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In America between 1946 and 1953, the German-Jewish architect Eric Mendelsohn planned seven synagogues, of which four were built, all in the Midwest. In this book, photographer Michael Palmer has recorded in exquisite detail Mendelsohn's four built synagogues in Saint Paul, Saint Louis, Cleveland, and Grand Rapids. These photographs are accompanied by an insightful contextual essay by Ita Heinze-Greenberg which reflects on Eric Mendelsohn and his Jewish identity. Mendelsohn's post-war commitment to sacred architecture was a major challenge to him, but one on which he embarked with great enthusiasm. He sought and found radically new architectural solutions for these "temples" that met functional, social, and spiritual demands. In the post-war and post-Holocaust climate, the old references had become obsolete, while the founding of the State of Israel in 1948 posed a claim for the redefinition of the Jewish diaspora in general. The duality of Jewish and American identity became more crucial than ever and the congregations were keen to express their integration into a modern America through these buildings. Hardly anyone could have been better suited for this task than Mendelsohn, as he sought to justify his decision to move from Israel and adopt the USA as his new homeland. The places he created to serve Jewish identity in America were a crowning conclusion of his career. They became the benchmark of modern American synagogue architecture, while the design of sacred space added a new dimension in Mendelsohn's work.
Synagogue --- Architecture religieuse --- Synagogues --- Synagogue architecture --- Mendelsohn, Erich, 1887-1953 --- Mendelsohn, Erich, - 1887-1953
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Architecture, German. --- Modern architecture --- Mendelsohn, erich, 1887-1953
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Mendelsohn, Erich, --- Expressionnisme --- Fonctionnalisme --- Architecte --- Mendelsohn, Erich --- 20e siècle --- Mendelsohn, Erich, 1887-1953
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Erich Mendelsohn (1887-1953) avait une manière tout à fait originale de penser l’architecture et son œuvre témoigne de cette extraordinaire ouverture d’esprit dans l’approche des matériaux et de la conception. Le génie de Mendelsohn tient au fait qu’il ne semble pas influencé par ses prédécesseurs, comme si son imagination jaillissait d’une source purement personnelle et refusait d’emprunter à toute forme ou tout style artistique préexistant. Il est devenu célèbre grâce à la Tour Einstein de Potsdam (le chef-d’œuvre absolu de l’architecture expressionniste, l’une des constructions les plus révolutionnaires et iconoclastes de l’histoire), l’usine de chapeaux de Luckenwalde, et le grand magasin Schocken de Stuttgart. La façon de travailler de Mendelsohn demeure à ce jour stimulante et provocante et son œuvre ne demande qu’à être redécouverte.
Mendelsohn, Erich --- Modernisme --- Expressionnisme --- Mendelsohn, Erich, --- Mouvement moderne --- Mendelsohn, Erich, 1887-1953
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Cet ouvrage présente l'oeuvre complète d'Erich Mendelsohn. Il permet aussi de mettre en perspective l'évolution architecturale de la période entre deux-guerres. Son architecture caractérisée d'expressioniste est abondamment présentée à travers ses dessins , ses projets imaginaires et projets réalisés en Allemagne d'avant-guerre, en Israel, aux Etats-Unis
Mendelsohn, Erich --- Architecture entre deux guerres --- Expressionism (Architecture) --- Erich Mendelsohn 1887-1953 (°Allenstein, Oost-Pruisen (nu Olsztyn, Polen)) --- Architectuur ; naslagwerken ; 1ste h. 20ste eeuw ; E. Mendelsohn --- Architectuur ; Expressionisme --- 72.07 --- Expressionist architecture --- Architecture --- Catalogs --- Architecten. Stedenbouwkundigen A - Z --- Mendelsohn, Erich, --- Mendelsohn, Eric, --- Mendelson, Erikh, --- מנדלסון, אריך --- Catalogs. --- Notebooks, sketchbooks, etc. --- Expressionnisme --- Expressionism (Architecture) - Catalogs --- Mendelsohn, Erich, 1887-1953 --- Mendelsohn, Erich, - 1887-1953 - Catalogs --- Mendelsohn, Erich, - 1887-1953 - Notebooks, sketchbooks, etc. - Catalogs --- Mendelsohn, Erich, - 1887-1953
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Erich Mendelsohn (1887–1953) was one of the most versatile architects of the 20th century. His work reconciles the opposites of organic and rational building, of technological innovation and a regionalist attitude, of individual form and universal expression. He fled from Germany in 1933 via England and Palestine to the USA, and his work remains influential to this day. This comprehensive monograph documents all 70 of Mendelsohn's known completed buildings through text and images. In two essays, it also looks at his design approach and his life. A newly compiled register lists all of his unbuilt projects The publication also contains numerous new photographs by Carsten Krohn, newly drawn plans and historical illustrations.
Architecture, Modern --- Modern movement (Architecture) --- Mendelsohn, Erich, --- Criticism and interpretation. --- architects --- Mendelsohn, Erich --- Mendelsohn, Erich, 1887-1953
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Architecture moderniste --- Expressionnisme --- Mouvement moderne --- Behrens, Peter --- Poelzig, Hans --- Taut, Bruno --- Finsterlin, Hermann --- Mendelsohn, Erich, 1887-1953 --- Steiner, Rudolf
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Architecte --- Expressionnisme --- Fonctionnalisme --- Mendelsohn, Erich --- Erich Mendelsohn 1887-1953 (° Allenstein, Oost-Pruisen / nu : Olsztyn, Polen) --- Architectuur ; 20ste eeuw ; E. Mendelsohn --- Architectuur ; Expressionisme --- 72.07 --- Architecten. Stedenbouwkundigen A - Z --- Mendelsohn, Erich, --- Mendelsohn, Erich, 1887-1953
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Architecture, Modern --- -Modern architecture --- Addresses, essays, lectures --- Architectural design, ca 1900-1928 --- Early works --- Early works. --- Architecture --- Photographie --- Architecte --- Mendelsohn, Erich --- Gropius, Walter --- 20e siècle --- Illustrations --- History --- Mendelsohn, Erich, --- Architecture, Modern - 20th century --- Mendelsohn, Erich, 1887-1953
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