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Between 1915 and 1923, Marcel Duchamp created one of the most mystifying art works of the early twentieth century: 'The Bride Stripped Bare by Her Bachelors, Even' (also known as the' Large Glass'). The work is over nine feet tall, and on its glass surface Duchamp used such unorthodox materials as lead wire, lead foil, mirror silver, and dust, in addition to more conventional oil paint and varnish. Duchamp's declared subject is the relation between the sexes, but his protagonists are biomechanical creatures: a "Bride" in the upper panel hovers over a "Bachelor Apparatus" in the panel below, stimulating the "Bachelors" with "love gasoline" for an "electrical stripping."In preparation for the 'Large Glass', Duchamp wrote hundreds of notes, which he considered just as important as the work itself. He published 178 during his lifetime, but over 100 more notes relating to the 'Glass' were discovered and published following his death. In this landmark book, Linda Henderson provides the first systematic study of the 'Large Glass' in relation to the entire corpus of Duchamp's notes for the project. Since Duchamp declared his interest in creating a "Playful Physics," she focuses on the scientific and technological themes that pervade the notes and the imagery of the 'Large Glass'. In doing so, Henderson provides an unprecedented history of science as popularly known at the turn of the century, centered on late Victorian physics. In addition to electromagnetic waves, including X-rays and the Hertzian waves of wireless telegraphy, the areas of science to which Duchamp responded so creatively ranged from chemistry and classical mechanics to thermodynamics, Brownian movement, radioactivity, and atomic theory. Restored to its context and amplified by the information in the posthumously published notes, the 'Large Glass' appears far richer and more multifaceted and witty than had ever been suspected.Henderson also includes a close examination of Duchamp's literary and artis

Duchamp, Marcel --- Art and science --- Art et mathématiques --- Art et science --- Art et sciences --- Kunst en wetenschap --- Mathématiques et art --- Science and art --- Science et art --- Sciences et art --- Wetenschap en kunst --- Art and science. --- Duchamp, Marcel, --- Criticism and interpretation. --- Criticism and interpretation

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wetenschap --- universiteit Gent --- landbouw --- Art and medicine --- Art and science --- Art et mathématiques --- Art et médecine --- Art et science --- Art et sciences --- Artsen in de kunst --- Doctors in art --- Geneeskunde en kunst --- Geneeskunde in de kunst --- Kunst en geneeskunde --- Kunst en wetenschap --- Mathématiques et art --- Medecine dans l'art --- Medicine and art --- Medicine in art --- Médecine et art --- Médecins dans l'art --- Physicians in art --- Science and art --- Science et art --- Sciences et art --- Wetenschap en kunst

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The internationally renowned contributors go beyond both science wars and culture wars by exploring substantive links between systems of visual representation and knowledge in science and art. Contributors include Svetlana Alpers, Jonathan Crary, Arnold Davidson, Carlo Ginzburg, Donna Haraway, Bruno Latour, and Simon Schaffer.

Art --- Science --- Art and science --- Art et mathématiques --- Art et science --- Art et sciences --- Kunst en wetenschap --- Mathématiques et art --- Science and art --- Science et art --- Sciences et art --- Wetenschap en kunst --- Art and science. --- 769.04:5 --- kunst --- 7.03 --- 7.01 --- astronomie --- gender studies --- Bosch Hieronymus --- mirakels --- perceptie --- waarneming --- Picabia Francis --- plantkunde --- botanica --- flos pavonis --- stigmata --- lichamelijkheid --- stilistiek --- stijlanalyse --- kunsttheorie --- wetenschap --- kunst en wetenschap --- Prentenverzamelingen in de grafische kunsten. Iconografie. Iconologie-:-Wiskunde. Natuurwetenschappen --- 769.04:5 Prentenverzamelingen in de grafische kunsten. Iconografie. Iconologie-:-Wiskunde. Natuurwetenschappen --- Art et sciences. --- Kunst. --- Naturwissenschaften. --- Wissenschaft. --- Technik. --- Erkenntnis. --- Ästhetische Wahrnehmung. --- Wetenschap. --- èAsthetische Wahrnehmung.

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thema's in de kunst --- theme --- Art et mathématiques --- Art et science --- Art et sciences --- Kunst en technologie --- Mathématiques et art --- Science and art --- Science et art --- Sciences et art --- Wetenschap en kunst --- Stephen Wilson --- Kunsttheorie ; kunst en wetenschap ; kunst en technologie --- Menselijk lichaam ; artistieke experimenten ; geneeskunde --- Kunst en Artificiële Inteligentie (AI) --- Web Art ; webkunst ; internetkunst --- nanotechnologie --- kunstmatig leven --- kinetische kunst --- robotica --- geluidssculpturen --- Kunst ; theorie, filosofie, esthetica --- Kunstgeschiedenis ; 1950 - 2000 --- Art and science. --- Science --- technology --- science --- wetenschap --- technologie --- Art and science --- Art and technology --- Art and technology. --- science [modern discipline] --- technology [general associated concept] --- 7.01 --- 791.5 --- artificiële intelligentie --- astronomie --- biologie --- computer --- cybercultuur --- dieren --- ecologie --- fotografie --- fysica --- geluid --- geneeskunde --- geologie --- informatietechnologie --- kosmologie --- kunst --- kunst en technologie --- kunst en wetenschap --- kunsttheorie --- lichamelijkheid --- literatuur --- microbiologie --- museologie --- plantkunde --- radio --- robots --- telecommunicatie --- televisie --- twintigste eeuw --- video --- videokunst --- virtual reality --- websites --- wiskunde --- 7.038 --- Technology and art --- Technology