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Marcopoulos, Ari,

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This artist's book accompanies Ari Marcopoulos's exhibition at Kunst Halle Sankt Gallen. To create the book, Marcopoulos re-photographed prints of his photographs that he had produced at home using a pigment printer. This process was in many ways a continuation of the period of pandemic isolation in which most of the images were photographed. Closely aligned with his own copious output, the selection is both haphazard and intuitive, leaving room for spontaneity and even mistakes. A portion of the book also focuses on the 2021 video installation 'Alone Together', featuring a saxophone performance by jazz legend Joe McPhee, which forms a central part of the exhibition.

Fotografie --- Foto --- Fotograaf --- Smartphone --- Marcopoulos, Ari

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Photographs taken by Ari Marcopoulos in Rome (February - March 2016), and Malibu (August 2016). With a text contribution by Kara Walker. "Rome. (...) Here, no image or structure is complete without symbolic framing devices, which also require framing devices, and so on. Ad infinitum. Malibu. Rockstars and fallen rocks and the edge, here is where the European conquest of the New World meets its fountain of youth endgame. We have reached the end, and it is vast."

fotografie --- eenentwintigste eeuw --- stadsfotografie --- landschapsfotografie --- documentaire fotografie --- Marcopoulos Ari --- Rome --- Malibu --- Verenigde Staten --- Italië --- 77.071 MARCOPOULOS --- Marcopoulos, Ari

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Hans Ulrich Obrist often quotes Erwin Panofsky, who once famously said the future is built from fragments of the past. How these fragments accumulate, how the future becomes constructed, is often a matter of historical inquiry as well as shared personal experiences. Coloured by digital technology, international conflict, domestic life, and more, twelve artists and an architect engage in conversation with Hans Ulrich Obrist, challenging history's defining notions and offering diverse accounts of how the present is imagined in relation to the past. One of the conversations takes the form of a photographic essay by Ari Marcopoulos examining Athens, the ancient city and its contemporary life. 'The Athens Dialogues' reveals how antiquity is a toolbox for shaping not only artistic and research practices, but present-day realities and the futures to come.

Art --- art [fine art] --- Antique, the --- Anesiadou, Danai --- Julien, Isaac --- Sengupta, Shuddhabrata --- Soulou, Christiana --- Steyerl, Hito --- Villar Rojas, Adrián --- Koons, Jeff --- Marcopoulos, Ari --- Georgiou, Apostolos --- Bridle, James --- Leyendecker, Ranjana --- Ray, Charles --- Diller, Elizabeth --- Antiquity --- Athens --- Art and history --- kunst --- kunsttheorie --- kunstgeschiedenis --- kunstenaars --- eenentwintigste eeuw --- Steyerl Hito --- Bridle James --- Georgiou Apostolos --- Anesiadou Danai --- Villar Rojas Adrian --- Ray Charles --- Diller Elizabeth --- Sengupta Shuddhabrata --- Raqs Media Collective --- Soulou Christiana --- Julien Isaac --- Leyendecker Ranjana --- Koons Jeff --- Marcopoulos Ari --- 7.01 --- Athens (Greece) --- Aḟiny (Greece) --- Atene (Greece) --- Atʻēnkʻ (Greece) --- Ateny (Greece) --- Athen (Greece) --- Athēna (Greece) --- Athēnai (Greece) --- Athènes (Greece) --- Athinai (Greece) --- Athīnā (Greece) --- Αθήνα (Greece) --- History --- Social aspects. --- Antiquities --- History and art --- History in art --- art [discipline]

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edited by Aaron Rose and Christian Strike ; essays by Alex Baker, Thom Collins, Jeffrey Deitch [et al.] --- grafiek --- kunst --- underground --- eenentwintigste eeuw --- graffiti --- Verenigde Staten --- subcultuur --- installaties --- fotografie --- grafisch design --- grafische vormgeving --- film --- twintigste eeuw --- illustraties --- video --- videokunst --- Basquiat Jean-Michel --- Blender Neil --- Chalfant Henry --- Clark Larry --- Crumb R. --- Friedman Glen E. --- Futura --- Haring Keith --- Humpston Wes --- Marcopoulos Ari --- Pettibon Raymond --- Pushead --- Stecyk III Craig R. --- Warhol Andy --- Campbell Thomas --- Connolly Cynthia --- Donnelly Brian --- Dunn Cheryl --- Fairey Shepard --- Frost Phil --- Gonzales Mark --- Hecox Evan --- Jackson Jo --- James Todd --- REAS --- Jarvis James --- Jenkins Andy --- Johanson Chris --- Jonze Spike --- Kilgallen Margaret --- Korine Harmony --- McFetridge Geoff --- McGee Barry --- McGinley Ryan --- McGinness Ryan --- Mills Mike --- Powers Stephen --- ESPO --- Richardson Terry --- Rojas Clare E. --- Rostarr --- Templeton Ed --- Yelland Tobin --- skateboards --- 7.038 --- 75.05 --- 7.039 --- 7.038/039 --- Art --- art [fine art] --- street art --- skateboarding --- Korine, Harmony --- Warhol, Andy --- Campbell, Thomas --- Chalfant, Henry --- Clark, Larry --- Dunn, Cheryl --- Fairey, Shepard --- Futura 2000 --- Gonzales, Mark --- James, Todd --- Johanson, Chris --- Jonze, Spike --- KAWS --- Kilgallen, Margaret --- McGee, Barry --- McGinley, Ryan --- McGinness, Ryan --- Mills, Mike --- Powers, Stephen --- Richardson, Terry --- Rojas, Clare E. --- Templeton, Ed --- Crumb, Robert --- Marcopoulos, Ari --- Connolly, Cynthia --- Frost, Phil --- Hecox, Evan --- Jackson, Jo --- Jarvis, James --- Jenkins, Andy --- McFetridge, Geoff --- Yelland, Tobin --- Blender, Neil --- Friedman, Glen E. --- Humpston, Wes --- Stecyk, Craig R. III --- Pettibon, Raymond --- Basquiat, Jean-Michel --- anno 1990-1999 --- United States --- Crumb R --- Friedman Glen E --- Stecyk III Craig R --- Rojas Clare E --- art [discipline] --- kunst in de openbare ruimte --- graffiti [casual notations] --- United States of America