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Machen, Arthur

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First published in the height of the “yellow nineties” and in the shadow of the Oscar Wilde trials, Arthur Machen’s The Three Impostors (1895) remains a relatively obscure text even as Machen receives increasing attention for his contributions to supernatural horror, the weird, and even science fiction. Situating this generically uncertain, richly multi-layered text in transnational traditions of the short-story cycle, the print culture of the 1890s, and the colonial scientific and material cultures of the fin de siècle, this edition shows that Machen’s long-neglected text has a strong claim to our renewed attention today.An extensive selection of accompanying historical documents includes contemporary reviews, related literary “inter-texts,” and documents and images related to the book’s publication history, design, and relationship to contemporary print culture.

Machen, Arthur,

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English literature --- Machen, Arthur

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Authors, English --- Authors, Welsh --- Biography --- Machen, Arthur,

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Auditory perception --- Musical perception --- Music --- 7.01 --- 78 --- Bacon Francis --- Beckett Samuel --- Blackwood Algernon --- della Francesca Piero --- Dickens Charles --- Duchamp Marcel --- Faulkner William --- geluid --- Jackson Shirley --- Joyce James --- kunst --- kunsttheorie --- literatuur --- luisteraar --- Machen Arthur --- Munoz Juan --- perceptie --- Reinhardt Ad --- Rembrandt --- schilderkunst --- Vermeer Johannes --- waarneming --- Woolf Virginia --- Music, Influence of --- Sound perception --- Hearing --- Perception --- Word deafness --- Physiological effect --- Psychological aspects