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Numismatics. --- Metsys, Quinten, --- Medals.
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2e édition.
Erasme, Didier --- Peinture --- Metsys, Quinten --- Dürer, Albrecht --- Peintres
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Metsys (Quentin) --- Metsys (Quinten) --- Peinture (Art) --- Schilderkunst --- 75 (Massys, Q.)
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Metsys (Quentin) --- Metsys (Quinten) --- Peinture (Art) --- Schilderkunst --- 75 (Metsys, Q.)
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In den religiösen und profanen Bildern des Antwerpener Malers Quentin Massys (1465/66?1530) sind immer wieder ?auffällige? Physiognomien zu finden. Sie dienen der Sichtbarmachung von Affekten und sollen den Betrachter emotional bewegen. Ausgehend von dieser Beobachtung widmet sich die Studie anhand einer Auswahl von Schlüsselwerken erstmals gezielt den künstlerischen Strategien, die Massys einsetzt, um das Wirkungspotenzial seiner Bilder auszuloten und die Rezeption des historischen Betrachters zu modellieren. Mit zahlreichen Bezügen zur christlich-humanistischen Rhetorik des Erasmus von Rotterdam, der damaligen Frömmigkeit, dem Humor sowie dem Affekt- und Bildverständnis der Zeit zeigt die Studie auf, wie tief Massys? Visualisierungen von Emotionen und seine Bildstrategien der Affekterzeugung in den medialen und kulturellen Bedingungen des Bildschaffens um 1500 verankert sind.
Painting --- physiognomy --- emotion --- religious art --- Massijs, Quinten --- Metsys, Quentin, --- Masiis, Quentin, --- Massys, Quentin, --- Massys, Quinten, --- Matsys, Quentin, --- Messys, Quentin, --- Metsijs, Quentin, --- Metsys, Quinte, --- Metsys, Quinten, --- Criticism and interpretation. --- Influence. --- Metsijs, Quinten --- Metsys, Quinten --- Metsijs, Quentin --- Massys, Quinten --- Massys, Quentin --- Massijs, Quentin --- Metsys, Quentin --- Matsys, Quinten --- Matsijs, Quinten --- Messius, Quintinus --- Masiis, Quentin --- Matsys, Quentin --- Messys, Quentin --- Metsijs, Quentib --- Metsys, Quinte
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"The management of image in the service of power is a familiar tool of twenty-first century politics. Here a leading historian reveals how, from even before the Reformation, the Tudors sought to sustain and enhance their authority by representing themselves to their people through the media of building, print, art, material culture and speech. Deploying what we might now describe as 'spin', Tudor rulers worked actively as patrons and popularisers to present themselves to the best advantage. Familiarity, however, brought risk. The art of royal representation was a delicate balance between mystification and popularisation ... Yet relentless promotion of the royal image had desacralised it, leaving a difficult legacy for their Stuart successors. This first sustained analysis of the verbal and visual representations of Tudor power embraces art history, literary studies and the history of consumption and material culture ..."--Book jacket flap.
Tudor [Dynasty] --- Monarchy --- Public opinion --- History --- political art --- Iconography --- History of civilization --- Metsys, Quinten II --- Gheeraerts, Marcus I --- Gheeraerts, Marcus II --- England --- Great Britain --- Kings and rulers --- Public opinion. --- Politics and government --- Kingdom (Monarchy) --- Executive power --- Political science --- Royalists
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Bruegel, Pieter --- Bosch, Hieronymus --- Metsys, Quinten --- Van Cleve, Jan --- Patinir, Joachim --- Gossaert,Jan --- Van Leyden, Lucas --- Van Scorel, Jan --- Floris, Frans --- Aertsen, Pieter --- Pourbus, Pieter --- Bruegel de Oude, Pieter
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