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La perspective décoloniale est aujourd'hui au coeur du débat public. Si son émergence est le fruit de dynamiques à la fois activistes et académiques, elle invite les chercheuses en sciences sociales à relever le défi de la décolonisation des savoirs. Ce livre propose un "arrêt sur images" sur cette trajectoire dont l'émergence doit beaucoup à l'inspiration d'Achille Mbembe. Il permet aussi de saisir l'influence qu'exercent, sur nos façons de produire de la connaissance, non seulement les penseuses et auteur.e.s ravisées, mais également la mémoire, les témoignages et les luttes des femmes et des hommes ayant vécu et vivant encore les violences raciales. Entre études en développement (development studies) et etudes postcoloniales (postcolonial studies), un nouvel espace de pensée et d'action se dessine, qui est une invitation à traverser les frontières du savoir et du monde.
Postcolonialism --- Decolonization --- Mbembe, Achille, --- Influence --- Postcolonialisme. --- Mbembe, Joseph-Achille, --- Mbembe, Achille, - 1957- - Influence --- Mbembe, Achille, - 1957 --- -Postcolonialisme. --- -Colonisation. Decolonisation --- Colonisation. Decolonisation
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Postcolonialism. --- Blacks --- Race awareness. --- Decolonization. --- Race identity. --- Mbembe, Achille, --- Postcolonialism --- Blacks - Race identity --- Race awareness --- Decolonization --- Postcolonialisme --- Décolonisation --- Négritude --- Mbembe, Achille, - 1957 --- -Postcolonialism --- -Postcolonialisme --- Mbembe, Achille, - 1957-
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Acteurs et analystes d'une Afrique en pleine mutation, dans son rapport à elle-même, à la France, à l'Europe et au monde, Achille Mbembe et Rémy Rioux proposent, dans un dialogue inédit, une série de réflexions sur plusieurs grandes questions de notre époque : finance et développement, mémoire et réparation, crise environnementale et numérisation du monde, réinvention des institutions démocratiques. Au fur et à mesure de leur discussion avec Séverine Kodjo-Grandvaux, sont esquissées des propositions sur les conditions de la transformation du monde, dans l'esprit d'une nouvelle action internationale conçue comme une diplomatie du vivant.
Mbembe, Achille, - 1957- - Interviews --- Rioux, Rémy - Interviews --- Africa - Foreign relations - Europe --- Europe - Foreign relations - Africa --- Africa - Foreign economic relations - Europe --- Europe - Foreign economic relations - Africa --- Mbembe, Achille, - 1957 --- -Rioux, Rémy --- Africa --- Europe
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This thesis explores the conditions and limitations of a theory of justice when challenged by questioning its political irenicism, both from a critical Western and an Afro-centric perspective. The methodological challenge is to consider the organization principles of a just socio-political order from a liberal approach to justice and to evaluate their implementation in the perspective of an ethic of good living with others. The initial expression of the limits of good living together in a democratic society, as defined by political theory, is ultimately based on a transcendental idealism that assumes a model of social unity which does not allow reflection to be grounded in real situations. The question remains to know whether we can still consider referencing reality as a limitation of the pursued ideal, like an obstacle or a deficiency, or if a different way of knowing is needed to shift the focus from the tension between idealism and realism to another way of understanding existence. In this case, it would be an ontology in tension between self-negation and re-existence, more characteristic of Afro-pessimistic or decolonial attempts, whose center of enunciation effectively makes it possible to shift the teleological approach to the good living together.
Colonization --- Decolonization --- Authenticity (Philosophy) --- Afrocentrism --- Eurocentrism --- Rawls, John, 1921-2002 --- Renaut, Alain --- Ela, Jean-Marc, 1936-2008 --- Mbembe, Achille, 1957-
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A. Mbembe montre que de nouvelles sociétés africaines sont en train de naître, réalisant leur synthèse sur le mode du réassemblage, de la redistribution des différences entre soi et les autres, et de la circulation des hommes et des cultures. Il décrypte les mutations africaines et les confronte aux évolutions des sociétés postcoloniales européennes.
French literature (outside France) --- Decolonization --- Décolonisation --- Political aspects --- Aspect politique --- France --- Colonial influence --- Influence coloniale --- Postcolonialisme --- Afrique --- Politique et gouvernement --- Conditions sociales --- Décolonisation --- Colonial influence. --- Mbembe, Achille
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Achille Mbembe is one of the most brilliant theorists of postcolonial studies writing today. In 'On the Postcolony' he profoundly renews our understanding of power and subjectivity in Africa. In a series of provocative essays, Mbembe contests diehard Africanist and nativist perspectives as well as some of the key assumptions of postcolonial theory. This thought-provoking and groundbreaking collection of essays--his first book to be published in English--develops and extends debates first ignited by his well-known 1992 article "Provisional Notes on the Postcolony," in which he developed his notion of the "banality of power" in contemporary Africa. Mbembe reinterprets the meanings of death, utopia, and the divine libido as part of the new theoretical perspectives he offers on the constitution of power. He works with the complex registers of bodily subjectivity -- violence, wonder, and laughter -- to profoundly contest categories of oppression and resistance, autonomy and subjection, and state and civil society that marked the social theory of the late twentieth century. This provocative book will surely attract attention with its signal contribution to the rich interdisciplinary arena of scholarship on colonial and postcolonial discourse, history, anthropology, philosophy, political science, psychoanalysis, and literary criticism.
Postcolonialism --- Power (Social sciences) --- Subjectivity. --- Colonisation. Decolonisation --- Political philosophy. Social philosophy --- Political sociology --- Africa --- #SBIB:39A73 --- #SBIB:39A4 --- #SBIB:327.4H21 --- 826 Imperialisme, kolonialisme --- 811 Filosofie --- 948 Koloniale geschiedenis --- -Power (Social sciences) --- -Subjectivity --- Subjectivism --- Empowerment (Social sciences) --- Political power --- Post-colonialism --- Postcolonial theory --- Etnografie: Afrika --- Toegepaste antropologie --- Kolonisatie / dekolonisatie / post-kolonisatie --- Pouvoir (Sciences sociales) --- Postcolonialisme --- Subjectivité --- Subjectivity --- Knowledge, Theory of --- Relativity --- Exchange theory (Sociology) --- Political science --- Social sciences --- Sociology --- Consensus (Social sciences) --- Mbembe, Achille --- Pouvoir (sciences sociales) --- SUBJECTIVITE --- UTOPIES --- Afrique
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Since the early 1960s, artists have sealed off spaces in galleries and museums as a radical artistic gesture. These uncompromising works confront the viewer to a closed exhibition space, encouraging instead a physical, sensitive, or conceptual experience of each. These exhibitions are now re-explored at Fri Art. One after the other, they give structure to a retrospective that is written in time, as each work will successively close the exhibiton space, between August 6 and November 19, 2016. The retrospective's last day will be marked by the re-opening of the exhibition space. Festivities will include the launch of an important multidisciplinary, historical, and prospective anthology dedicated to radical artistic engagement: 'The Anti-Museum.' Exhibition: Fri Art - Centre d'art de Fribourg / Kunsthalle Freiburg, Switzerland (05.08-19.11.2016).
kunst --- twintigste eeuw --- eenentwintigste eeuw --- Eichhorn Maria --- Weibel Peter --- Walter Thibault --- Wallach Alan --- Villeglé Jacques --- Vautier Ben --- Vallier Dora --- Trbuljak Goran --- Tomii Reiko --- Takis --- Suter Olivier --- Sottsass Ettore --- Schulmann Fanny --- Schmeling Sören --- Saladin Matthieu --- Rutault Claude --- Ribemont-Dessaignes Georges --- Rainer Yvonne --- Quintyn Olivier --- Pires do Vale Paulo --- Picard Lil --- Perret Mai-Thu --- Parrino Steven --- Page Robin --- Oxley Nicola --- de Oliveira Nicolas --- Nickas Bob --- Morris Robert --- Mendini Alessandro --- Mbembe Achille --- Maciunas George --- Lurie Boris --- Lunch Lydia --- Lovay Balthazar --- Lefevre Jean Claude --- Laks Déborah --- Laderman Ukeles Mierle --- Labelle-Rojoux Arnaud --- James Gareth --- Jakobsen Jakob --- Jacoby Roberto --- Home Stewart --- Holmberg Ryan --- Hollein Hans --- Van Helsing Storm --- Heger Swetlana --- GX Jupitter-Larsen --- Guggenheim Katie --- Gruijthuijsen Krist --- Griffin Tim --- Goodman Sam --- Goldstein Richard --- Goldsmith Kenneth --- Giroud Michel --- Gilardi Piero --- Genpei Akasegawa --- Gauthier Michel --- Toche Jean --- Silvianna --- Johnson Poppy --- Hendricks Jon --- Guerilla Art Action Group --- Friedman Yona --- Follet Véronique --- Flynt Henry --- Fisher Stanley --- Drobnick Jim --- Dimitrijevic Branislav --- Dejanov Plamen --- Copeland Mathieu --- Colomina Beatriz --- Clert Iris --- Cladders Johannes --- Thomson Charles --- Childish Billy --- Carnevale Graciella --- Buren Daniel --- Bullot Erik --- Genesis Breyer P-orridge --- Archizoom Associati --- Branzi Andrea --- Blas Zach --- Bellini Andrea --- Barry Robert --- Armleder John --- Apollinaire Guillaume --- 069 --- 7.01 --- 7.038/039 --- 7.036/039 --- kunsttheorie --- tentoonstellingen --- concept art --- conceptuele kunst --- museologie --- musea --- Kunst ; theorie, filosofie, esthetica --- art criticism --- manifestoes --- anti-art --- criticism --- Art --- Kunsttheorie ; het anti-museum ; anti-kunst ; alles is kunst --- Art museums --- Art, Modern --- Art, Modern. --- Art museums. --- History --- 1900-2099. --- MAD-faculty 17 --- kunsttentoonstellingen --- kunstkritiek --- writings [documents] --- political art --- social criticism
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