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Machaut, Guillaume de.

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Machaut, de, Guillaume --- Music --- History and criticism --- -Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- -Bibliography --- Guillaume de Machaut --- -History and criticism --- -Guillaume de Machaut --- Guillaume de Machault --- de Machault, Guillaume --- de Machau, Guillaume --- de Machaudio, Guillaume --- de Machaudo, Guillaume --- de Machaut, Guillaume --- de Mascaudio, Guillaume --- de Machaudio, Guillelmus --- Bibliography --- Art music --- History and criticism&delete& --- Guillaume, --- De Machault, Guillaume, --- De Machaut, Guillaume, --- Guillaume de Machaut, --- Guillelmus, --- Machau, Guillaume de, --- Machauld, G. de, --- Machault, Guillaume de, --- Machaut, G. de --- Machaut, Guillaume de, --- Mauchaut, Guillaume de, --- Bibliography. --- Machaut, Guillaume de, ca. 1300-1377 -- Bibliografie --- Machaut, Guillaume de, ca. 1300-1377 -- Bibliography --- Machaut, Guillaume de, ca 1300-1377 -- Bibliographie --- 78.21.1 Guillaume de Machaut --- de Machaut, Guillaume, --- Music - 500-1400 - History and criticism - Bibliography

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Machaut, de, Guillaume --- Guillaume, --- Guillaume, - de Machaut, - ca. 1300-1377 --- Music --- Musique --- History and criticism --- Histoire et critique --- de Machaut, Guillaume --- Guillaume de Machaut --- Guillaume de Machault --- de Machault, Guillaume --- de Machau, Guillaume --- de Machaudio, Guillaume --- de Machaudo, Guillaume --- de Mascaudio, Guillaume --- de Machaudio, Guillelmus --- de Machaut, Guillaume, --- Guillaume de Machaut, --- Guillelmus, --- Machau, Guillaume de, --- Machauld, G. de, --- Machault, Guillaume de, --- Machaut, G. de --- Machaut, Guillaume de, --- Mauchaut, Guillaume de,

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Offering the first comprehensive study of Guillaume de Machaut’s vast corpus of text and music, the 18 essays in this collection explore the author’s engagement with the ethical, political, and aesthetic concerns of his time. Building on interdisciplinary interest in Machaut, this collection broadens discussion of his work by exploring overlapping interests in his poetry and music; addressing lesser-studied writings; offering fresh perspectives on lyric, authorial voice, and performance; and engaging more critically with his reception by medieval bookmakers, modern editors, and the music industry. The result is a promising map for future research in the field that will be of interest to students and specialists alike.

Guillaume, --- Criticism and interpretation --- Criticism and interpretation. --- De Machault, Guillaume, --- De Machaut, Guillaume, --- Guillaume de Machaut, --- Guillelmus, --- Machau, Guillaume de, --- Machauld, G. de, --- Machault, Guillaume de, --- Machaut, G. de --- Machaut, Guillaume de, --- Mauchaut, Guillaume de, --- de Machaut, Guillaume --- Guillaume de Machaut --- Guillaume de Machault --- de Machault, Guillaume --- de Machau, Guillaume --- de Machaudio, Guillaume --- de Machaudo, Guillaume --- de Mascaudio, Guillaume --- de Machaudio, Guillelmus --- de Machaut, Guillaume, --- Guillaume, - de Machaut, - ca. 1300-1377 - Criticism and interpretation --- Guillaume, - de Machaut, - ca. 1300-1377

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Around the middle of a career lasting over forty years, Guillaume de Machaut (c.1300–77) was afforded an outstanding opportunity to present his oeuvre in a book. The occasion arose in the late 1340s, when a special manuscript was commissioned, perhaps by Queen Jeanne de Bourgogne, for the first time collecting all of Machaut’s works, including narrative poems, lyrical poems, musical settings of lyrics, and motets. The manuscript would celebrate Bonne of Luxembourg, the wife of a future king of France. Only the royal treasury could have funded the extraordinary team of craftsmen involved in its production – from the careful preparation of fine parchment, to the calligraphy and ornament of the text, to the carefully copied innovative ars nova musical notation, to the miniatures painted in a shop directed by one of the greatest illuminators in France. Then Bonne died of the Black Death in 1349, just before the manuscript was completed. It would be finished for her son, the future King Charles the Wise. Although Machaut would go on to supervise other manuscripts, none were so luxuriously executed as his first complete-works manuscript (Paris, Bibliothèque nationale de France, fr. 1586), known today as Machaut MS C. The present volume, the first dedicated entirely to MS C, offers a multidisciplinary collection of essays written by fourteen leading scholars, who provide innovative approaches to literary, musical, art-historical, and manuscript studies. It is replete with images, including over sixty colour reproductions from MS C itself.

Guillaume, --- Criticism and interpretation. --- De Machault, Guillaume, --- De Machaut, Guillaume, --- Guillaume de Machaut, --- Guillelmus, --- Machau, Guillaume de, --- Machauld, G. de, --- Machault, Guillaume de, --- Machaut, G. de --- Machaut, Guillaume de, --- Mauchaut, Guillaume de, --- Illumination of books and manuscripts, French --- Illumination of books and manuscripts, Gothic --- Music --- Motets --- Poetry, Medieval --- History and criticism --- de Machaut, Guillaume --- Guillaume de Machaut --- Guillaume de Machault --- de Machault, Guillaume --- de Machau, Guillaume --- de Machaudio, Guillaume --- de Machaudo, Guillaume --- de Mascaudio, Guillaume --- de Machaudio, Guillelmus --- de Machaut, Guillaume, --- Manuscrits. --- Art --- Poésie narrative française. --- Musique --- Poetry --- Thematology --- art [discipline] --- music [performing arts genre] --- poetry --- Machaut, de, Guillaume