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""What is abstract art good for? What's the use--for us as individuals, or for any society--of pictures of nothing, of paintings and sculptures or prints or drawings that do not seem to show anything except themselves?" In this invigorating account of abstract art since Jackson Pollock, eminent art historian Kirk Varnedoe, the former chief curator of painting and sculpture at the Museum of Modern Art, asks these and other questions as he frankly confronts the uncertainties we may have about the nonrepresentational art produced in the last five decades. He makes a compelling argument for its history and value, much as E. H. Gombrich tackled representation fifty years ago in Art and Illusion, another landmark A. W. Mellon Lectures volume. Realizing that these lectures might be his final work, Varnedoe conceived of them as a statement of his faith in modern art and the culminating example of his lucidly pragmatic and philosophical approach to art history. He delivered the lectures, edited and reproduced here with their illustrations, to overflowing crowds at the National Gallery of Art in Washington in the spring of 2003, just months before his death. With brilliance, passion, and humor, Varnedoe addresses the skeptical attitudes and misunderstandings that we often bring to our experience of abstract art. Resisting grand generalizations, he makes a deliberate and scholarly case for abstraction--showing us that more than just pure looking is necessary to understand the self-made symbolic language of abstract art. Proceeding decade by decade, he brings alive the history and biography that inform the art while also challenging the received wisdom about distinctions between abstraction and representation, modernism and postmodernism, and minimalism and pop. The result is a fascinating and ultimately moving tour of a half century of abstract art, concluding with an unforgettable description of one of Varnedoe's favorite works." http://www.loc.gov/catdir/enhancements/fy0654/2006006621-d.html.
Art, Abstract --- Art, American --- USA --- United States --- Abstract art. --- Abstract expressionism. --- Adolf von Hildebrand. --- Aerial perspective. --- Aestheticism. --- Andy Warhol. --- Annie Hall. --- Anti-art. --- Art and Illusion. --- Art history. --- Barnett Newman. --- Brice Marden. --- Calligraphy. --- Carl Andre. --- Classicism. --- Clement Greenberg. --- Clyfford Still. --- Constantin Brâncu?i. --- Cubism. --- Cy Twombly. --- Dan Flavin. --- David Sylvester. --- Donald Judd. --- Drip painting. --- Edvard Munch. --- Ellsworth Kelly. --- Ernst Gombrich. --- Eva Hesse. --- Feminist art. --- Figurative art. --- Fine art. --- Frank Stella. --- Geometric abstraction. --- Gerhard Richter. --- Illusionism (art). --- J. M. W. Turner. --- Jackson Pollock. --- Jasper Johns. --- Josef Albers. --- Kirk Varnedoe. --- Lacquer. --- Lecture. --- Marcel Duchamp. --- Mark Rothko. --- Max Bill. --- Michael Fried. --- Minimalism. --- Modern art. --- Modernism. --- National Gallery of Art. --- New Thought. --- Pablo Picasso. --- Peter Eisenman. --- Peter Halley. --- Pop art. --- Postmodernism. --- Rachel Lachowicz. --- Rachel Whiteread. --- Reductive art. --- Richard Serra. --- Robert Rauschenberg. --- Roy Lichtenstein. --- Satire. --- Sherrie Levine. --- Smithsonian Institution. --- Sol LeWitt. --- Terry Winters. --- Whitney Museum of American Art. --- Willem de Kooning. --- Work of art.
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In the late nineteenth century, Scandinavian urban dwellers developed a passion for a new, utterly modern sort of visual spectacle: objects and effigies brought to life in astonishingly detailed, realistic scenes. The period 1880-1910 was the popular high point of mannequin display in Europe. Living Pictures, Missing Persons explores this phenomenon as it unfolded with the rise of wax museums and folk museums in the largest cities of Denmark, Sweden, and Norway. Mark Sandberg asks: Why did modernity generate a cultural fascination with the idea of effigy? He shows that the idea of effigy is also a portal to understanding other aspects of visual entertainment in that period, including the widespread interest in illusionistic scenes and tableaux, in the "portability" of sights, spaces, and entire milieus. Sandberg investigates this transformation of visual culture outside the usual test cases of the largest European metropolises. He argues that Scandinavian spectators desired an unusual degree of authenticity--a cultural preference for naturalism that made its way beyond theater to popular forms of museum display. The Scandinavian wax museums and folk-ethnographic displays of the era helped pre-cinematic spectators work out the social implications of both voyeuristic and immersive display techniques. This careful study thus anticipates some of the central paradoxes of twentieth-century visual culture--but in a time when the mannequin and the physical relic reigned supreme, and in a place where the contrast between tradition and modernity was a high-stakes game.
Ethnological museums and collections --- Popular culture --- Waxworks --- History --- Scandinavia --- Intellectual life --- A Severed Head. --- Agnosticism. --- Anachronism. --- Anthropomorphism. --- Antique furniture. --- Archive. --- Assassination. --- Autobiography. --- Cataclysm (Dragonlance). --- Cemetery. --- Chamber of Horrors (Madame Tussauds). --- City Museum. --- Complexity. --- Crone. --- Cultural history. --- Curator. --- Deal with the Devil. --- Death mask. --- Death. --- Decapitation. --- Decoy effect. --- Degenerative disease. --- Desecration. --- Diorama. --- Dismemberment. --- Distrust. --- Documenta. --- Double consciousness. --- Dreyfus affair. --- Entrapment. --- Ephemerality. --- Exoticism. --- False evidence. --- First Sorrow. --- Folk museum. --- From Time Immemorial. --- Genre painting. --- Grandparent. --- Grave robbery. --- His Family. --- Historical Association. --- Historical trauma. --- Horror film. --- Hyperreality. --- Illustration. --- Impossibility. --- Infidel. --- Jonathan Crary. --- Karen Blixen. --- Leprosy. --- Linda Williams (film scholar). --- Mail. --- Mannequin. --- Memoir. --- Michael Dummett. --- Michael Fried. --- Mock execution. --- Modernity. --- Morgue. --- Most Secret. --- Museology. --- Museum. --- Mystery of the Wax Museum. --- Neglect. --- Neoromanticism (music). --- New Thought. --- Newspaper. --- Night of the Living Dead. --- Nightmare in Wax. --- Nordic Museum. --- Obsolescence. --- On Cinema. --- Orientalism. --- P. T. Barnum. --- Paul Leni. --- Personal History. --- Portrait photography. --- Random House. --- Religion. --- Romanticism. --- Schocken Books. --- Scientific skepticism. --- Secret photography. --- Semiotics. --- Serial killer. --- Skansen. --- Smithsonian Institution. --- Stockholm City Museum. --- Suicide. --- Superiority (short story). --- Taxidermy. --- The Last Minute. --- The Philosopher. --- Theft. --- Thomas Kuhn. --- Underdevelopment. --- Viewing (funeral). --- Vincent Price. --- Wax museum. --- Wear and tear.
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