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Medieval rhetoric --- Middeleeuwse retorica --- Retorica [Middeleeuwse ] --- Rhetoric [Medieval ] --- Rhétorique médiévale --- Rhetoric, Medieval --- Camargo, Martin --- Festschriften --- Literature [Medieval ] --- History and criticism
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Poetry --- French literature (outside France) --- Old French literature --- Literary rhetorics --- retoriek --- Chansons de trouvères --- Medieval rhetoric --- Middeleeuwse retorica --- Retorica [Middeleeuwse ] --- Rhetoric [Medieval ] --- Rhétorique médiévale --- Trouvère songs --- Trouvère-liederen --- Trouvères --- Trouvères--Chansons --- French poetry --- To 1500 --- History and criticism
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Medieval rhetoric --- Middeleeuwse retorica --- Retorica [Middeleeuwse ] --- Rhetoric [Medieval ] --- Rhétorique médiévale --- English language --- Rhetoric, Medieval. --- Etymology. --- Glossaries, vocabularies, etc. --- Lexicology. --- Chaucer, Geoffrey --- Language --- Middle English, 1100-1500 --- Lexicology --- Etymology --- Glossaries, vocabularies, etc --- CHAUCER (GEOFFREY), d. 1400 --- LANGUAGE
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Au tournant du XIIe et du XIIIe siècle, les thématiques moralisatrices tiennent une place importante dans les sources musicales parisiennes, particulièrement dans la pratique du conductus. L'analyse d'une sélection de conduits monodiques moraux attribués à Philippe le Chancelier révèle les qualités oratoires et rhétoriques de cette production tant par le texte que par la musique. Les deux entretiennent une relation complexe qui peut être de valoriser les sons des mots, d'en clarifier le sens ou encore de mettre en place une construction savante, à l'intention des esprits habitués aux subtilités de la poésie rythmique latine et des mélodies du plain-chant. Le désir de communication du message moral impose ses règles et ses figures, comme autant de techniques apprises au contact d'autres pratiques du discours, notamment celle du sermon. Les capacités du prédicateur à structurer son message et le fonder sur un substrat culturel scolaire et biblique se trouvent ainsi réinvesties dans l'élaboration de ces constructions lyriques.
Phlip the Chancellor --- Medieval rhetoric --- Middeleeuwse retorica --- Retorica [Middeleeuwse ] --- Rhetoric [Medieval ] --- Rhétorique médiévale --- Conductus --- Music --- Conduits (Musique) --- Musique --- Moral and ethical aspects --- Aspect moral --- Philip, --- Philippus Cancellarius --- History and criticism --- Poetry [Medieval ] --- Part songs [Sacred ] --- Latin poetry [Medieval and modern ] --- Didactic poetry [Latin ] (Medieval and modern) --- Motets --- Part-songs [Latin ] --- 500-1400
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Medieval rhetoric --- Middeleeuwse retorica --- Retorica [Middeleeuwse ] --- Rhetoric [Medieval ] --- Rhétorique médiévale --- 82-5 --- 82.085 --- 091:82-5 --- Rhetoric, Medieval --- Redevoering. Preek --- Retorica. Argumentatieleer. Voordrachtkunst --- Handschriftenkunde. Handschriftencatalogi-:-Redevoering. Preek --- 091:82-5 Handschriftenkunde. Handschriftencatalogi-:-Redevoering. Preek --- 82.085 Retorica. Argumentatieleer. Voordrachtkunst --- 82-5 Redevoering. Preek --- 82-5 Oratory. Speeches. Sermons. Addresses. Lectures. Others --- Oratory. Speeches. Sermons. Addresses. Lectures. Others
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Esthétique de la réception --- Hermeneutics --- Hermeneutiek --- Herméneutique --- Medieval rhetoric --- Middeleeuwse retorica --- Mimesis in de literatuur --- Mimesis in literature --- Mimêsis dans la littérature --- Reader-response criticism --- Representation (Literature) --- Représentation (Littérature) --- Retorica [Middeleeuwse ] --- Rhetoric [Medieval ] --- Rhétorique médiévale --- Voorstelling (Literatuur) --- English literature --- Old English, ca. 450-1100 --- History and criticism --- Theory, etc. --- Authors and readers --- England --- History
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"Seventeen previously published papers, here updated and revised, and one hitherto unpublished essay explore the medieval notion of the Seven Deadly Sins and several aspects of medieval sermons"--Cover page 4.
Christian pastoral theology --- Christian dogmatics --- anno 500-1499 --- France --- England --- Medieval rhetoric --- Middeleeuwse retorica --- Retorica [Middeleeuwse ] --- Rhetoric [Medieval ] --- Rhétorique médiévale --- Deadly sins. --- Sermons --- Deadly sins --- Sermons, Medieval. --- Péchés capitaux --- Sermons médiévaux --- History of doctrines --- Histoire des doctrines --- Péchés capitaux --- Sermons médiévaux --- Middle Ages, 600-1500 --- Sermons [Medieval ] --- History and criticism --- Sermons [Latin ] --- Preaching --- History --- Theology [Doctrinal ] --- Theology --- Middle Ages, 500-1500
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Art de conter en litterature --- Christelijke bedevaarders en bedevaarten in de literatuur --- Christian pilgrims and pilgrimages in literature --- Medieval rhetoric --- Middeleeuwse retorica --- Pèlerins et pèlerinages chrétiens dans la littérature --- Retorica [Middeleeuwse ] --- Rhetoric [Medieval ] --- Rhétorique médiévale --- Storytelling in literature --- Vertelkunst in de literatuur --- Chaucer, Geoffrey --- English poetry --- Middle English, 1100-1500 --- History and criticism --- Experimental poetry [English ] --- Tales [Medieval ] --- Chaucer, Geoffrey, - d. 1400. - Canterbury tales. --- Experimental poetry, English - History and criticism. --- CHAUCER (GEOFFREY), d. 1400 --- CANTERBURY TALES
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Ann W. Astell here affords a radically new understanding of the rhetorical nature of allegorical poetry in the late Middle Ages. She shows that major English writers of that era-among them, William Langland, John Gower, Geoffrey Chaucer, and the Gawain-poet-offered in their works of fiction timely commentary on current events and public issues. Poems previously regarded as only vaguely political in their subject matter are seen by Astell to be highly detailed and specific in their veiled historical references, implied audiences, and admonitions. Astell begins by describing the Augustinian and Boethian rhetorical principles involved in the invention of allegory. She then compares literary and historical treatments of key events in fourteenth- and fifteenth-century England, finding an astonishing match of allusions and code words, especially those deriving from puns, titles, heraldic devices, and personal cognizances, as well as repeated proverbs, prophecies, and exempla. Among the works she discusses are John Ball's Letters and parts of Piers Plowman, which she presents as two examples of allegorical literature associated with the Peasants' Revolution of 1381; Gower's allegorical representation of the Merciless Parliament of 1388 in Confessio Amantis; and Chaucer's brilliant literary handling of key events in the reign of Richard II. In addition Astell argues for a precise dating of Sir Gawain and the Green Knight between 1397 and 1399 and decodes the work as a political allegory.
Allegorie --- Allegory --- Allégorie --- Inventio (Retorica) --- Invention (Rhetoric) --- Invention (Rhétorique) --- Medieval rhetoric --- Middeleeuwse retorica --- Retorica [Middeleeuwse ] --- Rhetoric [Medieval ] --- Rhétorique médiévale --- English literature --- Political poetry, English (Middle) --- Politics and literature --- Rhetoric, Medieval. --- Allegory. --- Personification in literature --- Symbolism in literature --- Rhetoric --- English political poetry, Middle --- Middle English political poetry --- Political poetry, English --- Political poetry, Middle English --- English poetry --- History and criticism. --- History --- Great Britain --- Politics and government --- Rhetoric, Medieval --- History and criticism --- Middle English, 1100-1500 --- Political poetry [English ] (Middle) --- To 1500 --- 1154-1399 --- 1399-1485
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This study innovatively explores how Malory's Morte D'Arthur responds to available literary vernacular Arthurian traditions which the French defined as theoretical in impulse, the English as performative and experimental. Negotiating these influences, Malory transforms constructions of masculine heroism, especially in the presentation of Launcelot, and exposes the tensions and disillusions of the Arthurian project. The Morte poignantly conveys a desire for integrity in narrative and subject-matter, but at the same time tests literary conceptualizations of history, nationalism, gender and selfhood, and considers the failures of social and legal institutionalizations of violence, in a critique of literary form and of social order.
Chevaliers et chevalerie dans la littérature --- Kings and rulers in literature --- Knights and knighthood in literature --- Koningen en heersers in de literatuur --- Medieval rhetoric --- Middeleeuwse retorica --- Narration (Rhetoric) --- Narration (Rhétorique) --- Narrative writing --- Retorica [Middeleeuwse ] --- Rhetoric [Medieval ] --- Rhétorique médiévale --- Ridders en ridderschap in de literatuur --- Rois et souverains dans la littérature --- Verhaal (Retoriek) --- Malory, Thomas --- Arthurian romances --- History and criticism --- Romances [English ] --- Malory, Thomas (1408?-1471). Le morte Darthur --- Chevalerie --- Rois et souverains --- Dans la littérature
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