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"Follow for Now, Vol. 2 picks up and pushes beyond the first volume with a more diverse set of interviewees and interviews. The intent of the first collection was to bring together voices from across disciplines, to cross-pollinate ideas. At the time, social media wasn’t crisscrossing all of the lines and categories held a bit more sway. Volume 2 aims not only to pick up where Follow for Now left off but also to tighten its approach with deeper subjects and more timely interviews.Featuring conversations with thinkers like Carla Nappi, Rita Raley, Dominic Pettman, Ian Bogost, Mark Dery, Douglas Rushkoff, and Dave Allen, and musicians like Tyler, The Creator, Matthew Shipp, Sean Price, Rammellzee, and Sadat X, as well as writers like Ytasha L. Womack, Chris Kraus, Pat Cadigan, Bob Stephenson, Simon Critchley, Simon Reynolds, Malcolm Gladwell, and William Gibson, Follow for Now, Vol. 2 is another critical cross-section of the now."
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The fact that media technologies influence our feelings seems obvious. But how do digital cameras or MP3 players change how we perceive, feel, and emotionally assess the world? This book examines the connection between media technology and affect on the level of the poetic patterns of audiovisual images, combining rigorous methods of film analysis with praxeological and genre-theoretical approaches. Wie verändern medientechnologische Geräte wie Digitalkameras oder MP3-Player die Art und Weise, wie wir die Welt wahrnehmen und empfinden? Zwar ist die Rede von der Affektivität medialer Erfahrung in den Medien-, Kultur- und Sozialwissenschaften allgegenwärtig, doch befassen sich nur wenige Ansätze damit, welchen Einfluss die Technik auf unser Sehen, Hören und Fühlen nimmt.Diese Studie untersucht den Zusammenhang von Medientechnologie und Affekt auf Ebene der poetischen Muster audiovisueller Bilder: hier lässt sich greifen, wie technische Apparate die inszenatorischen Strategien der Affizierung bestimmen. Filmanalytische Methoden werden dazu mit praxeologischen Ansätzen verknüpft. Die konkreten Anwendungsweisen der technischen Apparate – hier der Amateurkameras durch US-amerikanische Soldaten im Irakkrieg – werden auf ihre Konsequenzen für die Erzeugung raumzeitlicher Darstellungsmodi in Genre- und Dokumentarfilmen untersucht.In der entwickelten Perspektive lassen sich auf neuartige Weise technische und ästhetische Aspekte audiovisueller Bilder aufeinander beziehen. Zugleich eröffnet sich ein neuer Zugriff auf deren Historizität als je historisch spezifische Akte der Bilderzeugung und audiovisuellen Artikulation.
PERFORMING ARTS / Film & Video / History & Criticism. --- Iraq War. --- Media technology. --- affect. --- genre theory.
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"Follow for Now, Vol. 2 picks up and pushes beyond the first volume with a more diverse set of interviewees and interviews. The intent of the first collection was to bring together voices from across disciplines, to cross-pollinate ideas. At the time, social media wasn’t crisscrossing all of the lines and categories held a bit more sway. Volume 2 aims not only to pick up where Follow for Now left off but also to tighten its approach with deeper subjects and more timely interviews.Featuring conversations with thinkers like Carla Nappi, Rita Raley, Dominic Pettman, Ian Bogost, Mark Dery, Douglas Rushkoff, and Dave Allen, and musicians like Tyler, The Creator, Matthew Shipp, Sean Price, Rammellzee, and Sadat X, as well as writers like Ytasha L. Womack, Chris Kraus, Pat Cadigan, Bob Stephenson, Simon Critchley, Simon Reynolds, Malcolm Gladwell, and William Gibson, Follow for Now, Vol. 2 is another critical cross-section of the now."
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"Follow for Now, Vol. 2 picks up and pushes beyond the first volume with a more diverse set of interviewees and interviews. The intent of the first collection was to bring together voices from across disciplines, to cross-pollinate ideas. At the time, social media wasn’t crisscrossing all of the lines and categories held a bit more sway. Volume 2 aims not only to pick up where Follow for Now left off but also to tighten its approach with deeper subjects and more timely interviews.Featuring conversations with thinkers like Carla Nappi, Rita Raley, Dominic Pettman, Ian Bogost, Mark Dery, Douglas Rushkoff, and Dave Allen, and musicians like Tyler, The Creator, Matthew Shipp, Sean Price, Rammellzee, and Sadat X, as well as writers like Ytasha L. Womack, Chris Kraus, Pat Cadigan, Bob Stephenson, Simon Critchley, Simon Reynolds, Malcolm Gladwell, and William Gibson, Follow for Now, Vol. 2 is another critical cross-section of the now."
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It didn’t take long for companies to understand the opportunities residing within social media. Quickly, new businesses have been developed to benefit from them like Social Media Consultancy services. It represents, for LiveArea, the opportunity to develop while aligning to its vision of expansion to become a full-range agency. Therefore, this thesis aims to describe the development, the processes and the limitations encountered through a one-year project within the company. This work is composed of three main sections. The first section evaluates the stakes involved with the project through the analysis of both the inner and the outer contexts. Three audits are carried out on the strategy, on the organization and on the information system of the firm. These analyses confirm the need of a new social media consultancy department within LiveArea. The second section deals with the content of the project. Through (i) in-depth analyses of the market and demand for social media consultancy services, (ii) the assessment and selection of the most attractive technologies and (iii) the review of the critical factors of a successful adoption of such technologies, we propose two packages of social media consultancy services and discuss their implications for LiveArea. Finally, the third section describes the change management process put in place. We identify the stakeholders of the project and detail the means put in action to ensure the convergence of their interests in the project.
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This volume is a response to the growing need for new methodological approaches to the rapidly changing landscape of new forms of performative practices. The authors address a host of contemporary phenomena situated at the crossroads between science and fiction which employ various media and merge live participation with mediated hybrid experiences at both affective and cognitive level. All essays collected here move across disciplinary divisions in order to provide an account of these new tendencies, thus providing food for thought for a wide readership ranging from performative studies to the social sciences, philosophy and cultural studies.
Performance; Media; Science; Culture; Art; Theatre; Theatre Studies; Media Art; Digital Media; Technology --- Art. --- Culture. --- Digital Media. --- Media Art. --- Media. --- Science. --- Technology. --- Theatre Studies. --- Theatre.
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Media and communication have become ubiquitous in today's societies and affect all aspects of life. On an individual level, they impact how we learn about the world, how we entertain ourselves, and how we interact with others. On an organisational level, the interactions between media and organisations, such as political parties, NGOs, businesses and brands, shape organisations' reputation, legitimacy, trust and (financial) performance, as well as individuals' consumer, political, social and health behaviours. At the societal level, media and communication are crucial for shaping public opinion on current issues such as climate change, sustainability, diversity, and well-being. Media challenges are widespread and include mis- and disinformation, the negative impact of algorithms on our information diets, challenges to our privacy, cyberbullying, media addiction, and unwanted persuasion, among many others. All this makes the study of media and communication crucial. This book provides a broad overview of the ways in which people create, use, and experience their media environment, and the role of media and communication for individuals, organisations, and society. The chapters in the book were written by researchers from the Amsterdam School of Communication Research (ASCoR) on the occasion of its 25th anniversary. ASCoR is today the largest research institute of its kind in Europe and has developed over the past 25 years into one of the best communications research institutes in the world.
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Die Opposition der ›neuen digitalen‹ zu den ›alten analogen‹ Medien findet sich in Werbung, Popkultur, Wirtschaft, Politik und Wissenschaft. Offenbar hat sich die Unterscheidung analog/digital zur paradigmatischen Leitdifferenz des späten 20. und frühen 21. Jahrhunderts entwickelt. Doch was bedeutet ›analog‹ bzw. ›digital‹ in verschiedenen Kontexten genau und gibt es nicht auch Übergänge zwischen beiden Formen? Wann taucht die Unterscheidung auf und in welchem Zusammenhang? Indem sich die Anthologie mit diesen und anderen Fragen aus verschiedenen Perspektiven beschäftigt, räumt sie ein erhebliches Forschungsdefizit nicht nur in den Medienwissenschaften aus. »[Dem Band gelingt es] in der Zusammenschau ganz verschiedener Perspektiven die Dichotomie analog/digital als signifikanten Kreuzungspunkt der Diskurse von Technik, Theorie, Wirtschaft und Politik zu markieren.« Sven Werkmeister, Das Argument, 2661 (2005)
Media studies --- Digital Media. --- Media History. --- Media Studies. --- Media Theory. --- Technology. --- Analog; Digital; Medien; Technik; Geschichte; Medientheorie; Mediengeschichte; Digitale Medien; Medienwissenschaft; Media; Technology; Media Theory; Media History; Digital Media; Media Studies
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Das Mobiltelefon hat in den letzten Jahren quer durch alle gesellschaftlichen Bereiche an Bedeutung gewonnen. Sein Einfluss manifestiert sich etwa darin, wie sich Individuen zu ihren Umgebungen in Beziehung setzen: Die alltägliche Nutzung von mobilen Diensten der Text-, Sprach- und Bildübertragung lässt eine »Daumenkultur« entstehen. Dieser Band präsentiert die Ergebnisse der ersten internationalen Studie über die weitreichenden sozialen Auswirkungen mobiler Kommunikation in verschiedenen Lebensbereichen. Er versammelt die Forschungen führender Wissenschaftler und Praktiker und leuchtet die Verbindung von mobilen Medien und Gesellschaft sowie Zukunftsperspektiven der Forschung aus. »Das Buch ist außerordentlich spannend und verleitet dazu, immer wieder einmal den aktuell gelesenen Beitrag mit Aussagen früherer Kapitel oder auch mit persönlichen Erfahrungen in Verbindung zu bringen. Für diejenigen, die das Auftauchen der ersten mobilen Telefone in Alltag und in ihrem persönlichen Umfeld noch selbst erlebt haben, sprudelt eine Quelle von Bestätigungen eigener Erwartungen bezüglich Lebensdauer und Anwendung dieser Technik. Jene, die mit dem Handy sozusagen aufgewachsen sind, werden diese Studiensammlung als eine besondere Form der Geschichtsschreibung der mobilen Kommunikation zu schätzen wissen, ebenso die Ein- und Ausblicke in weniger bekannte 'mobile' Welten.« Rolf Barnekow, das Archiv, 1 (2007) »Trotz - oder gerade wegen - seines Umfanges [...] ein wirklich interessanter Überblick [...] Dieses Buch ist nicht nur für Medienschaffende und Wissenschaftlerinnen und Wissenschaftler sondern auch für die ›ganz normalen Nutzerinnen und Nutzer‹ interessant.« merz, 4 (2009) Besprochen in: PUBLIZISTIK, 1/3 (2006), Günter Burkart SHORTBOOKS, 6 (2006) MobilFreunde.de, 6 (2006), Nils Gründel Frankfurter Rundschau, 25.07.2006, Ruth Fühner Information Wissenschaft & Praxis, 7/8 (2006), Klaus Dette hr inforadio DE:BUG, 103/6 (2006) Neue Luzerner Zeitung, 133 (2006), Robert Bossard
Media studies --- Digital Media. --- Media Studies. --- Media. --- Sociology of Culture. --- Sociology of Media. --- Technology. --- Mobiltelefonie; Handy; Mobile Medien; Kommunikation; Gesellschaft; Medien; Technik; Digitale Medien; Mediensoziologie; Kultursoziologie; Medienwissenschaft; Society; Media; Technology; Digital Media; Sociology of Media; Sociology of Culture; Media Studies
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