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Book
Cleomadés and the Marvellous Flying Wooden Horse : A Thirteenth-Century Romance by Adenet le Roi.
Author:
ISBN: 1802701753 1802702458 Year: 2024 Publisher: Amsterdam : Arc Humanities Press,

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A translation into English of Albert Henry's definitive edition of Adenet le Roi's Cleomadés, a story based on a tale from The One Thousand and One Nights.Palace and pageantry, music and feast contribute to the poetic beauty of the tale, in which the hero Cleomadés and his sweetheart Clarmondine share love of an intensity evoking that of Layla and Majnun, of Isolde and Tristan, of Guinevere and Lancelot. When adventures with a mechanical flying horse separate them disastrously, the lovers undertake epic journeys and devise ingenious ruses to effect their eventual union. In medieval French tradition, their ardour is the consuming passion of the narrative. However, Cleomadés is replete with material on the status of women, of the disabled, of the insane, of religious toleration, of violent behaviour, of duty toward parents. Produced in Paris in 1285 under the patronage of Marie de Brabant, queen of France and daughter of Adenet's first patron, Cleomadés crowns its author's illustrious career.


Book
Medieval mausoleums, monuments, and manuscripts : French royal women's patronage from the twelfth to the fourteenth centuries
Author:
ISBN: 9782503606972 9782503606965 2503606962 2503606970 Year: 2024 Publisher: Turnhout, Belgium: Brepols,

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This publication explores the manuscripts, monuments, and other memorabilia associated with the artistic patronage of Eleanor of Aquitaine (1122-1204), her daughters, Marie de Champagne (1145-98) and Matilda of Saxony (1156-98), as well as works generated by three queens of France, Marie de Brabant (1254-1322), Jeanne d’Évreux (1310-71), and Blanche de Navarre (1330-98). Through this study the shift in women’s artistic patronage over the centuries may be brought to light, as well as its evolution, evincing how each generation built upon the previous one. Further, despite the assorted shapes these women’s efforts embodied, ranging from manuscripts to stained glass windows, from funerary plaques, paintings, jewels and linens to monuments, mausoleums and endowments of institutions, including a variety of other forms, these women were notably unified in that their greatest output tellingly occurred during precarious points in their lives that threatened their positions, such as the potential political turmoil associated with the deaths of husbands or children. At these times their participation in acts of patronage solidified their places at court, in society, and within cultural memory while doubling as assertions of their political power and lineage. Thus, testaments, manuscript books, monuments, and memorials were not only a declaration or signs of one’s possessions, but also sites and documents that continued the politicking of the deceased.


Book
Pleasure and politics at the court of France : the artistic patronage of Queen Marie de Brabant (1260-1321)
Author:
ISBN: 9781905375684 1905375689 Year: 2019 Publisher: Turnhout : Brepols,

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"For her commissioning and performance of a French vernacular version of the Arabic Tale of the Thousand and One Nights -- recorded in one of the most vivid and sumptuous extant late thirteenth-century manuscripts -- as well as for her numerous other commissions, Queen Marie de Brabant (1260-1321) was heralded as a intellectual and literary patron comparable to Alexander the Great and Charlemagne. Nevertheless, classic studies of the late medieval period understate Marie's connection to the contemporary rise of secular interests at the French court. Pleasure and Politics seeks to reshape that conversation by illustrating how the historical and material record reveals the queen's essential contributions to the burgeoning court. This emerging importance of the secular and redefinition of the sacred during the last decades of Capetian rule becomes all the more striking when juxtaposed to the pious tone of the lengthy reign of Louis IX (1214-1270), which had ended just four years before Marie's marriage to his son. That Marie often chose innovative materials and iconographies for these objects -- ones that would later in the fourteenth century become the norm -- signals her importance in late medieval patronage. Pleasure and Politics examines Marie's life beginning with her youth in Brabant, to her entry into Paris in 1274 and continues until her death in 1321. It analyzes the dynamics of her patronage and its impact on contemporary and future women and men of the royal house."--

Keywords

091.31 "12/13" --- 929.7 --- 028-055.2 --- 028-055.2 Vrouwelijke lezers --- Vrouwelijke lezers --- 929.7 Adel. Eretitels --- Adel. Eretitels --- 091.31 "12/13" Verluchte handschriften--?"12/13" --- Verluchte handschriften--?"12/13" --- Marie de Brabant, --- Marie of Brabant --- 7.078 --- 944.02 --- 944.02 Geschiedenis van Frankrijk--(987-1589) --- Geschiedenis van Frankrijk--(987-1589) --- 7.078 Kunstbescherming. Kunstbevordering --- Kunstbescherming. Kunstbevordering --- Art patronage --- Queens --- Social networks --- France --- Kings and rulers --- Biography --- Courts and courtiers --- Intellectual life --- Biography. --- Courts and courtiers. --- Art --- patronage --- art collections --- Medieval [European] --- Illumination of books and manuscripts, Medieval --- Women art patrons --- Art, Medieval --- Collectors and collecting --- History --- Marie de Brabant --- Verlichting van boeken en handschriften [Middeleeuwse ] --- Beschermheren vrouwelijke kunst --- Kunst [Middeleeuwse ] --- Kunst --- Marie van Brabant, Koningin, echtgenote van Philip III, Koning van Frankrijk, 1254-1321 --- Verzamelaars en verzamelen --- Kunstpatronaat --- Frankrijk --- Illumination of books and manuscripts, Medieval - France --- Women art patrons - France --- Art, Medieval - France --- Art - Collectors and collecting - France - History - To 1500 --- Marie de Brabant, - Queen, consort of Philip III, King of France, - 1254-1321 - Art patronage --- Marie de Brabant, - Queen, consort of Philip III, King of France, - 1254-1321

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