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Simon fait chaque nuit le même rêve dont une femme énigmatique lui livre la clef : il est la réincarnation de l'oncle de Milarepa, le célèbre ermite tibétain du XIe siècle, qui vouait à son neveu une haine inexpiable. Pour sortir du cycle des renaissances, Simon doit raconter l'histoire des deux hommes, s'identifiant à eux au point de mêler leur identité à la sienne. Mais où commence le rêve, où finit le réel ? Eric-Emmanuel Schmitt, dans cette pièce monologue qui est aussi un conte dans l'esprit du bouddhisme tibétain, poursuit son questionnement philosophique : la réalité existe-t-elle en dehors de la perception qu'on en a ?
French literature --- Franse literatuur --- Boeddhisme --- Reincarnation - Buddhism - Drama --- Mi-la-ras-pa, - 1040-1123 - Drama --- Reincarnation --- Past-lives regression --- Rebirth --- Regression, Past-lives --- Pre-existence --- Soul --- Theosophy --- Transmigration --- Buddhism --- Mi-la-ras-pa, --- Bźad-paʼi-rdo-rje, --- Jetsün Milarepa, --- Mi-la Bźad-paʼi-rdo-rje, --- Mi-la Rdo-rje-rgyal-mtshan, --- Mi-lê-jih-pa, --- Mila Grubum, --- Mila-gshad pa rdoje, --- Mila-rä-pa, --- Mila-Zhadpa-Dorge, --- Milaraspa, --- Milareba, --- Milarepa, --- Milariba, --- Milareypa, --- Pal-Zhadpa-Dorje, --- Mi︠a︡laraĭva, --- Мяларайва, --- Gėtėlgėgch Mi︠a︡laraĭva, --- Гэтэлгэгч Мяларайва, --- Mi-la-ras-pa, - 1040-1123
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Tibetan biographers began writing Jetsun Milarepa’s (1052–1135) life story shortly after his death, initiating a literary tradition that turned the poet and saint into a model of virtuosic Buddhist practice throughout the Himalayan world. Andrew Quintman traces this history and its innovations in narrative and aesthetic representation across four centuries, culminating in a detailed analysis of the genre’s most famous example, composed in 1488 by Tsangnyön Heruka, or the “Madman of Western Tibet.” Quintman imagines these works as a kind of physical body supplanting the yogin’s corporeal relics.
Biography as a literary form. --- Lamas --- Buddhist priests --- Biography --- Authorship --- Prose literature --- History and criticism. --- History and criticism --- Technique --- Mi-la-ras-pa, --- Bźad-paʼi-rdo-rje, --- Jetsün Milarepa, --- Mi-la Bźad-paʼi-rdo-rje, --- Mi-la Rdo-rje-rgyal-mtshan, --- Mi-lê-jih-pa, --- Mila Grubum, --- Mila-gshad pa rdoje, --- Mila-rä-pa, --- Mila-Zhadpa-Dorge, --- Milaraspa, --- Milareba, --- Milarepa, --- Milariba, --- Milareypa, --- Pal-Zhadpa-Dorje, --- Mi︠a︡laraĭva, --- Мяларайва, --- Gėtėlgėgch Mi︠a︡laraĭva, --- Гэтэлгэгч Мяларайва, --- Lamas - Tibet Region - Biography - History and criticism. --- Mi-la-ras-pa, - 1040-1123
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Indian religions --- Asian literature --- Milarepa --- Lamas --- Spiritual life --- Biography --- Buddhism --- Mi-la-ras-pa, --- -Spiritual life --- -294.3*93 --- Life, Spiritual --- Religious life --- Spirituality --- Buddhist priests --- Buddhism. --- Tantrisme. Vajrayana. Matrayana --- Bźad-paʼi-rdo-rje, --- Jetsün Milarepa, --- Mi-la Bźad-paʼi-rdo-rje, --- Mi-la Rdo-rje-rgyal-mtshan, --- Mi-lê-jih-pa, --- Mila Grubum, --- Mila-gshad pa rdoje, --- Mila-rä-pa, --- Mila-Zhadpa-Dorge, --- Milaraspa, --- Milareba, --- Milarepa, --- Milariba, --- Milareypa, --- Pal-Zhadpa-Dorje, --- Tibetan poetry. --- Boeddhisme. --- 294.3*93 Tantrisme. Vajrayana. Matrayana --- Mi︠a︡laraĭva, --- Мяларайва, --- Gėtėlgėgch Mi︠a︡laraĭva, --- Гэтэлгэгч Мяларайва, --- Lamas - China - Tibet - Biography - Early works to 1800 --- Spiritual life - Buddhism - Early works to 1800 --- Mi-la-ras-pa, - 1040-1123 --- -Biography
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