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Dumitru is a project started in 2015. The corpus of images that composes it comes mainly from archives relating to the period of the reign of the Ceaucescu dictatorship in Romania (1974/1989). Missed Utopias, lost dreams, technologies that have become obsolete ... For four years, I drew on these images, scrutinized and enlarged their surfaces, revisited places by making new shots, trying out new assemblies, such as a montage game, until evidence emerges. The book is a posthumous tribute to Dumitru Bedeleu who had meticulously kept these documents and without whom I could not have realized it. This was for me a starting point, to experiment with new data and come to hinder the purely documentary nature of photography. The book was thought as simply and radically as possible. The double pages combine the principles of echo and telescoping. No binding, no cover. The pages can be organized in a different order, it is possible to fold them or pin them on the wall ... All the writings are grouped on a red card in the center of the book. The color used is symbolic at this time, the cardboard overflows of one centimeter on two sides, which makes it apparent when the book is closed. The paper used gives a sensation and touch close to these period newspapers.
Photography --- fotoboeken --- Mazzoni, Michel
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fotografie --- eenentwintigste eeuw --- België --- Mazzoni Michel --- 77.071 MAZZONI --- Photography --- fotoboeken --- Mazzoni, Michel
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Situated as it is at the very turn of the century, and questioning from the outset the inflation and desubstantialisation involved in the hegemony of images, Michel Mazzoni's photographic practice is an image factory or rather an image-thinking factory. An image which outflanks it and decompartmentalises it in multifarious ways, from its installation in situ to its editorial deployment. An image qua cultural artefact in its capacity to link us to the world in a shared sense of perpetual present and of circular time. An image qua material reality pushed to the limits, based on the phenomenology of its perception, hence on its intrinsic quality of enigma. Exhibition: Botanique, Brussels, Belgium (28.02.-14.04.2019).
Photographie --- Photographie d'art --- Mazzoni, Michel --- Photography, Artistic --- fotografie --- stadsfotografie --- landschapsfotografie --- architectuurfotografie --- eenentwintigste eeuw --- Mazzoni Michel --- 77.071 MAZZONI --- Exhibitions --- 72.037 --- 77 --- 77.046 --- 21ste eeuw (architectuur) --- Eenentwintigste eeuw (architectuur) --- Fotografie --- Photography --- fotoboeken
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Cet ouvrage collectif autour de la figure de l'artiste belge cécile Massart réunit des contributions d'une vingtaine d'artistes plasticiens qu'elle invite à participer à des expositions destinées à sensibiliser le public à la question du marquage des sites d'enfouissement des déchets nucléaires pour les générations à venir mais aussi à engager le monde culturel dans une réflexion salutaire sur notre culture nucléaire encore largement impensée. D'où la contribution dans cet ouvrage de quelques spécialistes et d'experts scientifiques qui livrent des informations mais aussi des outils pour pensée l'anthropocène nucléaire (ele carpenter, céline Kermisch, Danielle Leenaerts, Dirk somers, aldo turin.).
Art --- nuclear power plants --- art [fine art] --- hazardous waste --- Coster, Jocelyne --- Mello, de, Natália --- Février, Jean-Pascal --- Martens, Pierre --- Massart, Cécile --- Villers, Bernard --- Boissacq, Véronique --- Blavier, Annick --- Strebelle, Vincent --- Bertinchamps, Anne --- Boulc'h, Charlotte --- Branco, Barbara C. --- Cotton, Jean --- Hubot, Flora --- Marquet, Anne --- Mazzoni, Michel --- Mikó, Pauline --- Moreau, Pierre --- Mutter, Hélène --- Payoux, Lucie --- Struelens, Gaspard --- Zeldam, ten, Laura --- Vandeweyer, Marcel --- Haegen, van der, Zoé --- Maquet, Bernard --- Art, Belgian --- Nuclear energy --- Radioactive waste sites --- Environment (Art) --- Massart, Cécile --- Pollution --- art [discipline] --- social criticism --- Radioactive waste sites in art
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