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For Geert Lovink, interviews are imaginative texts that can help to create global, networked discourses not only among different professions but also among different cultures and social groups. Conducting interviews online, over a period of weeks or months, allows the participants to compose documents of depth and breadth, rather than simply snapshots of timely references.The interviews collected in this book are with artists, critics, and theorists who are intimately involved in building the content, interfaces, and architectures of new media. The topics discussed include digital aesthetics, sound art, navigating deep audio space, European media philosophy, the Internet in Eastern Europe, the mixing of old and new in India, critical media studies in the Asia-Pacific region, Japanese techno tribes, hybrid identities, the storage of social movements, theory of the virtual class, virtual and urban spaces, corporate takeover of the Internet, and the role of cyberspace in the rise of nongovernmental organizations.Interviewees included Norbert Bolz, Paulina Borsook, Luchezar Boyadjiev, Kuan-Hsing Chen, Cãlin Dan, Mike Davis, Mark Dery, Kodwo Eshun, Susan George, Boris Groys, Frank Hartmann, Michael Heim, Dietmar Kamper, Zina Kaye, Tom Keenan, Arthur Kroker, Bruno Latour, Marita Liulia, Rafael Lozano-Hemmer, Peter Lunenfeld, Lev Manovich, Mongrel, Edi Muka, Jonathan Peizer, Saskia Sassen, Herbert Schiller, Gayatri Spivak, János Sugár, Ravi Sundaram, Toshiya Ueno, Tjebbe van Tijen, McKenzie Wark, Hartmut Winkler, and Slavoj Zizek.

Computer networks --- Computers and civilization. --- Cyberspace. --- Information society. --- Information technology --- Internet --- Social aspects. --- Geert Lovink --- grafische vormgeving --- computers --- websites --- webdesign --- communicatie --- kunst en technologie --- digitale communicatie --- nieuwe media --- internet --- interfaces --- digitale esthetica --- kunsttheorie --- esthetica --- Oost-Europa --- Indië --- India --- Japan --- techno --- virtual reality --- virtuele realiteit --- cyberspace --- Kamper Dietmar --- Bolz Norbert --- Heim Michael --- Zizek Slavoj --- Kroker Arthur --- Bulgarije --- Boyadjiev Luchezar --- Spivak Gayatri --- Manovich Lev --- van Tijen Tjebbe --- Sassen Saskia --- Dery Mark --- Schiller Herbert I. --- Chen Kuan-Hsing --- Peizer Jonathan --- Latour Bruno --- Muka Eduard --- Winkler Hartmut --- Davis Mike --- Finland --- GSM --- themaparken --- Liulia Marita --- Keenan Thomas --- lichamelijkheid --- Groys Boris --- Ueno Toshiya --- Sugar Janos --- George Susan --- Hartmann Frank --- relationele architectuur --- relational architecture --- Lozano-Hemmer Rafael --- Wark McKenzie --- Dan Calin --- Borsook Paulina --- Eshun Kodwo --- 791.5 --- 766.01 --- 7.01 --- 130.2 --- Computers and civilization --- Cyberspace --- Information society --- Schiller Herbert I --- Sociology --- Information superhighway --- Space and time --- Computers --- Telematics --- Civilization and computers --- Civilization --- Social aspects --- Intelligence artificielle --- Sociologie de la communication --- Sociologie de la culture --- Cybernétique

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Graphic Design Theory presents groundbreaking, primary texts from the most important historical and contemporary designthinkers. From Aleksandr Rodchenko's "Who We Are: Manifesto of the Constructivist Group" to Kenya Hara's "Computer Technology and Design," this essential volume provides the necessary foundation for contemporary critical vocabulary and thought.Graphic Design Theory is organized in three sections: "Creating the Field" traces the evolution of graphic design over the course of the early 1900s, including influential avant-garde ideas of futurism, constructivism, and the Bauhaus; "Building on Success" covers the mid- to late twentieth century and considers the International Style, modernism, and postmodernism; and "Mapping the Future" opens at the end of the last century and includes current discussions on legibility, social responsibility, and new media. Striking color images illustrate each of the movements discussed and demonstrate the ongoing relationship between theory and practice. A brief commentary prefaces each text, providing a cultural and historical framework through which the work can be evaluated. Authors include such influential designers as Herbert Bayer, Lszl Moholy-Nagy, Karl Gerstner, Katherine McCoy, Michael Rock, Lev Manovich, Ellen Lupton, and Lorraine Wild. Additional features include a timeline, glossary, and bibliography for further reading. A must-have survey for graduate and undergraduate courses in design history, theory, and contemporary issues, Graphic Design Theory invites designers and interested readers of all levels to plunge into the world of design discourse.

Graphic arts. --- Commercial art. --- designtheorie --- Bayer Herbert --- Gerstner Karl --- Hara Kenya --- Helfand Jessica --- Heller Steven --- Lasn Kalle --- Lissitzky El --- Lupton Ellen --- Lupton Julia --- McCoy Katherine --- Frej David --- Manovich Lev --- Marinetti Filippo Tommaso --- Moholy-Nagy Laszlo --- Müller-Brockmann Josef --- Rand Paul --- Rock Michael --- Rodchenko Aleksander --- Stepanova Varvara --- Gan Aleksei --- Scher Paula --- Siegel Dmitri --- Tschichold Jan --- van Toorn Jan --- Venturi Robert --- Scott Brown Denise --- Izenour Steven --- Warde Beatrice --- Weingart Wolfgang --- Wild Lorraine --- futurisme --- constructivisme --- typografie --- Bauhaus --- modernisme --- postmodernisme --- 766.01 --- #SBIB:309H240 --- 750.2 --- ontwerpmethodiek --- Andere media (theater, plastische kunsten, strips, affiches, speelautomaten...) --- grafische vormgeving, tijdschriften en seriewerken - verzamelde opstellen --- grafische vormgeving --- Graphic arts --- graphic design --- grafisch ontwerp --- Commercial art --- Grafische vormgeving ; theorie ; ontwerpen --- Grafische vormgevers ; 20ste en 21ste eeuw --- Art, Graphic --- Arts, Graphic --- Graphic design (Graphic arts) --- Graphics --- Art --- Visual communication --- Advertising, Art in --- Advertising, Pictorial --- Advertising art --- Art, Commercial --- Art in advertising --- Commercial design --- Advertising --- Art and industry --- Posters --- Motion picture billboards --- Gebruiksgrafiek ; theorie, filosofie, esthetica

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hedendaagse kunst --- Contemporary [style of art] --- Art --- anno 1900-1999 --- anno 2000-2009 --- Computer art. --- Art and technology. --- Digital media. --- 7.039 --- 778.5 --- Beeldende kunst ; 20ste en 21ste eeuw --- Communication Art --- Computerkunst ; technologie in de kunst --- Digitale kunsten ; vrije --- Elektronische media --- Elektronische muziek --- Kunst en communicatie --- Kunst en elektronica --- Laserkunst ; holografie --- Media Art --- Multimedia --- Robots --- Simulation Art --- Videokunst ; installaties --- Virtual reality --- Web Art ; webkunst ; internetkunst ; Net Art --- 791.5 --- Adrian Robert --- Allen Rebecca --- Anderson Laurie --- Architecture machine group --- Art + Com --- Artaud Antonin --- Arterial Group --- Ascott Roy --- Asociacion arte concreto invencion --- Auzina Ieva --- Back Doug --- Barbie Liberation Organization --- Batchen Geoffrey --- Bear Liza --- Benayoun Maurice --- Blast theory --- Bonacic Vladimir --- Bookchin Natalie --- Boyle Mark --- Brecht Bertolt --- Brixey Shawn --- Bunting Heath --- Burden Chris --- Burnham Jack --- Burson Nancy --- Cage John --- Campbell Jim --- Campus Peter --- Chaos computer club --- Chu-yin Chen --- Claus Jürgen --- Cohen Harold --- Couchot Edmond --- Courchesne Luc --- Cox Donna J. --- Crandall Jordan --- Critical art ensemble --- Csuri Charles --- D'Agostino Peter --- DJ Spooky --- Davies Char --- Davis Douglas --- Dean Max --- Deck Andy --- Demarins Paul --- Dietz Steve --- Diller + Scofidio --- Dove Tony --- Dumb Type --- Dunning Alan --- Dupuy Jean --- E.A.T. --- Edmondson Bill --- Eliasson Olafur --- Fernandez Maria --- Flanagan Mary --- Flavin Dan --- Fleischmann Monika --- Fléri Louis --- Fontana Lucio --- Franke Herbert W. --- Fujihata Masaki --- Gabo Naum --- Gabriel Ulrike --- Gees Johannes --- Gillette Frank --- Gordon Douglas --- Graham Dan --- Granular Synthesis --- Grav --- Grey Michael Joaquin --- Haacke Hans --- Hansen Mark --- Harmon Leon --- Harris Jonathan --- Harwood Graham --- Hawkinson Tim --- Hayles N. Katherine --- Hegedüs Agnes --- Hershman Leeson Lynn --- Higgins Dick --- Hill Gary --- Hiller Susan --- Hills Joan --- Hinterding Joyce --- Hocking Ralph --- Holzer Jenny --- Horn Rebecca --- Huhtamo Erkki --- Huyghe Pierre --- I/O/D --- IAA --- Ihnatowicz Edward --- Ikam Catherine --- Ikeda Ryoji --- Iwai Toshio --- Jeremijenko Natalie --- Jonas Joan --- Kac Eduardo --- Kamvar Sep --- Kawaguchi Yoichiro --- Kepes Gyorgy --- Klüver Billy --- Knowbotic Research --- Knowlton Kenneth --- Kosice Gyula --- Kowalski Piotr --- Krebs Rockne --- Krueger Myron --- La pocha nostra --- Laposky Ben --- Laurel Brenda --- Lazzarini Robert --- Le Corbusier --- Legrady George --- Levin Golan --- Levine Les --- Livingston Jane --- Lozano-Hemmer Rafael --- Lucier Mary --- Lyotard Jean-François --- MIT media lab --- Macmurtrie Chico --- Malina Frank --- Mallary Robert --- Mann Steve --- Manovich Lev --- Marclay Christian --- Maris Bastiaan --- McCray Marilyn --- Memmott Talan --- Merz Mario --- Mignonneau Laurent --- Mikami Seiko --- Miller Paul --- Minujin Marta --- Miyajima Tatsuo --- Moholy-Nagy Laszlo --- Mori Mariko --- Mullican Matt --- Munari Bruno --- Muntadas Antonio --- Naimark Michael --- Nake Frieder --- Napier Mark --- Nauman Bruce --- Nechvatal Joseph --- Necro Enema Amalgamated --- Negroponte Nicholas --- Nideffer Rob --- Novak Marcos --- Openended Group --- Oppenheim Dennis --- Oursler Tony --- Packer Randall --- Paik Nam June --- Palatnik Abraham --- Paterson nancy --- Pauline Mark --- Penny Simon --- Pevsner Anton --- Piene Otto --- Piper Keith --- Polak Esther --- Ponton European Media Arts Lab --- Popper Frank --- Prophet Jane --- Pulsa --- Rajah Niranjan --- Ramiro Mario --- Rath Alan --- Rauschenberg Robert --- Rees Michael --- Reichardt Jasia --- Richards Catherine --- Rinaldo Ken --- Rogala Miroslaw --- Rokeby David --- Rubin Ben --- SKB Prometei --- Sandin Dan --- Sayre Rick --- Scher Julia --- Schneemann Carolee --- Schneider Ira --- Schwartz Barry --- Schwartz Lillian --- Schöffer Nicolas --- Scott Jill --- Seaman Bill --- Seawright James --- Selley Gordon --- Sermon Paul --- Shannon Thomas --- Sharp Willoughby --- Shaw Jeffrey --- Sheridan Sonia Landy --- Sherman Tom --- Shulgin Alexei --- Sims Karl --- Siña Alejandro & Moira --- Sommerer Christa --- Sonnier Keith --- Sponge & Foam --- Stelarc --- Strachan Tavares --- Strauss Wolfgang --- Strickland Rachel --- Studio Azzurro --- Subrosa --- Symbiotica --- Takis --- Tanaka Atsuko --- Tenhaaf Nell --- Tsai Wen-Ying --- Turrell James --- Van Gogh TV --- Vanderbeel Stan --- Varèse Edgar --- Vasulka Steina --- Vasulka Woody --- Vesna Victoria --- Viola Bill --- Vorn Bill --- Vostell Wolf --- Ward Adrian --- Weibel Peter --- White Norman --- Whitney James --- Wilfred Thomas --- Wise Howard --- Wohlgemuth Eva --- Woodrow Paul --- Xenakis Iannis --- Yalkut Jud --- Youngblood Gene --- computerkunst --- digitale kunst --- eenentwintigste eeuw --- elektronische kunst --- kunst en technologie --- kunst --- muziek --- nieuwe media --- twintigste eeuw --- 705.81 --- 705.9 --- conceptuele kunst --- videokunst --- Kunstgeschiedenis ; 2000 - 2050 --- Kunst nieuwe technieken ; video, laser, computer, klank, ... --- kunstgeschiedenis, videokunst --- kunst; algemeen ; beeldende kunst; algemeen ; 21e eeuw --- Digital art. --- Elektronische Medien --- Kunst --- Medienkunst --- Netzkunst --- Elektronische Medien. --- Kunst. --- Medienkunst. --- Netzkunst. --- Art and technology --- Digital art --- Digital media --- Cox Donna J --- E.A.T --- Franke Herbert W --- Electronic media --- New media (Digital media) --- Mass media --- Digital communications --- Online journalism --- Art, Computer --- Computer craft --- New media art --- Technology and art --- Technology --- Kunst nieuwe technieken ; video, laser, computer, klank, .. --- Kunst nieuwe technieken ; video, laser, computer, klank, . --- Kunst nieuwe technieken ; video, laser, computer, klank,