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Belgium (B) - Netherlands (NL)
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ISBN: 9782503516004 2503516009 Year: 2010 Volume: *1 Publisher: Turnhout Brepols

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The hidden world of misericords
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ISBN: 0807608041 9780807608043 Year: 1975 Publisher: New York (N.Y.): Braziller,


Book
English medieval misericords : the margins of meaning
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ISBN: 1281017027 9786613772329 1846159628 1843836599 1843838273 Year: 2011 Publisher: Woodbridge, Suffolk, UK : Rochester, NY : Boydell Press ; Boydell & Brewer,

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Misericord carvings present a fascinating corpus of medieval art which, in turn, complements our knowledge of life and belief in the late middle ages. Subjects range from the sacred to the profane and from the fantastic to the everyday, seemingly giving equal weight to the scatological and the spiritual alike. Focusing specifically on England - though with cognisance of broader European contexts -this volume offers an analysis of misericords in relation to other cultural artefacts of the period. Through a series of themed "case studies", the book places misericords firmly within the doctrinal and devotional milieu in which they were created and sited, arguing that even the apparently coarse images to be found beneath choir stalls are intimately linked to the devotional life of the medieval English Church. The analysis is complemented by a gazetteer of the most notable instances.

Dr Paul Hardwick is Professor in English, Leeds Trinity University College.


Book
Profane images in marginal arts of the Middle Ages : proceedings of the VI biennial colloquium Misericordia international
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ISBN: 9782503515991 2503515991 9782503538235 Year: 2009 Volume: 1 Publisher: Turnhout: Brepols,


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English Gothic misericord carvings : history from the bottom up
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ISBN: 9789004341180 9004341188 9789004341203 900434120X Year: 2017 Publisher: Leiden Boston Brill

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English Gothic Misericord Carvings: History from the Bottom Up' by Betsy Chunko-Dominguez is the first book to move beyond textual dependence and traditional iconographic analysis when examining misericords. It likewise builds the most thorough discussion to date of the relationship between the misericord?s several potential audiences? including patron, craftsman, occupant of the seat, and modern viewer. 0Beyond the bounds of misericord studies, there are implications here for study of the relationship between center and margin in late medieval art; and, indeed, what constitutes?center? and?margin? as conceptual realms. Ultimately, this book attempts both to re-integrate the study of misericords into the study of Gothic art in general, and to re-center them in relation to our understanding of late medieval culture.

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