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Marey, Etienne-Jules

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The book "Movements of Air" reprints the breathtaking pictures of Étienne-Jules Marey, that he took between 1899 and 1901 during his scientific experiments with moving air and smoke, and complements them with two essays of Georges Didi-Huberman and Laurent Mannoni. Laurent Mannoni accurately reflects Marey's experimental approach. As the founder of the "graphic method," Marey is also the developer of an aerodynamic wind tunnel. His experiments' photographs in fluid motion introduce us to a whole world of movements, turbulences and fluids. The resulting images influenced generations of scientists and artists alike. Georges Didi-Huberman expands on the philosophical debates surrounding these aesthetically and technically instructive images. He makes Bergson the main interlocutor and even the secret commentator of the scientist's experiments. Even though the scientist's main interest was graphic information, Huberman shows us how the flow of all things draws the ingenious experimenter to a photographic practice that creates drags, streaks, expansions, and visual dances. Marey's wind tunnel photographs were therefore themselves causes of turbulence in the history of images. The two artists Florian Dombois and Christoph Oeschger explore the "graphical" vortices of the last 120 years and provide at the end of the book a collage from historical and contemporary material interlaced with their own image making in Dombois's wind tunnel at the Zurich University of the Arts.

Marey, Étienne-Jules

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Etienne-Jules Marey (1830-1904) est un physiologiste renommé et novateur dans sa discipline, professeur au Collège de France, promoteur de la Méthode graphique qui permet l'étude, par l'enregistrement graphique, des mouvements des êtres animés (vol des oiseaux, allures du cheval et locomotion de l'homme). En 1881, il adopte la photographie instantanée (une nouveauté technique) comme moyen d'enregistrement, et invente la chronophotographie, répétition des prises de vue sur une même plaque photographique. Il obtient ainsi, à des fins strictement scientifiques, des images inédites, déconcertantes et insolites, où le temps paraît à la fois s'arrêter et se démultiplier, où les mouvements les plus anodins de l'homme, du cheval, de l'oiseau, prennent des formes fantômales. Dès lors, son iconographie, largement diffusée par des magazines d'éducation, dépasse ses intentions analytiques. Par un nouveau retournement méthodologique, il réalise en 1888 la chronophotographie sur pellicule mobile, énoncé de la procédure cinématographique qui sera perfectionnée par d'autres en 1895. La persuasion visuelle des images de Marey est paradoxale : déliées d'intention esthétique, elles invitent à une rêverie extatique du temps et du mouvement.

Photographie, technique --- Corps humain, thème --- Cinétique --- Marey, Etienne-Jules --- Chronophotographie --- Photographie --- Marey, Étienne-Jules, --- par Michel Frizot --- fotografie --- Marey Etienne-Jules --- chronofotografie --- chronografie --- beweging --- negentiende eeuw --- 77.071 MAREY --- chronophotography --- motion --- Photography --- Marey, Étienne-Jules --- anno 1800-1899 --- Chronophotographie.

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012 MAREY, ETIENNE-JULES --- Cardiology. --- Physiology. --- Marey, Etienne Jules, 1830-1904 --- Angiology --- Cardiovascular Disease Specialty --- Vascular Medicine --- Disease Specialty, Cardiovascular --- Medicine, Vascular --- Specialty, Cardiovascular Disease --- Bibliografie van bepaalde auteur--NAAM--MAREY, ETIENNE-JULES --- Cardiologie --- Marey, Étienne-Jules --- Cardiology --- Physiology --- Marey, Étienne-Jules. --- Marey, J.-E.

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Chronophotography --- Chronophotographie --- Marey, Etienne-Jules, --- Photographie --- Photographe --- Time lapse cinematography --- Marey, Etienne-Jules --- 19e siècle --- Chronophotography. --- CDL --- 77.071 MAREY --- Photography, Time-lapse --- Time lapse photography --- Marey, E. J. --- Photography --- Sequence photography --- Marey, Étienne-Jules --- Marey, J.-E. --- Marey, Etienne-Jules, - 1830-1904