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History and criticism on Chinese authors and literature in Malaysia in the 20th century.

Malaysian literature (Chinese) --- Malaysian literature --- History and criticism.

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Malaysian Chinese (Mahua) literature is marginalized on several fronts. In the international literary space, which privileges the West, Malaysia is considered remote. The institutions of modern Chinese literature favor mainland China, Taiwan, and Hong Kong. Within Malaysia, only texts in Malay, the national language, are considered national literature by the state. However, Mahua authors have produced creative and thought-provoking works that have won growing critical recognition, showing Malaysia to be a laboratory for imaginative Chinese writing.Highlighting Mahua literature’s distinctive mode of evolution, Cheow Thia Chan demonstrates that authors’ grasp of their marginality in the world-Chinese literary space has been the impetus for—rather than a barrier to—aesthetic inventiveness. He foregrounds the historical links between Malaysia and other Chinese-speaking regions, tracing how Mahua writers engage in the “worlding” of modern Chinese literature by navigating interconnected literary spaces. Focusing on writers including Lin Cantian, Han Suyin, Wang Anyi, and Li Yongping, whose works craft signature literary languages, Chan examines narrative representations of multilingual social realities and authorial reflections on colonial Malaya or independent Malaysia as valid literary terrain. Delineating the inter-Asian “crossings” of Mahua literary production—physical journeys, interactions among social groups, and mindset shifts—from the 1930s to the 2000s, he contends that new perspectives from the periphery are essential to understanding the globalization of modern Chinese literature. By emphasizing the inner diversities and connected histories in the margins, Malaysian Crossings offers a powerful argument for remapping global Chinese literature and world literature.

Chinese literature --- Malaysian literature (Chinese) --- History and criticism.

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This book embodies the current trends towards inter- and intra-disciplinary studies specifically within the areas of Literature, Linguistics, and Translation. It is a collection of original and insightful essays by Malaysian academics, reflecting state-of-the-art research, and seen through traditional and modern lenses of conceptualising reality or "spaces" within the fields mentioned. The uniqueness of this book lies in its attempts to provide textual and theoretical readings from a variet...

Malaysian literature --- Language and culture --- Culture and language --- Culture --- History and criticism. --- Malaysia --- Languages.

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Lanka, Ceylon, Sarandib: merely three disparate names for a single island? Perhaps. Yet the three diverge in the historical echoes, literary cultures, maps and memories they evoke. Names that have intersected and overlapped - in a treatise, a poem, a document - only to go their own ways. But despite different trajectories, all three are tied to narratives of banishment and exile. Ronit Ricci suggests that the island served as a concrete exilic site as well as a metaphor for imagining exile across religions, languages, space and time: Sarandib, where Adam was banished from Paradise; Lanka, where Sita languished in captivity; and Ceylon, faraway island of exile for Indonesian royalty under colonialism. Utilising Malay manuscripts and documents from Sri Lanka, Javanese chronicles, and Dutch and British sources, Ricci explores histories and imaginings of displacement related to the island through a study of the Sri Lankan Malays and their connections to an exilic past.

Malay literature --- Exile (Punishment) in literature. --- Malaysian literature --- Singaporean literature --- History and criticism.

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This book explores colonial and postcolonial literatures of Singapore and Malaysia. It traces in them a history of anxiety that attends to the notion of home. The premise is that home is a physical space as well as a symbolic terrain invested with social, political and cultural meanings.

Identity (Philosophical concept) in literature. --- Imperialism in literature. --- Malaysian literature (English) -- History and criticism. --- Singaporean literature (English) -- History and criticism. --- Malaysian literature (English) --- Singaporean literature (English) --- History and criticism.