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Book
Le Marais : organisation du cadre bâti
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ISBN: 2738460216 9782738460219 Year: 1997 Publisher: Paris: L'Harmattan,

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Le Marais = Promenades dans le Marais
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Year: 1964 Publisher: Paris: André Balland,

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Book
Le Guide du Marais
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Year: 1967 Publisher: Paris :

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Le Marais : guide historique et architectural
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ISBN: 9782908393095 2908393093 Year: 1994 Publisher: Paris : Editions Carré,

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Book
La Vie quotidienne au Marais au XVII siècle
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Year: 1966 Publisher: [Paris] : Hachette,

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Book
Le marais de Paris : énigmes et mystères
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Year: 1963 Publisher: Paris : La Connaissance,

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Le Marais en héritage(s) : cinquante ans de sauvegarde, depuis la loi Malraux
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ISBN: 9782759603060 Year: 2015 Publisher: Paris : Paris-Musées : Musée Carnavalet,

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My father and I : the Marais and the queerness of community
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ISBN: 0801458420 9780801458422 9780801447730 0801447739 1653508604 9781653508600 150170561X 0801457181 Year: 2009 Publisher: Ithaca : Cornell University Press,

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"It is a living museum of a long-gone Jewish life and, supposedly, a testimony to the success of the French model of social integration. It is a communal home where gay men and women are said to stand in defiance of the French model of social integration. It is a place of freedom and tolerance where people of color and lesbians nevertheless feel unwanted and where young Zionists from the suburbs gather every Sunday and sometimes harass Arabs. It is a hot topic in the press and on television. It is open to the world and open for business. It is a place to be seen and a place of invisibility. It is like a home to me, a place where I feel both safe and out of place and where my father felt comfortable and alienated at the same time. It is a place of nostalgia, innovation, shame, pride, and anxiety, where the local and the global intersect for better and for worse. And for better and for worse, it is a French neighborhood."-from My Father and I Mixing personal memoir, urban studies, cultural history, and literary criticism, as well as a generous selection of photographs, My Father and I focuses on the Marais, the oldest surviving neighborhood of Paris. It also beautifully reveals the intricacies of the relationship between a Jewish father and a gay son, each claiming the same neighborhood as his own. Beginning with the history of the Marais and its significance in the construction of a French national identity, David Caron proposes a rethinking of community and looks at how Jews, Chinese immigrants, and gays have made the Marais theirs. These communities embody, in their engagement of urban space, a daily challenge to the French concept of universal citizenship that denies them all political legitimacy. Caron moves from the strictly French context to more theoretical issues such as social and political archaism, immigration and diaspora, survival and haunting, the public/private divide, and group friendship as metaphor for unruly and dynamic forms of community, and founding disasters such as AIDS and the Holocaust. Caron also tells the story of his father, a Hungarian Jew and Holocaust survivor who immigrated to France and once called the Marais home.


Book
Les vieux hôtels du Marais et du quartier Saint-Paul
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Year: 1927 Publisher: Paris : Hachette,

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The Marais : the story of a quartier
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ISBN: 1800341245 1789625084 9781789625080 1789621046 9781789621044 Year: 2021 Publisher: Liverpool : Liverpool University Press,

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The Marais was the beating heart of fashionable Paris from the Middle Ages through to the time of Louis XIV, when the court's move to Versailles marked the start of a decline in its fortunes. Thereafter it became a working-class, largely Jewish area, sometimes described as a 'ghetto', and by the early twentieth century was in a parlous condition from which it was extricated by the Paris City Council and the 1960s restoration plan of Andre Malraux (which did not go without criticism and opposition). Its most recent avatar has been as the best-known gay quartier of the capital, though again this identity has not been a straightforward or always easily-accepted one. The stress throughout will be on representations - literary, cinematic, autobiographical, photographic and in graphic-novel form - as much as if not more than the unfolding of historical events.

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