Listing 1 - 3 of 3 |
Sort by
|
Choose an application
This is the second volume to be published in the 20-volume set. It includes 114 poems (104 tanka , ten choka ), traditionally considered to be the zoka genre, although some of them can be classified as benka , since they deal with death and sorrow. It also contains two poems in Chinese. The volume has several long introductions (all written in Chinese) to the poems that follow. All the poems in this volume were composed between AD 724 and 733, which represents a much greater homogeneity in comparison to books one to four. Most of the poems were written by Yamanoue-no Okura (AD660-733), one of the greatest Man’yōshū poets, who was possibly a Korean from Kudara (Paekche), or at least a descendant of Kudara immigrants to Japan. The spelling system in this volume is predominantly phonographic, with only a few exceptions. In addition, the spelling system appears to reflect Early Western Old Japanese, as demonstrated by Bentley (1997, 2002). The same can be said about its overall grammatical features.
Waka --- Japanese poetry --- Japanese poetry (Collections) --- Japanese literature --- Man'yōsh --- Criticism and interpretation.
Choose an application
Book twenty (20.4293-4516) of the Man'yo¯shu¯ comprises 224 poems (218 tanka , six cho¯ka ) with unspecified genres. From the social point of view this book is the most varied one, as it includes poems from empresses and princes, various strata of the nobility, down to the lowest border guard soldiers. Organized chronologically, book twenty is important for two important reasons. First, it contains many poems written in Eastern Old Japanese. Second, given the fact that many authors of the poems written in Western Old Japanese are well known historical and political figures of the mid-eighth century, it provides an interesting literary background to political struggles that were taking place at this time at the Nara court. Following book twenty the publication sequence will be as follows: book seventeen, book eighteen, book nineteen, book one, book nine, and then starting from book two in numerical order. A full rationale for the publication sequence can be found in book fifteen. Each volume of this new translation contains the original text, kana transliteration, romanization, glossing and commentary.
J5715 --- Man'yoshu --- -Japanese poetry --- -Japanese literature --- Japanese poetry (Collections) --- Japan: Literature -- poetry -- Waka, tanka, chōka -- Man'yōshū --- Criticism and interpretation --- Translations into English --- -Japanese poetry (Collections) --- Japanese literature --- Japanese poetry --- Man'yōshū --- Man'yôsyû --- Man̄yefushifu --- Manʺësi︠u︡ --- Mannyōshū --- Manyŏpchip --- Wan yeh chi --- Nishi Honganji-bon Man'yōshū --- Man.yôshû --- Criticism and interpretation. --- Japanese poetry. --- Man'yōshū. --- To 794 --- Man.yôsh --- Nishi Honganji-bon Man'yōsh --- Mannyōsh --- Manʺësi͡ --- Man'yôsy --- -Criticism and interpretation --- Translations. --- Translations into English.
Choose an application
In Man’yōshū and the Imperial Imagination in Early Japan , Torquil Duthie examines the literary representation of the late seventh-century Yamato court as a realm of 'all under heaven.” Through close readings of the early volumes of the poetic anthology Man’yōshū (c. eighth century) and the last volumes of the official history Nihon shoki (c. 720), Duthie shows how competing political interests and different styles of representation produced not a unified ideology, but rather a “bundle” of disparate imperial imaginaries collected around the figure of the imperial sovereign. Central to this process was the creation of a tradition of vernacular poetry in which Yamato courtiers could participate and recognize themselves as the cultured officials of the new imperial realm.
J5715 --- J5500.30 --- J3308.20 --- J5501 --- J3320 --- Japan: Literature -- poetry -- Waka, tanka, chōka -- Man'yōshū --- Japan: Literature -- history and criticism -- Heian period (794-1185) --- Japan: History -- ancient and early histories -- Nihon shoki (Nihongi) --- Japan: Literature -- policy, legislation, guidelines, codes of behavior (government, internal...) --- Japan: History -- Kodai -- Asuka and Nara period (538-794) --- Courts and courtiers in literature. --- Imperialism in literature. --- Japan -- History -- 645-794. --- Japan -- Intellectual life -- To 1185. --- Japanese literature -- To 1185 -- History and criticism. --- Japanese poetry -- To 1185 -- History and criticism. --- Man’yo ̄shu ̄ -- Criticism, Textual. --- Nihon shoki -- Criticism, Textual. --- Political culture -- Japan -- History -- To 1500. --- Politics and literature -- Japan -- History -- To 1500. --- Imperialism in literature --- Courts and courtiers in literature --- Politics and literature --- Political culture --- Japanese poetry --- Japanese literature --- Languages & Literatures --- East Asian Languages & Literatures --- History --- History and criticism --- History and criticism. --- Man'yōsh --- Nihon shoki --- Criticism, Textual. --- Japan --- Intellectual life --- Literature --- Literature and politics --- Political aspects --- Nihongi --- Yamato fumi --- Yamatobumi --- Ilbon sŏgi --- Nihon-gi --- Chronicles of Japan --- Chronicle of Japan --- 日本書紀 --- Culture --- Political science --- Rikkokushi --- Man'yōshū --- Man'yôsyû --- Man̄yefushifu --- Manʺësi︠u︡ --- Mannyōshū --- Manyŏpchip --- Wan yeh chi --- Nishi Honganji-bon Man'yōshū --- Man.yôshû
Listing 1 - 3 of 3 |
Sort by
|