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Réalisateur-phare du cinéma expérimental contemporain, Guy Maddin a une carrière riche de trente ans, saluée, notamment par Sylvie Pras. Elle accueillit d'ailleurs un tournage du cinéaste au Centre Pompidou, où l'artiste dirigea, notamment, Isabella Rossellini, Charlotte Rampling et Mathieu Amalric. Laura Pardonnet l'a rencontré en 2012 et ce fut un coup de coeur artistique. Elle l'a assisté en tournage et lui a consacré un mémoire sous la direction de Nicole Brenez. Il était tout naturel qu'elle écrive à son sujet. Ce texte est ponctué d'extraits, entre autres, de la correspondance de Guy Maddin avec l'auteur. Il permet au cinéaste de s'exprimer, comme à Laura Pardonnet d'offrir les indispensables clés de son oeuvre.
Films expérimentaux --- Maddin, Guy, --- Critique et interprétation --- Cinéma expérimental --- Cinéma --- Réalisateur --- Maddin, Guy, 1956 --- -Films expérimentaux --- -Cinéma expérimental --- Maddin, Guy, 1956-
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Playing with Memories is the first collection of scholarly essays on the work of internationally acclaimed Canadian filmmaker Guy Maddin. It offers extensive perspectives on his career to date, from the early experimentation of The Dead Father (1986) to the intensely intimate revelations of My Winnipeg (2007). Featuring new and updated essays from American, Canadian, and Australian scholars, collaborators, and critics, as well as an in-depth interview with Maddin, this collection explores the aesthetics and politics behind Maddin's work, firmly situating his films within ongoing cultural debates about postmodernism, genre, and national identity.
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Guy Maddin is Canada's most iconoclastic filmmaker. Through his reinvention of half-forgotten film genres, his remobilization of abandoned techniques from the early history of cinema, and his unique editing style, Maddin has created a critically successful body of work that looks like nothing else in Canadian film. My Winnipeg (2008), which Roger Ebert called one of the ten best films of the first decade of the twenty-first century, has consolidated Maddin's international reputation.In this sixth volume of the Canadian Cinema series, Darren Wershler argues that Maddin's use of techniques and media that fall outside of the normal repertoire of contemporary cinema require us to re-examine what we think we know about the documentary genre and even 'film' itself. Through an exploration of My Winnipeg's major thematic concerns - memory, the cultural archive, and how people and objects circulate through the space of the city - Wershler contends that the result is a film that is psychologically and affectively true without being historically accurate.
Maddin, Guy, --- Criticism and interpretation. --- My Winnipeg (Motion picture) --- PERFORMING ARTS --- Film & Video --- History & Criticism. --- Direction & Production.
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Iconography --- Art --- Film --- art [discipline] --- motion pictures [visual works] --- literature [documents] --- Maddin, Guy --- anno 1900-1999 --- anno 2000-2099 --- Canada
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