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Indigenous peoples and mass media --- Indigenous films --- Mexican American mass media. --- Motion pictures --- Mass media and indigenous peoples --- Mass media --- History and criticism. --- Mass media and Indigenous peoples --- Indians of Mexico and mass media --- Indians of Mexico --- Mass media.
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"The contributors to Reverse Shots offer a unique scholarly perspective on current work in the world of Indigenous film and media. Chapters focus primarily on Canada, Australia, and New Zealand and cover areas as diverse as the use of digital technology in the creation of Aboriginal art, the healing effects of Native humour in First Nations documentaries, and the representation of the pre-colonial in films from Australia, Canada, and Norway."--Page 4 of cover.
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An interdisciplinary collection that addresses the racial and ethnic politics of knowledge production and indigenous activism in the Americas, this book analyzes the relationship of language to power and advocates for collaboration between community members, scholars, and activists that prioritize the right of Indigenous people to decide how their knowledge is used.
Language and languages --- Language and culture --- Indigenous peoples and mass media --- Mass media and indigenous peoples --- Mass media --- Culture and language --- Culture --- Political aspects. --- Language and languages Political aspects --- Political aspects --- Mass media and Indigenous peoples
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Volumes in the Media Topics series critically examine the core subject areas within Media Studies. Each volume offers a critical overview as well as an original Intervention into the subject. Volume topics include: media theory and practice, history, policy, ethics, politics, discourse, culture and audience. Media and Ethnic Minorities Valerie Alia and Simone Bull This book addresses cross-cultural representations of ethnic minority peoples by dominant society 'outsiders' and Indigenous self-representation in the context of the 'New Media Nation'. In doing so, It explores the role of language,
Indigenous peoples and mass media. --- Mass media and minorities. --- Minorities in mass media. --- #SBIB:309H1024 --- #SBIB:309H504 --- Mediaboodschappen met een ideologische en spiegelfunctie (beeld vrouw, migranten …) --- Code en boodschap: sociologische, antropologische benadering --- Mass media --- Mass media and indigenous peoples --- Mass media and Indigenous peoples --- Médias et minorités --- Autochtones --- Et les médias --- Médias et minorités --- Et les médias
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Mass communications --- #SBIB:39A8 --- #SBIB:309H1000 --- Antropologie: linguïstiek, audiovisuele cultuur, antropologie van media en representatie --- Media: algemene en theoretische werken --- Communication and culture --- Ethnic mass media --- Indigenous peoples and mass media --- Intercultural communication --- Minorities in mass media --- Mass media --- Cross-cultural communication --- Communication --- Culture --- Cross-cultural orientation --- Cultural competence --- Multilingual communication --- Technical assistance --- Mass media and indigenous peoples --- Minority mass media --- Multicultural mass media --- Culture and communication --- Anthropological aspects --- Mass media and Indigenous peoples
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Around the planet, Indigenous people are using old and new technologies to amplify their voices and broadcast information to a global audience. This is the first portrait of a powerful international movement that looks both inward and outward, helping to preserve ancient languages and cultures while communicating across cultural, political, and geographical boundaries. Based on more than twenty years of research, observation, and work experience in Indigenous journalism, film, music, and visual art, this volume includes specialized studies of Inuit in the circumpolar north, and First Nations p
Indigenous peoples --- Indigenous peoples and mass media --- Internet and indigenous peoples --- Telecommunication. --- Communication and culture. --- Autochtones --- Autochtones et médias --- Internet et autochtones --- Télécommunications --- Communication et culture --- Communication --- Indigenous peoples and mass media. --- Internet and indigenous peoples. --- Communication. --- Culture and communication --- Culture --- Electric communication --- Mass communication --- Telecom --- Telecommunication industry --- Telecommunications --- Information theory --- Telecommuting --- Indigenous peoples and the Internet --- Mass media and indigenous peoples --- Mass media --- Ethnology --- Internet and Indigenous peoples. --- Mass media and Indigenous peoples
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"Gabriela Zamorano Villarreal examines the political dimension of indigenous media production and distribution as a means by which indigenous organizations articulate new claims on national politics in Bolivia, a country experiencing one of the most notable cases of social mobilization and indigenous-based constitutional transformation in contemporary Latin America. Based on fieldwork in Bolivia from 2005 to 2007, Zamorano Villarreal details how grassroots indigenous media production has been instrumental to indigenous political demands for a Constituent Assembly and for implementing the new Constitution within Evo Morales controversial administration."--Provided by publisher.
Indians of South America --- Indigenous films --- Motion pictures --- Indigenous peoples and mass media --- American aborigines --- American Indians --- Indigenous peoples --- Mass media and indigenous peoples --- Mass media --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Performing arts --- Government relations. --- Civilization. --- History and criticism. --- Political aspects --- Politics and government. --- Ethnology --- History and criticism --- #SBIB:39A74 --- Politics and government --- Civilization --- Government relations --- Etnografie: Amerika --- Mass media and Indigenous peoples
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"From Filmmaker Warriors to Flash Drive Shamans is a compilation of current Anthropological and Media Studies research on Indigenous people's production of and engagement with electronic and digital media in Latin America. Thirteen entries explore groups such as the Kayapó of Brazil, the Mapuche of Chile, the Kichwa of Ecuador, and the Ayuuk of Mexico, among others, as they engage video, photography, television, radio, and the Internet. The authors cover a range of topics such as the prospects of collaborative film production, the complications of archiving materials, and the contrasting meanings and even conflict over embedded aesthetics in media production. The chapters also examine the 'unanticipated' as active audiences engage television programming, the philosophical ruminations about the dead that are captured on digital recorders, the innovative uses of digital platforms on the Internet to connect across generations and even across cultures, and the overall challenges to obtaining media sovereignty in all manners of media production. The book includes an overview of global Indigenous media by Faye Ginsburg as well as a final interview with Terence Turner before his death--together Ginsburg and Turner are considered the founders of Indigenous Media Studies" --
Indigenous peoples and mass media --- Mass media and culture --- #SBIB:39A8 --- #SBIB:39A74 --- #SBIB:309H1313 --- Culture and mass media --- Culture --- Mass media and indigenous peoples --- Mass media --- Antropologie: linguïstiek, audiovisuele cultuur, antropologie van media en representatie --- Etnografie: Amerika --- Geschiedenis en/of organisatie van het filmwezen: algemeen en per land (met inbegrip van de rol van het filmwezen in de ontwikkelingsproblematiek) --- Mass media and Indigenous peoples
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This is the first book that comprehensively examines Indigenous filmmaking in North America, as it analyzes in detail a variety of representative films by Canadian and US-American Indigenous filmmakers: two films that contextualize the oral tradition, three short films, and four dramatic films. The book explores how members of colonized groups use the medium of film as a means for cultural and political expression and thus enter the dominant colonial film discourse and create an answering discourse. The theoretical framework is developed as an interdisciplinary approach, combining postcolonialism, Indigenous studies, and film studies. As Indigenous people are gradually taking control over the imagemaking process in the area of film and video, they cease being studied and described objects and become subjects who create self-controlled images of Indigenous cultures. The book explores the translatability of Indigenous oral tradition into film, touching upon the changes the cultural knowledge is subject to in this process, including statements of Indigenous filmmakers on this issue. It also asks whether or not there is a definite Indigenous film practice and whether filmmakers tend to dissociate their work from dominant classical filmmaking, adapt to it, or create new film forms and styles through converging classical film conventions and their conscious violation. This approach presupposes that Indigenous filmmakers are constantly in some state of reaction to Western ethnographic filmmaking and to classical narrative filmmaking and its epitome, the Hollywood narrative cinema. The films analyzed are The Road Allowance People by Maria Campbell, Itam Hakim, Hopiit by Victor Masayesva, Talker by Lloyd Martell, Tenacity and Smoke Signals by Chris Eyre, Overweight With Crooked Teeth and Honey Moccasin by Shelley Niro, Big Bear by Gil Cardinal, and Atanarjuat: The Fast Runner by Zacharias Kunuk.
Indian motion pictures --- Ethnographic films --- Indians in the motion picture industry --- Indians in motion pictures. --- Indian mass media --- Indigenous peoples and mass media --- Mass media and indigenous peoples --- Mass media --- Indians of North America --- Mass media, Indian --- Indians of Central America in motion pictures --- Indians of Mexico in motion pictures --- Indians of North America in motion pictures --- Indians of South America in motion pictures --- Indians of the West Indies in motion pictures --- Motion pictures --- Motion picture industry --- Anthropological films --- Ethnographic videos --- Ethnological films --- Documentary films --- Motion pictures, Indian --- Mass media and Indigenous peoples
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Vidéo --- Indiens d'Amérique --- Médias et minorités --- Indigenous peoples and mass media --- Video recordings --- Indians of Mexico --- Production et réalisation --- Relations avec l'État --- Civilisation --- Production and direction --- Civilization. --- Government relations. --- #SBIB:39A8 --- #SBIB:39A75 --- #SBIB:309H1016 --- Indians, Treatment of --- Indians of North America --- Indigenous peoples --- Meso-America --- Meso-American Indians --- Mesoamerica --- Mesoamerican Indians --- Pre-Columbian Indians --- Precolumbian Indians --- Ethnology --- Videorecordings --- Videos --- Audio-visual materials --- Mass media and indigenous peoples --- Mass media --- Antropologie: linguïstiek, audiovisuele cultuur, antropologie van media en representatie --- Etnografie: Azië --- Media: socio-culturele aspecten (massamedia en maatschappij, met inbegrip van cultuurhistorische werken en werken over de maatschappelijke en politieke effecten van de (diverse) media) --- Mass communications --- Mexico --- Relations avec l'État. --- Civilisation. --- Civilization --- Government relations --- Mass media and Indigenous peoples --- Vidéo --- Indiens d'Amérique --- Médias et minorités --- Production et réalisation --- Relations avec l'État.
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