Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Philosophy and psychology of culture --- Machinery in literature --- Metaphor --- 681.3*Km --- Parabole --- Figures of speech --- Reification --- Computerwetenschap--?*Km --- Machinery in literature. --- Metaphor.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

French literature --- anno 1800-1999 --- French fiction --- Machinery in literature --- History and criticism

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Eighteenth-century fiction is full of mechanical devices and contrivances: Robinson Crusoe uses his gun and compass to master his island and its inhabitants; Tristram Shandy's conception is interrupted by a question about a clock and he has his nose damaged at birth by a man-midwife's forceps; Ann Radcliffe's gothic heroines play musical instruments to soothe their troubled minds. In Novel Machines, however, Joseph Drury argues that the most important machine in any eighteenth-century novel is the narrative itself. Like other kinds of machine, a narrative is an artificial construction composed of different parts that combine to produce a sequence of causally linked actions. Like other machines, a narrative is designed to produce predictable effects and can therefore be put to certain uses. Such affinities had been apparent to critics since Aristotle, but they began to assume a particular urgency in the eighteenth century as authors sought to organize their narratives according to the new ideas about nature, art, and the human subject that emerged out of the Scientific Revolution.

English fiction --- Machinery in literature. --- Narration (Rhetoric). --- Technology in literature. --- History and criticism

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Longlist finalist, 2015 Historia Nova Prize for Best Book on Russian Intellectual and Cultural History In post revolutionary Russia, as the Soviet government pursued rapid industrialization, avant-garde artists declared their intent to serve the nascent state and to transform life in accordance with their aesthetic designs. Despite their utilitarian intentions, however, most avant-gardists rarely created works regarded as practical instruments of societal transformation. Exploring this paradox, Vaingurt claims that the artists' fusion of technology and aesthetics prevented their creations from being fully conscripted into the arsenal of political hegemony. The purposes of avant-garde technologies, she contends, are contemplative rather than constructive. Looking at Meyerhold's theater, Tatlin's and Khlebnikov's architectural designs, Mayakovsky's writings, and other works from the period, Vaingurt offers an innovative reading of an exceptionally complex moment in the formation of Soviet culture.--

Machinery in literature. --- Art and technology. --- Arts, Russian --- Russian literature --- Avant-garde (Aesthetics) --- History and criticism. --- History

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This book presents a new and exciting theory of the modern French novel by developing the notion of the narrative as a "textual machine". Many turn-of-the-century French novels thematically identified their means of narration through the various machines that they depicted. The narrative devices that were particularly important in this self-reflection included: the temporal order of the plot, the question of a narrative's beginning and end, the hierarchy of narrative voices, and the techniques of the point of view. The question of mechanization became central on all these fronts. Has the novel become automated or machine-like? At the same time, the machine metaphors in the novels of Alfred Jarry, Emile Zola, Jules Verne, Villiers de l'Isle-Adam, Raymond Roussel combined the question of the narrative form with new ways to think about man's relationship with technology and the cultural environment. The early modernist texts drew upon contradictory notions of technological promise and threat while they also depicted new forms of identity and behavior, related to or modeled after machines. These texts highlighted cultural assumptions concerning technological innovations and critiqued, mainly through parody and through various figures of man-machine fusion, the positivistic belief in progress. Such writers looked for evidence of advanced forms of consciousness arising out of encounters with new technology such as: telephones, trains, bicycles, telegraphy, phonographs and electricity. This volume will be of interest to anyone working in the field of modern French literary and cultural history. It will especially appeal to anyone intrigued with the origins of the modernist novel, the history of narrative forms, and the question of how the experience of new technology may be portrayed in literary texts.

French fiction --- Machinery in literature --- History and criticism --- French literature --- French fiction - 19th century - History and criticism --- French fiction - 20th century - History and criticism