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Manet, Edouard --- Artists --- Artistes --- Biography --- Biographies --- Manet, Edouard, --- Impressionnisme --- Peintre --- Criticism and interpretation --- 19e siècle --- Manet, Édouard, --- Manet, Édouard, - 1832-1883 - Criticism and interpretation --- Manet, Édouard, --- Manet (edouard), peintre francais, 1832-1883 --- Peinture francaise --- 19e siecle --- Manet, Édouard, - 1832-1883

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En 1971, Michel Foucault prononce à Tunis une importante conférence sur Manet, sous la forme d'un commentaire de treize tableaux. Cette conférence est à la fois très célèbre et fort peu connue. Rappelons-en ici simplement la conclusion : " Manet n'a certainement pas inventé la peinture non représentative puisque tout chez Manet est représentatif, mais il a fait jouer dans la représentation les éléments matériels fondamentaux de la toile. Il était donc en train d'inventer si vous voulez le tableau-objet, la peinture-objet, et c'était là sans doute la condition fondamentale pour que finalement un jour on se débarrasse de la représentation elle-même et on laisse jouer l'espace avec ses propriétés pures et simples, ses propriétés matérielles elles-mêmes. " Maryvonne Saison, en 2001, a réuni des spécialistes de Foucault et de l'histoire de l'art pour évoquer le texte du philosophe et le reconsidérer à la lumière des travaux effectués sur Manet depuis 1971. Notre volume comprend à la fois la conférence de Foucault et les textes de certains des participants au colloque de 2001. Signalons enfin que nous publierons prochainement et dans la même collection les deux autres conférences de Michel Foucault prononcées à Tunis.

Foucault, Michel --- Manet, Edouard --- Art criticism --- France --- History --- Manet, Edouard, --- Foucault, Michel, --- Criticism and interpretation --- 75.071 MANET --- CDL --- Manet, Édouard, --- Art --- Arts --- Criticism --- Analysis, interpretation, appreciation --- Manė, Eduard, --- Manet, Éduard, --- מאנה, אדוארד, --- Foucault, M. --- Criticism and interpretation. --- Fūkūh, Mīshīl, --- Foucault, Michael, --- Fuko, Mišel, --- Pʻukʻo, --- Pʻukʻo, Misyel, --- Phoukō, Misel, --- Fuke --- 福柯 --- Fuḳo, Mishel, --- Manė, Eduard --- Manet, Éduard --- Art criticism - France - History - 20th century - Congresses --- Manet, Édouard, - 1832-1883 - Criticism and interpretation --- Foucault, Michel, - 1926-1984 - Congresses --- Manet, Édouard, - 1832-1883 --- Foucault, Michel, - 1926-1984

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Bradford Collins has assembled here a collection of twelve essays that demonstrates, through the interpretation of a single work of art, the abundance and complexity of methodological approaches now available to art historians. Focusing on Manet's A Bar at the Folies-Bergère, each contributor applies to it a different methodology, ranging from the more traditional to the newer, including feminism, Marxism, Lacanian psychoanalysis, and semiotics. By demonstrating the ways that individual practitioners actually apply the various methodological insights that inform their research, Twelve Views of Manet's "Bar" serves as an excellent introduction to critical methodology as well as a provocative overview for those already familiar with the current discourse of art history. In the process of gaining new insight into Manet's work, and into the discourse of methodology, one discovers that it is not only the individual painting but art history itself that is under investigation. An introduction by Richard Shiff sets the background with a brief history of Manet scholarship and suggestions as to why today's accounts have taken certain distinct directions. The contributors, selected to provide a broad and balanced range of methodological approaches, include: Carol Armstrong, Albert Boime, David Carrier, Kermit Champa, Bradford R. Collins, Michael Paul Driskel, Jack Flam, Tag Gronberg, James D. Herbert, John House, Steven Z. Levine, and Griselda Pollock.

75.07 --- Schilderkunst ; Manet ; Bar au Folie Bergère ; 1882 --- Schilderkunst ; Frankrijk ; 19de eeuw ; Edouard Manet --- Schilderkunst ; Impressionisme --- Manet, Edouard 1832-1883 (°Parijs, Frankrijk) --- Schilderkunst ; schilders --- Painting --- Historiography. --- CDL --- 75.071 MANET --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Historiography --- Manet, Edouard, --- Manet, Édouard, --- Chabrier, Emmanuel, --- Manė, Eduard, --- Manet, Éduard, --- מאנה, אדוארד, --- Criticism and interpretation. --- Manet, Edouard --- Criticism and interpretation --- Manet, Edouard, - 1832-1883. - Bar at the Folies-Bergáere. --- Manet, Edouard, - 1832-1883 - Criticism and interpretation. --- Painting - Historiography. --- Manė, Eduard --- Manet, Éduard --- ART / History / General. --- Alphonsus Liguori. --- Atelier. --- Autumn. --- Bar. --- Bundle of Asparagus. --- Danse Macabre. --- Dictionnaire. --- Hamlet. --- History of Art. --- Illuminations. --- Jesus. --- Luncheon on the Grass. --- Manet’s Sources. --- Nana. --- Olympia. --- Philosophy of Right. --- Quiet. --- Screen. --- The Courtauld Collection. --- The Railroad. --- The Surprised Nymph. --- White Girl. --- Woman with a Parrot. --- amateurs. --- comestibles. --- compotier. --- consommations. --- corrida. --- coulisses. --- difference. --- doppelganger. --- en point. --- feminist. --- grand magasin. --- guinguettes. --- habit noir. --- historical. --- incommunicable. --- individual experience. --- lorgnette. --- maquillage. --- mirror image. --- model. --- modernity. --- natures mortes. --- petit-bourgeoise. --- physical explanation. --- postmodern. --- prima facie. --- promenoir. --- reflects. --- representation. --- seize mai. --- serveuse. --- tache. --- turbulence. --- vanitas.