servantes, M., --- Servantes Saavedra, Migelʹ de, --- Servantes Saavedra, Miguėlʹ, --- Serṿantes Saṿaidrah, Miguʼel de, --- Servantes Savedra, Migelʹ, --- Servantesu, M., --- Sirfāntīs, --- Tservantes, Michaēl, --- Сервантес Сааведра, Мигель де, --- סערװאנטעס סאאװעדרא, מיגעל דע --- סערוואנטעס דע סאאוועדרא, מיגעל דע --- סרונתס סאוידרה, מיגואל די --- סרונטס סאאוידרא, מיגואל די, --- סרונטס סודרה, מיגל דה, --- סרונטס, מיגאל --- צערװאנטעס, מיגועל, --- ثربانتس سابدرا، ميجيل دي، --- سروانتس --- セルバンテス, --- 塞万提斯, --- Cervantes Cortinas, Miguel de, --- Cortinas, Miguel de Cervantes, --- De Cervantes Cortinas, Miguel, --- De Cervantes Saavedra, Miguel, --- Criticism and interpretation. --- Don Quixote. --- Miguel de Cervantes. --- Peter Brook. --- Renaissance. --- Spanish drama. --- drama. --- dramatic works. --- early modern Spanish literature. --- empty space. --- entremeses. --- performance. --- prose. --- revelations. --- theatre. --- theatricality. --- Cervantes Saavedra, de, Miguel