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Art --- Mariale devoties --- Antwerp

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Christian special devotions --- Art --- Mariale devoties --- Mary [s.] --- Flanders

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Christian religion --- Christian special devotions --- Iconography --- religious art --- Mariale devoties --- Madonna --- Mary [s.] --- anno 1400-1499 --- anno 1500-1599 --- anno 1600-1699

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Antwerpen en haar madonnabeelden zijn al eeuwenlang met elkaar verbonden. De grondslag van deze bijzondere relatie ligt in een oude traditie waarbij de mensen zich door deze Maria- of andere heiligenbeelden extra beschermd wisten. In de loop der eeuwen verschenen steeds meer beelden in het straatbeeld … maar gaandeweg zijn er ook weer een heel aantal verdwenen, door de veranderende tijdsgeest of simpelweg door de sloop van de panden waartegen ze bevestigd werden. In het recente verleden werden we ons als Antwerpenaren opnieuw meer bewust van deze uitzonderlijke rijkdom. Enkele jaren geleden verscheen onder impuls van de stedelijke erfgoedcel, in samenwerking met de vereniging ‘Voor Kruis en Beeld’, een overzichtswerk over beelden van Maria in de Antwerpse binnenstad. Dit werk consolideerde de gevoeligheid voor dit kwetsbaar patrimonium en was zowel retrospectief een bilan als meer proactief een impuls voor de toekomst.

Sculpture --- Regional documentation --- Christian special devotions --- Antwerp --- C3 --- religieuze kunst --- Mariadevotie --- beeldende kunst --- Antwerpen [gemeente in arrondissement Antwerpen - BE] --- Kunst en cultuur --- Mary [Blessed Virgin ] --- Statues --- Belgium --- Antwerp (Belgium) --- Iconography --- History of civilization --- folklore --- worship --- Mariale devoties --- Anvers --- Maria Deipara --- Iconographie --- folklore [discipline] --- heiligenverering --- beeldhouwkunst, ontwerpen --- Madonna-beeld --- stadscultuur --- beeldhouwkunst, Nederlanden --- Applied arts. Arts and crafts --- decorative arts [discipline]

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Mater Misericordiae, Mother of Mercy, emerged as one of the most prolific subjects in central Italian art from the late thirteenth through the sixteenth centuries. With iconographic origins in Marian cult relics brought from Palestine to Constantinople in the fifth century, the amalgam of attributes coalesced in Armenian Cilicia then morphed as it spread to Cyprus. An early concept of Mary of Mercy?the Virgin standing with outstretched arms and a wide mantle under which kneel or stand devotees?entered the Italian peninsula at the ports of Bari and Venice during the Crusades, eventually converging in central Italy. The mendicant orders adopted the image as an easily recognizable symbol for mercy and aided in its diffusion. In this study, the author’s primary goals are to explore the iconographic origins of the Madonna della Misericordia as a devotional image by identifying and analyzing key attributes; to consider circumstances for its eventual overlapping function as a secular symbol used by lay confraternities; and to discuss its diaspora throughout the Italian peninsula, Western Europe, and eastward into Russia and Ukraine. With over 100 illustrations, the book presents an array of works of art as examples, including altarpieces, frescoes, oil paintings, manuscript illuminations, metallurgy, glazed terracotta, stained glass, architectural relief sculpture, and processional banners.

Mercy, Our Lady of --- Christian art and symbolism --- Mary, --- Devotion to --- Mercy, Our Lady of. --- Art et symbolisme chrétiens --- Art. --- barmhartigheid --- Christian special devotions --- Art --- Mariale devoties --- iconography --- Mariaverering --- Mary [s.] --- anno 1400-1499 --- anno 1200-1299 --- anno 1300-1399 --- anno 1500-1599 --- Italy --- Art et symbolisme chrétiens --- Christian art and symbolism - Italy - Medieval, 500-1500 --- Christian art and symbolism - Italy - Renaissance, 1450-1600 --- Maria Deipara --- Iconographie --- Mater misericordiae --- Mary, - Blessed Virgin, Saint - Art --- Mary, - Blessed Virgin, Saint - Devotion to - Italy --- Mary, - Blessed Virgin, Saint --- Christelijke kunst --- heiligenverering