Listing 1 - 10 of 19 | << page >> |
Sort by
|
Choose an application
Choose an application
Choose an application
Translations. --- Ovid, --- Translations --- History and criticism. --- Criticism and interpretation. --- Metamorphoses (Ovid)
Choose an application
This book positions Ovid's Metamorphoses as a foundational text in the western history of environmental thought. The poem is about new bodies. Stones, springs, plants and animals materialize out of human origins to create a world of hybrid objects, which retain varying degrees of human subjectivity while taking on new physical form. In bending the boundaries of known categories of being, these hybrid entities reveal both the porousness of human and other agencies as well as the dangers released by their fusion. Metamorphosis unsettles the category of the human within the complex ecologies that make up the world as we know it.Drawing on a range of modern environmental theorists and approaches, the contributors to this volume trace how the Metamorphoses models the relationship between humans and other life forms in ways that resonate with the preoccupations of contemporary eco-criticism. They make the case for seeing the worldview depicted in Ovid's poem as an exemplar of the 'premodern' ecological mindset that contemporary environmental thought seeks to approximate. They also highlight critical moments in the history of the poem's ecological reception, including reflections by a contemporary poet, as well as studies of Medieval and Renaissance responses to Ovid.
Environmentalism in literature. --- Ovid, --- Metamorphoses (Ovid). --- Environmentalism in literature --- Ovidius Naso, Publius. --- Ovidius Naso, Publius
Choose an application
This book presents the first systematic appreciation of Ovid's extensive influence on, and affinity with, modern visual culture. Some topics are directly related to Ovid; others exhibit features, characters, or themes analogous to those in his works. The book demonstrates the wide-ranging ramifications that Ovidian archetypes, especially from the Metamorphoses, have provoked in a modern artistic medium that did not exist in Ovid's time. It ranges from the earliest days of film history (Georges Méliès's discovery of screen metamorphosis) and theory (Gabriele D'Annunzio's fascination with the metamorphosis of Daphne; Sergei Eisenstein's concept of film sense) through silent films, classic sound films, commercial cinema, art-house and independent films to modernism and the C.G.I. era. Films by well-known directors, including Ingmar Bergman, Walerian Borowczyk, Jean Cocteau, Alfred Hitchcock, Stanley Kubrick, Fritz Lang, Max Ophuls, Alain Resnais, and various others, are analyzed in detail.
Choose an application
The verse-by-verse commentary on the Ovidian text includes the reading of more than 300 manuscripts, including the so-called Heinsian manuscripts, and of almost 100 editions, from the two "editiones principes" of 1471 to the present day.The introduction describes the manuscripts used, and a history of the Ovidian editions is also traced.A new text of book VI is presented, accompanied by a slim and lucid critical apparatus. Futher information appears in the commentary and in the appendices, particularly readings of manuscripts and editions.The verbatim commentary offers, with reliable "es for each term, the critical observations of all the editors and commentators of the Ovidian work throughout the centuries. This aspect of critical edition has been neglected by commentators of Ovid since Heinsius (1659) and Burman (1727).Two appendices ("Readings of manuscripts" and "Readings of editions") are added for the first time for readers of the Ovidian work.The volume closes with a "Select index of textual problems", a large "Index locorum" and an "Index nominum".
LITERARY CRITICISM / Ancient & Classical. --- Ovid's Metamorphoses. --- editorial technique. --- history of Classical Scholarship. --- textual criticism. --- Metamorphosis --- Mythology, Classical. --- Mythology. --- Metamorphosis (in religion, folk-lore, etc.) --- Classical mythology --- Mythology, Classical --- Mythology --- E-books --- Fables, Latin. --- Ovide --- Metamorphoses (Ovid)
Choose an application
Why has the myth of Pygmalion and his ivory statue proved so inspirational for writers, artists, philosophers, scientists, and directors and creators of films and television series? The 'authorised' version of the story appears in the epic poem of transformations, Metamorphoses, by the first-century CE Latin poet Ovid; in which the bard Orpheus narrates the legend of the sculptor king of Cyprus whose beautiful carved woman was brought to life by the goddess Venus. Focusing on screen storylines with a Pygmalion subtext, from silent cinema to Buffy the Vampire Slayer and Lars and the Real Girl, this book looks at why and how the made-over or manufactured woman has survived through the centuries and what we can learn about this problematic model of 'perfection' from the perspective of the past and the present. Given the myriad representations of Ovid's myth, can we really make a modern text a tool of interpretation for an ancient poem? This book answers with a resounding 'yes' and explains why it is so important to give antiquity back its future
Women in motion pictures. --- Myth in motion pictures. --- Pygmalion (Greek mythology) --- Mythology, Greek --- Motion pictures --- Women on television. --- Ovid, --- Women in television --- Women in television plays --- Television --- Ovidius Naso, Publius. --- Pygmalion (Greek mythology) in motion pictures. --- Pygmalion (Greek mythology) on television. --- Pygmalion (Greek mythology). --- Metamorphoses (Ovid).
Choose an application
The study offers a comprehensive insight into Ovid's relationship to his predecessors from the tradition of the didactic poem in the Metamorphoses. While the references to Lucretius have been studied many times, the influence of Empedocles has so far hardly been researched. His doctrine of a changing cosmos through the two cosmic actors love (concordia) and dispute (discordia) is already evident in the cosmogony in which Ovid describes the change from chaos (discordia) to cosmos (concordia). The reminiscences testify to the admiration of the teaching poets, but Ovid questions their authority with innovative modifications. (translation of publisher statement)
Empédocle --- Ovide. --- Influence --- Critique et interprétation --- Didactic poetry, Classical --- Cosmogony in literature --- Littérature antique --- History and criticism. --- Histoire et critique. --- Ovid, --- Ovide (0043 av. J.-C.-0017). --- Classical didactic poetry --- Classical poetry --- Ovidius Naso, Publius. --- Didactic poetry, Classical. --- Poésie didactique ancienne. --- Metamorphoses (Ovid).
Choose an application
Epic poetry, Latin --- Epic poetry, Latin. --- Fables latines --- Fables, Latin --- Fables, Latin. --- Influence (Literary, artistic, etc.). --- Metamorphosis in literature. --- Metamorphosis in literature. --- Metamorphosis in motion pictures. --- Metamorphosis in motion pictures. --- Métamorphose (Biologie) au cinéma. --- Métamorphose (Biologie) dans la littérature. --- Poésie épique latine --- History and criticism. --- Histoire et critique. --- History and criticism. --- Histoire et critique. --- Ovid, --- Ovid, --- Ovid, --- Influence. --- Metamorphoses (Ovid).
Choose an application
The origins of selected instances of metamorphosis in Germanic literature are traced from their roots in Ovid’s Metamorphoses , grouped roughly on an ‘ascending evolutionary scale’ (invertebrates, birds, animals, and mermaids). Whilst a broad range of mythological, legendary, fairytale and folktale traditions have played an appreciable part, Ovid’s Metamorphoses is still an important comparative analysis and reference point for nineteenth- and twentieth-century German-language narratives of transformations. Metamorphosis is most often used as an index of crisis: an existential crisis of the subject or a crisis in a society’s moral, social or cultural values. Specifically selected texts for analysis include Jeremias Gotthelf’s Die schwarze Spinne (1842) with the terrifying metamorphoses of Christine into a black spider, the metamorphosis of Gregor Samsa in Kafka’s Die Verwandlung (1915), ambiguous metamorphoses in E. T. A. Hoffmann’s Der goldne Topf (1814), Hermann Hesse’s Piktors Verwandlungen (1925), Der Steppenwolf (1927) and Christoph Ransmayr’s Die letzte Welt (1988). Other mythical metamorphoses are examined in texts by Bachmann, Fouqué, Fontane, Goethe, Nietzsche, Nelly Sachs, Thomas Mann and Wagner, and these and many others confirm that metamorphosis is used historically, scientifically, for religious purposes; to highlight identity, sexuality, a dream state, or for metaphoric, metonymic or allegorical reasons.
Metamorphosis in literature. --- German literature. --- Influence (Literary, artistic, etc.) --- Artistic impact --- Artistic influence --- Impact (Literary, artistic, etc.) --- Literary impact --- Literary influence --- Literary tradition --- Tradition (Literature) --- Art --- Influence (Psychology) --- Literature --- Intermediality --- Intertextuality --- Originality in literature --- Ovid, --- Nasó, P. Ovidi, --- Naso, Publius Ovidius, --- Nazon, --- Ouidio, --- Ovide, --- Ovidi, --- Ovidi Nasó, P., --- Ovidiĭ, --- Ovidiĭ Nazon, Publiĭ, --- Ovidio, --- Ovidio Nasón, P., --- Ovidio Nasone, Publio, --- Ovidios, --- Ovidiu, --- Ovidius Naso, P., --- Ovidius Naso, Publius, --- Owidiusz, --- P. Ovidius Naso, --- Publiĭ Ovidiĭ Nazon, --- Publio Ovidio Nasone, --- Ūvīd, --- אוביד, --- Ovidius Naso, Publius. --- Influence. --- Metamorphoses (Ovid) --- P. Ovidii Nasonis Metamorphoses (Ovid) --- Metamorphoses (Ovidius Naso, Publius) --- Publii Ovidii Nasonis Metamorphoseos liber (Ovid) --- Publii Ouidii Nasonis Metamorphoseos liber (Ovid) --- Metamorphoseos liber (Ovid) --- 1800-1999 --- Ovid
Listing 1 - 10 of 19 | << page >> |
Sort by
|