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Historical linguistics --- English language --- Grammar --- anno 1200-1499 --- English literature --- Grammar. --- Readers. --- Readers --- Middle English literature --- Germanic languages
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Historical linguistics --- English language --- Grammar --- anno 1200-1499 --- anno 1100-1199 --- 802.0-023 --- Middelengels --- English literature --- Readers. --- 802.0-023 Middelengels --- Readers --- Germanic languages --- Middle English literature
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Next to Chaucer's Canterbury Tales, William Langland's Piers Plowman is perhaps the best-known literary picture of fourteenth-century England. Langland's work, more socially concerned and critical than Chaucer's, reflected an age of religious controversy, social upheaval, and political unrest. The World of Piers Plowman puts the reader in touch with the sources that helped shape Langland's somber vision. The representative documents included in this book, often cited in connection with the poem yet difficult to come by, disclose the background of Piers Plowman in social and economic history as well as folklore, art, theology, homilies, religious tractates, and chronicles.The seven sections into which the readings are divided illustrate ideas concerning (1) the heavens, the universal Church, England, and London; (2) material and spiritual abuses; (3) the most influential literary genres of the period; (4) exempla, moral tales from hagiography, sermon literature, and tracts on moral theology; (5) types of practical instruction available to the devout layperson; (6) the multiple meanings in many literary works; and (7) the moment of death, the judgments on the soul, and the torments and rewards of the afterlife.
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After establishing his reputation as a literary author by means of his French and Latin verse, Gower came to recognise the possibilities which English held for serious poetry in the 1380s. This book gives sustained attention to the implications of this language choice for the form, readership, religious position, and lay authority of his best-known work, the Confessio Amantis. The author argues that in all of his moral-political-theological writings, Gower's stance as a satirist and publicist is more markedly lay, and more rhetorically momentous for reasons associated with this lay status, than is generally thought. But during the 1380s, the conditions for writing lay public poetry in English made the Confessio a truly remarkable feat, for Gower and for English poetry.
English poetry --- History and criticism. --- Gower, John, --- Criticism and interpretation. --- 14th Century. --- Confessio Amantis. --- English Poetry. --- John Gower. --- Lay Religion. --- Middle English Literature. --- Roman influences. --- Ovid, --- Language. --- Influence.
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Medieval England had a thriving culture of rewriting the Bible in art, drama, and literature in Latin, French and English. Middle English biblical poetry was central to this culture, and although these poems have suffered from critical neglect, sometimes dismissed as mere 'paraphrase', they are rich, innovative and politically engaged. Read in the same gentry and noble households as secular romance, biblical poems borrow and adapt romance plots and motifs, present romance-inflected exotic settings, and share similar concerns: reputation, order, family and marriage.
This book explores six poems from the thirteenth and fourteenth centuries that retell episodes from the Old Testament: the ballad-like 'Iacob and Iosep', two lives of 'Adam and Eve'; an alliterative version of the Susanna story, the 'Pistel of Susan'; and the Gawain-poet's 'Patience' and 'Cleanness'. Each chapter identifies new sources and influences for the poems, including from biblical glosses and manuscript illustration. The book also investigates the poems' relationships with contemporary cultures of literature and religion, including with secular romance, and offers new readings of each poem and its cultural functions, showing how they bridge the chasm between medieval Christian England and the Jews and pagans of the pre-Christian Mediterranean world. It also considers reading contexts, arguing that the poems and their manuscripts offer hints about the social class and gender of their household audiences.
Religious poetry, English (Middle) --- History and criticism. --- Bible --- In literature. --- Biblical poetry. --- Middle English literature. --- Old Testament. --- biblical retelling. --- cultural functions. --- literary analysis. --- medieval England. --- medieval narrative. --- romance.
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English literature --- -Fifteenth century --- 15th century --- Middle Ages --- Renaissance --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- -Literary collections --- Middle English literature --- English literature - Middle English, 1100-1500
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English literature --- Marriage --- 392.4/.5 "04/14" --- Middle English literature --- 392.4/.5 "04/14" Verloving. Huwelijk. Huwelijksgebruiken. Partnerkeuze. Polyandrie. Polygamie. Monogamie--Middeleeuwen --- Verloving. Huwelijk. Huwelijksgebruiken. Partnerkeuze. Polyandrie. Polygamie. Monogamie--Middeleeuwen
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The old speaker in Middle English literature often claims to be impaired because of age. This admission is often followed by narratives that directly contradict it, as speakers, such as the Reeve in Chaucer's Canterbury Tales or Amans in Gower's Confessio Amantis, proceed to perform even as they claim debility. More than the modesty topos, this contradiction exists, the book argues, as prosthesis: old age brings with it debility, but discussing age-related impairments augments the old, impaired body, while simultaneously undercutting and emphasizing bodily impairments. This language of prosthesis becomes a metaphor for the works these speakers use to fashion narrative, which exist as incomplete yet powerful sources.
English literature --- Old age in literature. --- History and criticism. --- Older people in literature --- ld age in literature. --- Caxton. --- Chaucer. --- Disability. --- Hamlet. --- Hoccleve. --- John Gower. --- Middle English literature. --- Polonius. --- prosthesis. --- rhetoric.
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Anchorites and their texts, such as Ancrene Wisse, have recently undergone a reevaluation based on material circumstances, not just theological import. The articles here address a variety of anchoritic or anchoritic-adjacent texts, encompassing guidance literature, hagiographies, miracle narratives, medical discourse, and mystic prose, and spanning in date from the eighth through the fourteenth centuries. Exploring reclusion and materiality, the collection addresses a series of overlapping themes, including the importance of touch, the limits of religious authority, and the role of the senses. Objects, metaphorical and real, embodied and spiritual, populate the pages. These categories are permeable, with flexible and porous boundaries, demonstrating the conflation of ideas, concepts, and manifestations in medieval materiality. In fact, the permeability of these categories demonstrates how materiality can reshape our approach to medieval texts. It leaves room for directions for future study, including the application of material analysis to previously unstudied objects, spaces, and literary artifacts.
Material culture in literature. --- Christian literature, English (Middle) --- History and criticism. --- Christian literature, English --- Christian literature, Middle English --- English Christian literature, Middle --- Middle English Christian literature --- English literature --- Middle English literature. --- anchorites. --- ancrenne wisse. --- embodiment. --- medieval materiality. --- medieval relics. --- reclusion.
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This text is about felony prosecution in late medieval England, which it argues was shaped by literary and legal ideas. Medieval lawmen found felony distasteful, leaving its definition and prosecution to ordinary people. Wang argues they turned to literary dramatic, and religious sources for their ideas of evidence, proof, and guilt.
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