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"This book traces Ana Mendieta's (1948-85) development from the early performance-based works made as a student at the University of Iowa, where she was grounded in the conceptual and body-oriented practices of the 1960s and 1970s, to the creation of independent sculptures and objects in the early 1980s made with fragile, earthen materials. Rooted in nature and in the body, Mendieta's art was inflected by personal identity and femininity, and distinguished by its insistent hybridity. Her earth-body works, or Silueta Series (silhouette series), fused aspects of conceptual, process, performance, body, feminist, and land art. While contributing significantly to these varied dialogues, her work does not fit neatly within any of the accepted terms used to describe artistic activity in the decade." "Born in Havana, Cuba, Mendieta came to the United States as a twelve-year-old political refugee. Her personal and professional development was greatly informed by the painful experience of exile as well as the cross-fertilization of Caribbean and North American values. While deeply rooted in her personal experience, Mendieta's art reveals a passionate desire to connect with a wider, collective human heritage. Her aim to unravel layers of individual and social history and unmask latent ethnic, cultural, and gender biases in society, was to foster greater self-awareness and comprehension of the complex diversity of humanity. It is for this reason that her humble yet prolific production as an artist continues to be relevant today. Its meaning has particular resonance in a global society struggling to grasp the overwhelming points of correspondences and differences between individual, nation, and culture."--Jacket.
Film --- biological material --- earthworks [sculpture] --- body art [visual works, performance] --- women [female humans] --- photography [process] --- Iconography --- Nature --- Art --- performance art --- Sculpture --- art [fine art] --- multimedia works --- Art styles --- sculpting --- motion pictures [visual works] --- Mendieta, Ana --- anno 2000-2099 --- anno 1900-1999 --- United States --- Cuba --- Ana Mendieta 1948-1985 (° Havana, Cuba) --- Performances ; installaties ; 1972-1985 ; Ana Mendieta --- Kunst ; van vrouwen ; 20ste eeuw --- Performances ; Body Art --- Kunst en feminisme --- Beeldhouwkunst ; installaties ; projecten ; in en met de natuur --- 7.07 --- 7.038 --- (069) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kunstgeschiedenis ; 1950 - 2000 --- (Musea. Collecties) --- sculpture [visual works] --- artists' films --- Ana Mendieta 1948-1985 (°Havana, Cuba) --- Mendieta, Ana, --- Criticism and interpretation --- Mendieta, Ana, - 1948-1985 - Exhibitions --- Mendieta, Ana, - 1948-1985 - Criticism and interpretation --- Mendieta, Ana, - 1948-1985 --- art [discipline] --- dood
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"During her short career, Ana Mendieta (1948-85) created a body of work that was provocative and radically inventive. Using her own body, together with elemental materials - blood, fire, earth and water - she created visceral 'tableaus' and ephemeral 'earth-body' sculptures exploring life, death, rebirth and spiritual transformation. Born in Cuba, but sent to the US as a child, much of her art expresses the pain and rupture of cultural displacement and exile. In Mendieta's work the outline of her body is consumed by gunpowder, fireworks, or advancing waves, and ancient goddess-forms are shaped from sand, carved into rock, or incised into clay or onto leaves. The media are exceptionally diverse, but the images are consistently compelling, mysterious and poetic. Encompassing a wealth of drawings, photography and film, Ana Mendieta: Traces provides a comprehensive and illuminating overview of this highly influential artist's work. Essays by art historians, Julia Bryan-Wilson and Adrian Heathfield, as well as Stephanie Rosenthal, Chief Curator at Hayward Gallery, provide an array of new approaches to Mendieta's practice. This publication also includes a wide-ranging and highly illustrated anthology of never-before-seen material, including Mendieta's own notebooks, exhibition plans and correspondence, the result of unparalleled access to the Ana Mendieta Archive. Filled with new imagery, ephemera and scholarship, Ana Mendieta: Traces provides a comprehensive introduction to this major twentieth-century artist, as essential for Mendieta experts as for those coming to her work for the first time."--Publisher's description.
kunst --- twintigste eeuw --- Cuba --- Verenigde Staten --- body art --- lichamelijkheid --- installaties --- performances --- Mendieta Ana --- 7.071 MENDIETA --- Exhibitions --- Art, American --- Art --- Artists --- Mendieta, Ana --- Art, Cuban --- Mendieta, Ana, --- Artists - Cuba - Exhibitions. --- Artists - United States - Exhibitions --- Art, Cuban - 20th century - Exhibitions --- Art, American - 20th century - Exhibitions --- Mendieta, Ana, - 1948-1985
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