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Artists --- Arts, Modern --- Biography --- Biography. --- Dutch literature: authors --- Arts --- Artistes --- Biographie --- Biographies --- Vanriet, Jan, --- Auwera, Fernand --- Knowledge --- Art --- biografie --- kunstenaars --- History, Modern --- Twentieth century --- Persons --- Art. --- Vanriet, Jan --- Biografieën --- Majakovski, Vladimir --- Ter Braak, Menno --- Coppi, Fausto --- Tucholsky, Kurt --- Klee, Paul --- Kafka, Franz --- Dean, James --- Pernath, Hugues C. --- Vian, Boris --- Mistinguett --- Mansfield, Jayne --- Reiser --- Seberg, Jean --- Sartre, Jean-Paul --- Boekgeschiedenis (kennisdomein) --- Literatuur, muziek en beeldende kunst/grafiek (kennisdomein) --- Biografie --- Boekdrukkunst --- Film (cinematografie) --- Literatuur --- Noorwegen --- Vlaanderen --- Vlaams --- Emigratie --- Vrouw --- Portraits

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An absorbing portrait of an extraordinary man, an analysis of the work of a great Russian poet, and the evocation of a crucial period in Russian cultural history-all are combined in Edward J. Brown's literary biography of Vladimir Mayakovsky. It is the only book to reveal the whole Mayakovsky, not just aspects of his tortured personality or artistic work, and will be immediately recognized as definitive.Mayakovsky contributed to the cultural life of Soviet Russia not only as a lyric poet but as a playwright, graphic artist, and satirist of the conventional art forms of his day. By examining his art in terms of his life, Edward Brown shows how intensely personal it was and how bound up in the literary and political history of his time. The intellectual turmoil of the period is skillfully re-created, especially the nature, ambience, and personalities of Russian futurism. Above all, the book reveals the man-a committed Bolshevik and a dedicated artist, but also a hypochondriac, compulsive gambler, and eventual suicide.Originally published in 1973.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Slavic, Baltic and Albanian Languages & Literatures --- Mayakovsky, Vladimir, --- Маяковский, В. --- Mai︠a︡kovskiĭ, V. --- Majakovskis, Vladimiras, --- Majakowski, Wladimir, --- Ma-ya-kʻo-fu-ssu-chi, --- Majakovski, Vladimir, --- Маяковський, Володимир, --- Mai︠a︡kovsʹkyĭ, Volodymyr, --- Маяковский, Владимир, --- Mai︠a︡kovskiĭ, Vladimir Vladimirovich, --- Majakovskij, Vladimir, --- Majakowski, Włodzimierz, --- Маяковский, Владимир Владимирович, --- Mayakovsky, Vladimir Vladimirovich, --- Mayakovsky, V. --- Maiakóvski, Vladímir, --- Magiakovskē, Vlantimir, --- Magiakovski, Vlantimir, --- Maiakovsky, Vladimir, --- Magiakophski, Vladimir, --- מאיאקובסקי, ו.ו --- מיקובסקי, ולדימיר --- מיקובסקי, ולדימיר, --- Majakovskij, Vladimir V. --- Languages & Literatures --- BIOGRAPHY & AUTOBIOGRAPHY / General.

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Kniha je věnována ranému básnickému a částečně i výtvarnému dílu jednoho z nejvýznamnějších ruských básníků 20. století Vladimíra V. Majakovského (1893–1930), které hodnotí nikoli pohledem literárněvědným, nýbrž prizmatem lingvistiky. Majakovského vybrané verše z doby do roku 1920 a jeho plakáty ze stejného období jsou podrobeny zevrubné lingvistické analýze s přihlédnutím ke třem dominantním rysům autorovy tvorby tohoto období: zájmenům, metafoře a užití úderných hesel, která se objevují jak v autorových slovesných, tak výtvarných počinech. Kniha, která v rámci českého bádání představuje jednu z prvních lingvisticky zaměřených sond do Majakovského díla, má zároveň v širším pohledu ambice poodkrýt možnosti, jež lingvistická analýza skýtá pro dekódování poetického textu obecně.

Poets, Russian --- Russian poetry --- History and criticism. --- Mayakovsky, Vladimir, --- Маяковский, В. --- Mai︠a︡kovskiĭ, V. --- Majakovskis, Vladimiras, --- Majakowski, Wladimir, --- Ma-ya-kʻo-fu-ssu-chi, --- Majakovski, Vladimir, --- Маяковський, Володимир, --- Mai︠a︡kovsʹkyĭ, Volodymyr, --- Маяковский, Владимир, --- Mai︠a︡kovskiĭ, Vladimir Vladimirovich, --- Majakovskij, Vladimir, --- Majakowski, Włodzimierz, --- Маяковский, Владимир Владимирович, --- Mayakovsky, Vladimir Vladimirovich, --- Mayakovsky, V. --- Maiakóvski, Vladímir, --- Magiakovskē, Vlantimir, --- Magiakovski, Vlantimir, --- Maiakovsky, Vladimir, --- Magiakophski, Vladimir, --- מאיאקובסקי, ו.ו --- מיקובסקי, ולדימיר --- מיקובסקי, ולדימיר, --- Маяковський, Володимир, --- Маяковский, В. --- Маяковский, Владимир, --- Маяковский, Владимир Владимирович, --- מאיאקובסקי, ו.ו,

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5

schilderkunst --- Van Abbemuseum (Eindhoven) --- architectuur --- affiches --- avant-garde --- constructivisme --- propaganda --- El Lissitzky --- 20ste eeuw --- Rusland --- 7.07 --- 766.07 --- 655.262 LISSITZKY, EL --- Abstracte kunst ; Abstraction-Création --- Grafische vormgevers ; 1910-1940 ; El Lissitzky --- Boeken ; tijdschriften ; vormgeving --- Lissitzky, El (Eleazar /Eliezer / Lazar Markovich Lissitzky) 1890-1941 (°Potsjinok, Smolenk, Rusland) --- Proun --- Russisch Constructivisme --- Suprematisme --- Russische avant-garde --- Boeken ; tijdschriften ; illustraties --- kunst --- design --- grafische vormgeving --- grafisch ontwerp --- Lissitzky El --- Sovjet-Unie --- suprematisme --- boekontwerp --- boeken --- fotografie --- typografie --- Majakovski Vladimir --- illustraties --- 7.071 LISSITZKY --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Gebruiksgrafiek ; grafische designers, reclamekunstenaars, typografen, illustrators A-Z --- Typographic design of the text. Aesthetic questions, text division and layout, arrangement of illustrations etc.--LISSITZKY, EL --- Ontwerpers --- Vormgevers --- Kunstenaars --- Bauhaus --- Ontwerper --- Vormgever --- Kunstenaar --- affiche --- schilderkunst. --- Van Abbemuseum (Eindhoven). --- architectuur. --- affiche. --- avant-garde. --- constructivisme. --- propaganda. --- El Lissitzky. --- 20ste eeuw. --- Rusland. --- Kollwitz, Käthe.

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« L'Action restreinte » est une relecture de l'histoire de l'art moderne selon Stéphane Mallarmé (1842-1898). Auteur du Coup de dés, mais aussi de fameux Sonnets, de textes en prose recueillis dans les Divagations, d'un vaste ensemble de notes - inédites jusqu'en 1957 -, projetant un Livre idéal qui serait un équivalent du monde, Mallarmé a élaboré une poétique complexe et particulièrement ouverte, qui a constitué une matrice pour de nombreuses recherches poétiques et plastiques tout au long du XXe siècle. En étudiant notamment les origines de l'abstraction, de nombreux historiens d'art ont travaillé sur l'arrière-plan symboliste du modernisme. L'oeuvre de Mallarmé apparaît centrale dans cette reconstitution. Déjà dans les années 1910, de nombreux acteurs ou observateurs de l'art d'avant-garde avaient rattaché la poétique mallarméenne aux formes les plus avancées de l'art post-cézannien, et en particulier du cubisme. Durant les années 1960, la tendance a été plutôt d'extraire Mallarmé du symbolisme en montrant que sa pensée excédait largement l'esthétique ou l'idéologie du mouvement littéraire et artistique mis en place dans les années 1880. Jean-François Chevrier, revenant sur ces assimilations, explique ici en quoi l'extraordinaire ouverture de la poétique mallarméenne excède largement la seule théorie moderniste ou le mythe de la « poésie pure »,voire en quoi elle s'oppose à la pensée utopique. Au moyen de clefs d'analyse comme la tension entre l'idée et l'actualité, le statut du vers comme seul recours contre le fond obscur des virtualités, la poésie concrète, la dissolution des mythes au profit d'une action restreinte à la scène de l'écriture, le rythme comme alternative au style pour préserver la diversité des libertés individuelles, cette étude interroge les textes et les oeuvres d'une centaine d'artistes et poètes ou écrivains, des années 1850 à la fin des années 1960. Quelques figures incontournables, parmi d'autres : Odilon Redon, Jules Laforgue, James Ensor, Guillaume Apollinaire, Loïe Fuller, Edward Gordon Craig, Pablo Picasso, Georges Braque, Érik Satie, Umberto Boccioni, Buster Keaton, Marcel Duchamp, Vélimir Khlebnikov, Alexandra Exter, Kurt Schwitters, Raoul Hausmann, Hans Arp et Sophie Taeuber, André Breton, Max Ernst, Walker Evans, James Joyce, Antonin Artaud, Francis Ponge, Henri Michaux, Roberto Rossellini, Joseph Cornell, John Cage, Yvonne Rainer, Alighiero e Boetti, Marcel Broodthaers...(synopsis : http://www.editions-hazan.fr/)

Cubist --- Art styles --- avant-garde --- Bresdin, Rodolphe --- Tzara, Tristan --- Man Ray --- Bourliouk, Vladimir --- Hugnet, Georges --- Macke, August --- Vantongerloo, Georges --- Léger, Fernand --- Jacob, Max --- Picabia, Francis --- Kupka, Frantz --- Villeglé, Jacques --- Matta, Roberto --- Reverdy, Pierre --- Seurat, Georges --- Hains, Raymond --- Bonnard, Pierre --- Hamilton, Richard --- Hantaï, Simon --- Vaché, Jacques --- Appia, Adolphe --- Cornell, Joseph --- Ozenfant, Amédée --- Balla, Giacomo --- Brancusi, Constantin --- Zaugg, Remy --- Levitt, Helen --- Denis, Maurice --- Andre, Carl --- Artaud, Antonin --- Laurens, Henri --- Gheerbrant, Alain --- Picasso, Pablo --- Brecht, George --- Filliou, Robert --- Smith, Tony --- Albert-Birot, Pierre --- Höch, Hannah --- Moholy-Nagy, László --- Boccioni, Umberto --- Marinetti, Filippo Tommaso --- Dufrêne, François --- Kamenski, Vassily --- Nemours, Aurélie --- Hausmann, Raoul --- Delacroix, Eugène --- Michaux, Henri --- Brown, Trisha --- Chintreuil, Antoine --- Manzoni, Piero --- Flaherty, Robert J. --- Braque, Georges --- Matiouchine, Mikhaël --- Gego --- Matisse, Henri --- Kandinsky, Vasili Vassileevich --- Metzinger, Jean --- Roth, Dieter --- Druet, Eugène --- Nauman, Bruce --- Baudelaire, Charles --- Manet, Edouard --- Gabo, Naum --- Rauschenberg, Robert --- Albers, Josef --- Gris, Juan --- Forti, Simone --- Arp, Hans --- Fontana, Lucio --- Feininger, Lyonel --- Kelly, Ellsworth --- Cangiullo, Francesco --- Granovski, Haim Naum --- Schönberg, Arnold --- Munch, Edvard --- Apollinaire, Guillaume --- Delaunay, Sonia --- Miró, Joan --- Broodthaers, Marcel --- Szcekacz, Samuel --- Vuillard, Edouard --- Redon, Odile --- Carrà, Carlo --- Leck, van der, Bart --- Satie, Erik --- Severini, Gino --- Craig, Edward Gordon --- Mansouroff, Pavel --- Duchamp, Marcel --- Puni, Ivan Albertovich --- Sérusier, Paul --- Cage, John --- Rainer, Yvonne --- Taeuber-Arp, Sophie Henriette Gertrud --- Fahlstrom, Öyvind --- Rinke, Klaus --- Villon, Jacques --- Courbet, Gustave --- Boetti, Alighiero --- Soffici, Ardengo --- Bourliouk, David --- Marc, Franz --- Chirico, de, Giorgio --- Evans, Walker --- Bryen, Camille --- González, Julio --- Meyerhold, Vsevolod Emilevich --- Mallarmé, Stéphane --- Ernst, Max --- Lissitzky, Eliezer --- Maiakovsky, Vladimir --- Gauguin, Paul --- Janco, Marcel --- Doré, Gustave --- Klee, Paul --- Wols, Alfred --- Ensor, James --- Jarry, Alfred --- Wolman, Gil Joseph --- Malevitsj, Kasimir --- Cendrars, Blaise --- Kahnweiler, Daniel-Henry --- Punin, Nikolai Nikolayevich --- Schwitters, Kurt --- Roussel, Ker-Xavier --- Monet, Claude --- Hodler, Ferdinand --- Russolo, Luigi --- anno 1900-1999 --- anno 1900-1909 --- anno 1910-1919 --- Art --- Redon, Odilon --- Art, Modern --- Art criticism --- Critique d'art --- Exhibitions --- History --- Expositions --- Histoire --- Mallarmé, Stéphane, --- surrealisme --- kubisme --- moderne kunst --- Histoire de l'art --- Théorie de l'art --- Ecrivain --- Histoire de la peinture --- Histoire de la photographie --- Histoire de la sculpture --- Poète --- Surréalisme --- Mallarme, Etienne, Dit Stéphane --- 20e siècle --- Années 1910 --- Années 1920 --- Années 1930 --- Années 1940 --- Années 1950 --- Années 1960 --- France --- kunst --- kunst en literatuur --- twintigste eeuw --- kunst en poëzie --- symbolisme --- Mallarmé Stéphane --- Albers Josef --- Andre Carl --- Apollinaire Guillaume --- Appia Adolphe --- Arp Hans --- Arp Jean --- Artaud Antonin --- Ball Hugo --- Balla Giacomo --- Beckett Samuel --- Bergman Ingmar --- Boccioni Umberto --- Boetti Alighiero --- Bourliouk David --- Brancusi Constantin --- Braque Georges --- Brecht George --- Bresdin Rodolphe --- Breton André --- Broodthaers MArcel --- Brown Trisha --- Bryen Camille --- Burroughs William --- Cage John --- Cangiullo Francesco --- Carrà Carlo --- Cendrars Blaise --- Chintreuil Antoine --- Cornell Joseph --- Corot Jean Baptiste Camille --- Courbet Gustave --- Craig Edward Gordon --- Cros Charles --- Cunningham Merce --- Debussy Claude --- de Chirico Giorgio --- Delacroix Eugène --- Delaunay Robert --- Delaunay Sonia --- Denis Maurice --- Doré Gustave --- Dovjenko Alexandre --- Duchamp Marcel --- Dufrêne François --- Ensor James --- Ernst Max --- Evans Walker --- Fabro Luciano --- Fahlström Öyvind --- Fautrier Jean --- Feininger Lyonel --- Feldman Morton --- Filliou Robert --- Flaherty Robert --- Fontana Lucio --- Forti Simone --- Fuller Loïe --- Gabo Naum --- Gatti Armand --- Gauguin Paul --- negentiende eeuw --- Gide André --- Godard Jean-Luc --- Gonzalez Julio --- Graham Dan --- Gris Juan --- Hains Raymond --- Hamilton Richard --- Hantaï Simon --- Hausmann Raoul --- Höch Hannah --- Hodler Ferdinand --- Huelsenbeck Richard --- Hugo Victor --- Illiazd --- Zdanevitch Ilia --- Jacob Max --- Jarry Alfred --- Jeanneret Charles-Edouard --- Joyce James --- Kamensky Vasilii --- Kamensky Vladimir --- Kandinsky Wassily --- Keaton Buster --- Kelly Ellsworth --- Khlebnikov Velimir --- Klee Paul --- Kupka Frantisek --- Lang Fritz --- Laurens Henri --- Léger Fernand --- Levitt Helen --- LeWitt Sol --- Lissitzky El --- Macke August --- Magritte René --- Majakovski Vladimir --- Malevich kazimir --- Manet Edouard --- Mansurov Paul --- Manzoni Piero --- Marinetti Filippo Tommaso --- Marker Chris --- Matiushin Mikhail Vasilievich --- Matisse Henri --- Matta Roberto --- Metzinger Jean --- Meyerhold Vsevolod --- Michaux Henri --- Miro Joan --- Moholy-Nagy Laszlo --- Monet Claude --- Morris Robert --- Munch Edvard --- Murnau Friedrich Wilhelm --- Nauman Bruce --- Nemours Aurélie --- Oteiza Jorge --- Ozenfant Amédée --- Pasolini Pier Paolo --- Picabia Francis --- Picasso Pablo --- Ponge Francis --- Puni Ivan --- Rainer Yvonne --- Rauschenberg Robert --- Ray Man --- MAn Ray --- Redon Odilon --- Renoir Jean --- Reverdy Pierre --- Richter Hans --- Rinke Klaus --- Rossellini Roberto --- Roth Dieter --- Roussel Ker-Xavier --- Satie Eric --- muziek --- Schönberg Arnold --- Schwitters Kurt --- Sérusier Paul --- Seurat Georges --- Severini Gino --- Sima Josef --- Sjöstrom Victor --- Smith Tony --- Soffici Ardengo --- Straub Jean-Marie --- Huillet Danièle --- Strzeminski Wladyslaw --- Szczekacz Samuel --- Taeuber-Arp Sophie --- Tarkovski Andrej --- Tzara Tristan --- Vaché Jacques --- Vanderbeek Stan --- van der Leck Bart --- Vantongerloo Georges --- Vigo Jean --- film --- Villeglé Jacques --- Villon Jacques --- Vuillard Edouard --- Wolman Gil Joseph --- Wols --- Schulze Afrred Otto --- Zaugg Rémy --- 7.035/036 --- 7.036 --- Mallarmé, Stéphane, --- Mallarmé, Etienne, --- Mallarme, Steph., --- מלרמה, סטפן --- Influence --- Mallarmé, Stephane --- Knowledge --- 19th century --- Mallarmé, Stéphane --- Majakovskij, Vladimir V. --- Burliuk, David Davidovich --- Mallarmé, Etienne, Dit Stéphane --- Matyushin, Mikhail Vasilievich --- Lissitzky, El --- Meyerhold, Vsevolod E. --- Art, Modern - 20th century - Exhibitions --- surrealisme. --- kubisme. --- moderne kunst. --- avant-garde. --- Mallarmé, Stéphane. --- Redon, Odilon. --- Artaud, Antonin. --- Kandinsky, Wassily