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Investigating the economic value of one of the Democratic Republic of the Congo?s most lucrative exports (namely, poverty), Renzo Martens? provocative film 'Episode III: Enjoy Poverty' (2008) remains a landmark intervention into debates about contemporary art?s relationship to exploitative economies. The contributors to this publication explore the film?s legacy and how it relates to the politics of representation, uses of the documentary form, art criticism, the deployment of humanitarian aid, the impact of extractive forms of globalized capital, and the neoliberal politics of decolonization. The unconventional representation of acute immiseration throughout 'Enjoy Poverty' generated far-from-resolved disputes about how deprivation is portrayed in Western mainstream media and global cultural institutions. Using a range of approaches, this volume reconsiders that portrayal and how the film?s reception led Martens to found a long-term program, the Institute for Human Activities.
#SBIB:39A5 --- #SBIB:39A73 --- Kunst, habitat, materiële cultuur en ontspanning --- Etnografie: Afrika --- Social stratification --- poverty --- value [economic concept] --- criticism --- artists' films --- documentary films --- Martens, Renzo --- Congo --- #breakthecanon --- Rezeption. --- Poverty --- Poverty. --- Martens, Renzo, --- Martens, Renzo. --- Bibel --- Congo (Democratic Republic). --- Pauvreté --- Poverty - Congo (Democratic Republic) --- Martens, Renzo. - Enjoy poverty --- documentary film --- samenlevingsopbouw
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Art --- art [discipline] --- Melgaard, Bjarne --- Martens, Renzo --- Vo, Danh --- Bartana, Yael --- Mosquito, Nástio --- Sadr Haghighian, Natascha --- Steyerl, Hito --- Gillick, Liam
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Iconography --- Sculpture --- Painting --- Film --- painting [image-making] --- video art --- sculpting --- kunstsociologie --- human figures [visual works] --- Philipsz, Susan --- Martens, Renzo --- Paci, Adrian --- Martin, Kris --- Dzama, Marcel --- Manders, Mark --- Abdul, Lida --- Lassnig, Maria
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This book examines four Brussels-based artistic projects that converge in critically investigating the figuration of Africa in the image economy of the West: Herman Asselberghs's 'Speech Act' (2011), Sven Augustijnen's 'Spectres' (2011), Renzo Martens's 'Episode III - Enjoy Poverty' (2008) and Els Opsomer's 'Building Stories: That Distant Piece of Mine' (2012). While each is a singular film, together they reveal Africa's postcolonial imaginary to be a zone of crisis, situated between humanitarian emergency, financial pillage, and the politics of memory on the one hand, and the fictional - but nonetheless consequential - construction of European identity on the other. Just as dominant neocolonial narratives (which all too often cover over movements for independence and social justice) are critically played out and contested in these works, so too are documentary conventions creatively reinvented by Asselberghs, Augustijnen, Martens, and Opsomer
Film --- Martens, Renzo --- Asselberghs, Herman --- Opsomer, Els --- Augustijnen, Sven --- Asselberghs, Herman (1962-....) --- Postcolonialisme --- Cinéma et politique --- Thèmes, motifs --- Au cinéma --- Academic collection --- film --- filmtheorie --- Afrika --- Europa --- kolonialisme --- postkolonialisme --- film en politiek --- neokolonialisme --- Asselberghs Herman --- Augustijnen Sven --- Martens Renzo --- Opsomer Els --- Avatar --- Cameron James --- 791.471 ASSELBERGHS --- 791.471 AUGUSTIJNEN --- 791.471 MARTENS --- 791.471 OPSOMER --- 791.41 --- 791.43 <493> --- Filmkunst. Films. Cinema--België --- Postcolonialism in motion pictures. --- Postcolonialism --- Postcolonialism and the arts. --- 791.43 <493> Filmkunst. Films. Cinema--België --- Motion pictures --- Postcolonialism in motion pictures --- Post-colonialism --- Postcolonial theory --- Political science --- Decolonization --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Africa --- In motion pictures. --- Au cinéma. --- Augustijnen, Sven (1970-....) --- Martens, Renzo (1973-....) --- Opsomer, Els (1968-....)
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In the wake of failed states, growing economic and political inequality, and the ongoing US- and NATO-led wars for resources, security, and economic dominance worldwide, contemporary artists are revisiting former European colonies, considering past injustices as they haunt the living yet remain repressed in European consciousness. With great timeliness, projects by Sven Augustijnen, Vincent Meessen, Zarina Bhimji, Renzo Martens, and Pieter Hugo have emerged during the fiftieth anniversary of independence for many African countries, inspiring a kind of “reverse migration”—a return to the postcolony, which drives an ethico-political as well as aesthetic set of imperatives: to learn to live with ghosts, and to do so more justly.
77.03 --- 77.04 --- kunst --- eenentwintigste eeuw --- kolonialisme --- postkolonialisme --- kunst en politiek --- kunst en economie --- film --- fotografie --- Augustijnen Sven --- Meessen Vincent --- Bhimji Zarina --- Martens Renzo --- Hugo Pieter --- globalisering --- neoliberalisme --- 7.01 --- 7.039 --- Documentaire fotografie --- Artistieke fotografie. Foto's naar het onderwerp --- Postcolonialism and the arts. --- Postcolonialism --- Documentary films --- Documentary photography --- Africa --- Colonial influence. --- 77.04 Artistieke fotografie. Foto's naar het onderwerp --- 77.03 Documentaire fotografie --- Postcolonialisme et arts. --- Postcolonialisme et arts --- Postcolonialisme --- Documentaires --- Photographie documentaire --- Afrique --- Influence coloniale --- Art --- art [fine art] --- colonization --- colonies --- globalization --- Martens, Renzo --- Meessen, Vincent --- Hugo, Pieter --- Bhimji, Zarina --- Augustijnen, Sven --- art [discipline] --- dekolonisatie
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Art --- kunst --- eenentwintigste eeuw --- kunst en technologie --- politiek --- kunst en politiek --- film --- video --- videokunst --- Larcher David --- Opsomer Els --- De Clercq Anouk --- Galle Jerry --- Janssen Wim --- Quix Stefaan --- Viaene Els --- Speakman Duncan --- Lindemans Gorik --- Heuninck Elias --- de Boer Manon --- Didi-Huberman Georges --- Snelting Femke --- Martens Renzo --- Garabedian Mekhitar --- Geenen Pieter --- Asselberghs Herman --- 7.039 --- Exhibitions --- Multimedia (Art) --- 21st century
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Graphics industry --- Iconography --- Graphic arts --- Photography --- Film --- photography [process] --- emotion --- motion pictures [visual works] --- typography --- cities --- Martens, Renzo --- Davenport, Nancy --- Casaer, Paul --- Miyamoto, Ryuji --- Schwartz, Johannes --- Ruscha, Ed --- Gruyter, de, Jos --- Thys, Harald --- Daems, Anne --- Goldin, Nan --- Morris, Sarah --- Bismuth, Pierre --- Visser, Barbara --- Augustijnen, Sven
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art [discipline] --- history [discipline] --- art theory --- identity --- philosophy of art --- kunstsociologie --- Martens, Renzo --- Buchanan, Ruth --- Oldenborgh, van, Wendelien --- Bartana, Yael --- Haan, de, Siebren --- Elkoussy, Hala --- Flotron, Marianne --- Formwalt, Zachary --- Gordon, Melissa --- Jablonowski, David --- Johannesma, Rob --- Kensmil, Iris --- Kocken, Gert Jan --- Koolen, Rachel --- Nimcova, Lucia --- Brummelen, van, Lonnie --- Harskamp, van, Nicoline --- Voort, van de, Mieke --- Koelewijn, Job --- Visser, Barbara --- anno 2000-2099
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kunst --- fotografie --- kunst en fotografie --- kunst en architectuur --- performances --- reclamevormgeving --- kunst en reclame --- Williams Christopher --- Verenigde Staten --- kunst en politiek --- 77.071 WILLIAMS --- 7.071 WILLIAMS --- Exhibitions --- Abdul, Lida --- Dzama, Marcel --- Lassnig, Maria --- Martens, Renzo --- Manders, Mark --- Martin, Kris --- Paci, Adrian --- Philipsz, Susan --- Emotions in art --- Ethics, Modern --- Social interaction --- Social stability --- Stability, Social --- Social history --- Sociology --- Progress --- Human interaction --- Interaction, Social --- Symbolic interaction --- Exchange theory (Sociology) --- Psychology --- Social psychology --- Modern ethics --- In art
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