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Continuum Contemporaries will be a wonderful source of ideas and inspiration for members of book clubs and readings groups, as well as for literature students.The aim of the series is to give readers accessible and informative introductions to 30 of the most popular, most acclaimed, and most influential novels of recent years. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question. The books in the series will all follow the same structure:a biography of the novelist, including oth
Master and servant in literature. --- Country homes in literature. --- Household employees in literature. --- Domestics in literature --- Ishiguro, Kazuo, --- Criticism and interpretation. --- Country homes in literature --- Household employees in literature --- Master and servant in literature --- LITTERATURE ANGLAISE --- 20E SIECLE --- HISTOIRE ET CRITIQUE
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Leading historian Carolyn Steedman offers a fascinating and compelling account of love, life and domestic service in eighteenth-century England. This book, situated in the regional and chronological epicentre of E. P. Thompson's The Making of the English Working Class and Emily Bronte's Wuthering Heights, focuses on the relationship between a Church of England clergyman (the Master of the title) and his pregnant maidservant in the late eighteenth century. This case-study of people behaving in ways quite contrary to the standard historical account sheds new light on the much wider historical questions of Anglicanism as social thought, the economic history of the industrial revolution, domestic service, the poor law, literacy, education, and the very making of the English working class. It offers a unique meditation on the relationship between history and literature and will be of interest to scholars and students of industrial England, social and cultural history and English literature.
Household employees in literature --- Master and servant in literature --- Labor --- Master and servant --- Industrial revolution --- Employés de maison dans la littérature --- Employeur et employé dans la littérature --- Travail --- Employeur et employé (Droit) --- Révolution industrielle --- History --- Histoire --- Great Britain --- Grande-Bretagne --- Social conditions --- Conditions sociales --- Domestics in literature --- Master and servant in literature. --- Geschiedenis van opvoeding en onderwijs --- England --- handboeken en inleidingen --- Arts and Humanities --- handboeken en inleidingen. --- Employés de maison dans la littérature --- Employeur et employé dans la littérature --- Employeur et employé (Droit) --- Révolution industrielle --- Revolution, Industrial --- Economic history --- Social history --- Contracts --- Hire --- Labor and laboring classes --- Manpower --- Work --- Working class --- Law and legislation --- Household employees in literature.
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The Servants of Desire in Virginia Woolf's Shorter Fiction proposes an insight into the ways in which Virginia Woolf engaged with the questions of how class influences working women's occupation of private and public space and how material privilege or economic distress inhibits or encourages their likelihood of obtaining their intellectual, spiritual, and physical desires. This groundbreaking book uses class as the determining factor to assess how servants and working class women occupy private and public space and articulate or fail to realize their desires. Drawing upon published and unpublished holograph and typescript drafts of the shorter fiction in The Monks House Papers as well as the Berg Collection, this book examines Woolf's oscillating patterns of elision, idealization, and contempt for the voices and desires of female servants, lesbians, gypsies, and other disenfranchised women. The Servants of Desire in Virginia Woolf's Shorter Fiction also assesses how the portrayal of working class women in the shorter fiction becomes a vital template for the representation of working class women in Woolf's novels and essays. This study of the cumulative portrayal of the working class woman in all of Virginia Woolf's shorter fiction will also be compelling for anyone interested in social justice, especially for advocates of equality in gender/race/class/sexuality conflicts.
Sex in literature. --- Master and servant in literature. --- Household employees in literature. --- Literature and society --- History --- Woolf, Virginia, --- Criticism and interpretation. --- Woolf, Virginia (1882-1941) --- Erotisme --- Serviteurs (personnages) --- Littérature et société --- Critique et interprétation --- dans la littérature --- Littérature et société --- Critique et interprétation --- dans la littérature
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In Seizures of the Will in Early Modern English Drama Frank Whigham combines an analysis of English Renaissance plays with an enriched sense of their social surroundings. He traces the violent gestures of social self-construction that animate many such plays, and the ways in which drama interacts with the conflict-ridden discourses of social, rank, gender, kinship, and service relationships. In Whigham's view, The Spanish Tragedy initiates the 'matter of court,' a complex and marauding discourse of gender warfare and master-servant manipulations; Arden of Faversham explores linked redefinitions of land, service, and marriage in county culture; The Miseries of Enforced Marriage and A Yorkshire Tragedy present a powerful critique of the traditional imperialism of kinship in northern England; and The Duchess of Malfi explores metaphors of erotic transgression.
Drama --- English literature --- anno 1500-1599 --- anno 1600-1699 --- Arts and Humanities --- Literature --- English drama --- Literature and society --- Assertiveness (Psychology) in literature. --- Master and servant in literature. --- Social classes in literature. --- Sex role in literature. --- Kinship in literature. --- Will in literature. --- Self in literature. --- History and criticism. --- History
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History of North America --- anno 1600-1699 --- anno 1700-1799 --- United States --- Employés de maison --- Esclavage --- Employeur et employé (droit) --- Littérature anglaise --- English literature --- Household employees in literature --- American literature --- Authors and patrons --- Literary patrons --- Household employees --- Master and servant in literature --- Histoire --- Thèmes, motifs --- History and criticism --- English-speaking countries --- Intellectual life --- Thèmes, motifs. --- Histoire. --- Thèmes, motifs. --- History and criticism. --- United States of America --- Employés de maison --- Employeur et employé (droit) --- Littérature anglaise
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What pleasures did Plautus' heroic tricksters provide their original audience? How should we understand the compelling mix of rebellion and social conservatism that Plautus offers? Through a close reading of four plays representing the full range of his work (Menaechmi, Casina, Persa, and Captivi), Kathleen McCarthy develops an innovative model of Plautine comedy and its social effects. She concentrates on how the plays are shaped by the interaction of two comic modes: the socially conservative mode of naturalism and the potentially subversive mode of farce. It is precisely this balance of the naturalistic and the farcical that allows everyone in the audience--especially those well placed in the social hierarchy--to identify both with and against the rebel, to feel both the thrill of being a clever underdog and the complacency of being a securely ensconced authority figure. Basing her interpretation on the workings of farce and naturalism in Plautine comedy, McCarthy finds a way to understand the plays' patchwork literary style as well as their protean social effects. Beyond this, she raises important questions about popular literature and performance not only on ancient Roman stages but in cultures far from Plautus' Rome. How and why do people identify with the fictional figures of social subordinates? How do stock characters, happy endings, and other conventions operate? How does comedy simultaneously upset and uphold social hierarchies? Scholars interested in Plautine theater will be rewarded by the detailed analyses of the plays, while those more broadly interested in social and cultural history will find much that is useful in McCarthy's new way of grasping the elusive ideological effects of comedy.
Authority in literature. --- Comedy. --- Literature and society - Rome. --- Literature and society -- Rome. --- Master and servant in literature. --- Plautus, Titus Maccius -- Criticism and interpretation. --- Slavery in literature. --- Languages & Literatures --- Greek & Latin Languages & Literatures --- Plautus, Titus Maccius --- Criticism and interpretation. --- Plaute --- Plauto, Tito Maccio --- Plavt, Tit Makt︠s︡iĭ --- Plautus, M. Accius --- Plautus --- Plautus, M. Attius --- Plautus, Marcus Actius --- Plautus, Marcus Accius --- Plautus, Marcus Attius --- Plauto, Marco Accio --- Plautos, Titos Makkios --- פלאוטוס --- Literature and society
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In this study of literature and law from the Constitutional founding through the Civil War, Hoang Gia Phan demonstrates how American citizenship and civic culture were profoundly transformed by the racialized material histories of free, enslaved, and indentured labor. Bonds of Citizenship illuminates the historical tensions between the legal paradigms of citizenship and contract, and in the emergence of free labor ideology in American culture.Phan argues that in the age of Emancipation the cultural attributes of free personhood became identified with the legal rights and privileges of the citizen, and that individual freedom thus became identified with the nation-state. He situates the emergence of American citizenship and the American novel within the context of Atlantic slavery and Anglo-American legal culture, placing early American texts by Hector St. John de Crèvecœur, Benjamin Franklin, and Charles Brockden Brown alongside Black Atlantic texts by Ottobah Cugoano and Olaudah Equiano. Beginning with a revisionary reading of the Constitution’s “slavery clauses,” Phan recovers indentured servitude as a transitional form of labor bondage that helped define the key terms of modern U.S. citizenship: mobility, volition, and contract. Bonds of Citizenship demonstrates how citizenship and civic culture were transformed by antebellum debates over slavery, free labor, and national Union, while analyzing the writings of Frederick Douglass and Herman Melville alongside a wide-ranging archive of lesser-known antebellum legal and literary texts in the context of changing conceptions of constitutionalism, property, and contract. Situated at the nexus of literary criticism, legal studies, and labor history, Bonds of Citizenship challenges the founding fiction of a pro-slavery Constitution central to American letters and legal culture.
Master and servant in literature. --- Citizenship in literature. --- Slavery in literature. --- Social structure --- Indentured servants --- Slavery --- Citizenship --- Slaves --- Enslaved persons --- Persons --- Slavery and slaves in literature --- Slaves in literature --- Organization, Social --- Social organization --- Anthropology --- Sociology --- Social institutions --- Servants, Indentured --- Contract labor --- Slave labor --- Birthright citizenship --- Citizenship (International law) --- National citizenship --- Nationality (Citizenship) --- Political science --- Public law --- Allegiance --- Civics --- Domicile --- Political rights --- History. --- Legal status, laws, etc. --- Philosophy. --- Law and legislation --- Enslaved persons in literature
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