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Mantegna, andrea (1431-1506) --- Artistes --- Italie --- Mantegna, andrea (1431-1506) --- Artistes --- Italie --- 15e-16e siècles

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If the fifteenth century in Italy has been seen as the moment when the constellation of disciplines known as ?the humanities? begins to take shape, it was also a time when a ?crisis in the humanities? ? their value, their limits, who and what they included or excluded ? was also manifest. A largely nineteenth century construction of ?Renaissance humanism? has indelibly cast humanist pursuits in terms of writing, with arts of making or techne sometimes idealized as a second order manifestation of humanist ideas. 0This book re-examines the career of one socially and intellectually ambitious artist, Andrea Mantegna (1431-1506) and his intellectual network, to re-open questions of the locations of humanism, the notion of ?humanist art,? or painting as a form of discourse that far from being ancillary to poetry, history, or rhetoric, served as a model for all three. It will be shown that the place of normativity or typicality that Andrea Mantegna occupies in the History of Art ? ?Early Renaissance artist,? ?artist as antiquarian,? ?Albertian perspectivist,? has kept from view the more radical potential of his work for a re-description of early Renaissance painting. The major works examined here ? the Ovetari Chapel, the Camera Picta, the altarpieces for Padua and Verona, the Triumphs of Caesar, adopt strikingly original means to address their beholder, and to control and even produce their spatial and ideological milieu, challenging conventional notions of ?the gaze? and how it operates in early Renaissance art. Furthermore, Mantegna?s representations entail a striking integration of writing and painting as modes of transmission: Mantegna and his audience were highly attentive to the materiality of text, image, and object in the transmission of knowledge.

Mantegna, Andrea --- Mantegna, Andrea, --- Criticism and interpretation --- Art, Early Renaissance. --- Mural painting and decoration, Renaissance --- Painting --- Italy --- History --- Painting, Renaissance --- Art, Early Renaissance --- Humanism --- Influence. --- Humanism in art. --- Peinture de la Renaissance --- Humanisme --- Humanisme de la Renaissance. --- Themes, motives --- Thèmes, motifs. --- Dans l'art. --- Bible --- History of Biblical events --- Art --- Dans l'art --- Themes, motives. --- Art. --- Iconographie biblique --- Mantegna, Andrea, - 1431-1506 - Criticism and interpretation --- Mantegna, Andrea, - 1431-1506

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Riche d’un ensemble remarquable des tableaux de Mantegna, de loin le plus important hors d’Italie, que viendront compléter des prêts exceptionnels, le musée du Louvre consacre, pour la première fois en France, une rétrospective majeure à cette figure éminente de la Renaissance en Italie du Nord. Formé dans le milieu humaniste de Padoue et de Ferrare, Mantegna va se distinguer par son goût « antiquaire », obsédé par la restitution imaginaire et documentée à la fois d’une Antiquité rêvée et par son talent d’invention allégorique et savante. A la cour de Mantoue, auprès d’Isabelle d’Este et de son mari le duc de Gonzague, il va développer, par la fresque, les peintures sur bois mais aussi par la gravure, une œuvre qui influencera au-delà des artistes de la péninsule jusqu’à Dürer. L’exposition et son catalogue s’attacheront à montrer, à travers des œuvres de techniques très diverses, les étapes majeures de la carrière de cet artiste, menée entre Padoue, Vérone et Mantoue durant la seconde moitié du XVe siècle, son influence sur ses contemporains et la diffusion précoce de son art dans toute l’Europe.

Mantegna, Andrea --- Art --- Bellini, Giovanni --- 15de eeuw --- Padua --- Italië --- Mantegna, Andrea, --- Exhibitions --- Art, Italian --- Italian art --- Bamboccianti (Group of artists) --- Corrente (Group of artists) --- Cracking Art (Group of artists) --- Fronte nuovo delle arti (Group of artists) --- Geometria e ricerca (Group of artists) --- Girasole (Group of artists) --- Gruppo 1 (Group of artists) --- Gruppo Aniconismo dialettico (Group of artists) --- Gruppo di Como (Group of artists) --- Gruppo di Scicli (Group of artists) --- Gruppo Enne (Group of artists) --- Gruppo Forma uno (Group of artists) --- Italiens de Paris (Group of artists) --- Mutus Liber (Group of artists) --- Novecento italiano (Group of artists) --- Nuovi-nuovi (Group of artists) --- Origine (Group of artists) --- Sei pittori di Torino (Group of artists) --- Transvisionismo (Group of artists) --- Painting, Renaissance --- Drawing, Renaissance --- Painting, Italian --- Drawing, Italian --- Exhibitions. --- Mantegna, Andrea, - 1431-1506 --- Mantegna, Andrea, - 1431-1506 - Exhibitions --- Mantegna, Andrea. --- Bellini, Giovanni. --- 15de eeuw. --- Padua. --- Italië.

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Victoria (Roman deity) --- Renaissance --- Art --- Ciriaco, --- Mantegna, Andrea, --- Samothrace Island (Greece) --- Samothrace (Grèce : Ile) --- Antiquities --- Antiquités --- Art. --- Samothrace (Grèce : Ile) --- Antiquités --- Victoria (Goddess) --- Goddesses, Roman --- Nike (Greek deity) --- Ancona, Ciriaco d', --- Ciriaco de' Pizzicolli, --- Cyriac, --- Cyriacus, --- Cyriaque, --- D'Ancona, Ciriaco, --- De' Pizzicolli, Ciriaco, --- Kyriaci, --- Kyriakus, --- Pizzecolli, Ciriaco de', --- Pizzicolli, Ciriaco, --- Pizzicolli, Ciriaco de', --- Nísos Samothráki (Greece) --- Samothra'cia Island (Greece) --- Samothrákē Island (Greece) --- Samothraki Island (Greece) --- Aegean Islands (Greece and Turkey) --- Antiquities. --- Victoria --- Victoria (Roman deity) - Art --- Renaissance - Italy --- Ciriaco, - d'Ancona, - 1391-1452 --- Mantegna, Andrea, - 1431-1506. - Parnassus --- Samothrace Island (Greece) - Antiquities