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Demuth, Charles --- Dove, Arthur Garfield --- Hartley, Marsden --- MacDonald-Wright, Stanton --- Marin, John --- O'Keeffe, Georgia --- Torr, Helen --- Norman, Dorothy
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Cette exposition s'attache à la genèse du courant de l'abstraction. L'éclosion de l'art abstrait dans les années 1910 marque l'aboutissement logique d'une lente évolution qui eut lieu tout au long du XIXe siècle et qui ne concerne pas seulement la peinture, mais aussi les sciences et les techniques, la littérature et la philosophie, la musique. L'exposition présente un vaste domaine, et propose des idées neuves, des interprétations inédites qui rompent avec un certain conformisme de pensée. En fin d'ouvrage une chronologie de 1800 à 1914 en sciences et techniques & en art et esthétique nous est proposé
Painting --- Abstract [fine arts style] --- Art styles --- anno 1800-1999 --- Art, European --- Modernism (Art) --- Art, Abstract --- Visual perception --- Art européen --- Modernisme (Art) --- Art abstrait --- Perception visuelle --- Exhibitions. --- Expositions --- abstracte kunst --- romantiek --- expressionisme --- impressionisme --- 1800 - 1914 --- 19de eeuw --- 20ste eeuw --- Balla, Giacomo --- Baranov-rossine, Vladimir --- Blechen, Karl --- Boccioni, Umberto --- Bomberg, David --- Bruce, Patrick Henry --- Cardoso, Amadeo De Souza --- Carriere, Eugène --- Charchoune, Serge --- Ciurlionis, Mikalojus Konstantinas --- Delaunay, Robert --- Delaunay, Sonia --- Derain, André --- Ender, Xenia --- Exter, Alexandra --- Friedrich, Caspar David --- Gontcharova, Nathalie S. --- Hablik, Wenzel --- Hartley, Marsden --- Itten, Johannes --- Kandinsky, Wassily --- Klee, Paul --- Kupka, Frantisek --- Larionov, Mikhaïl Fiodorovitch --- Leger, Fernand --- Macdonald-wright, Stanton --- Macke, August --- Marc, Franz --- Matiouchine, Mikhaïl --- Mondrian, Piet --- Monet, Claude --- Munch, Edvard --- Nolde, Emil --- Picabia, Francis --- Redon, Odilon --- Rottmann, Carl --- Runge, Philipp Otto --- Russell, Morgan --- Schmalzigaug, Jules --- Schoenberg, Arnold --- Schwind, Moritz Von --- Severini, Gino --- Shkolnik, Iossif --- Signac, Paul --- Survage, Léopold --- Trachsel, Albert --- Turner, Joseph Mallord William --- Van Gogh, Vincent --- Volpedo, Giuseppe Pellizza Da --- Whistler, James Abbott Mcneill --- Serge Lemoine --- kunst --- kunsttheorie --- kunstgeschiedenis --- schilderkunst --- beeldhouwkunst --- negentiende eeuw --- twintigste eeuw --- abstractie --- kleur --- kleurenleer --- Friedrich Caspar David --- Turner Joseph Mallord William --- Rottman Carl --- Monet Claude --- Derain André --- Blechen Karl --- Van Gogh Vincent --- Carrière Eugène --- Schönberg Arnold --- Whistler James Abbott Mcneill --- Redon Odilon --- Nolde Emil --- Hablik Wenzel August --- Trachsel Albert --- Munch Edvard --- Balla Giacomo --- Pellizza da Volpedo Giuseppe --- Kupka Frantisek --- Klee Paul --- Delaunay Robert --- Macke August --- Itten Johannes --- Shkolnik Jossif --- Larionov Mikhaïl --- Severini Gino --- Schmalzigaug Jules --- Goncharova Natalia --- de Souza Cardoso Amadeo --- Russell Morgan --- MacDonald-Wright Stanton --- Delaunay Sonia --- tekenkunst --- kunst en muziek --- Runge Philipp Otto --- Ciurlionis Mikalojus Konstantinas --- Signac Paul --- Mondrian Piet --- Mondriaan Piet --- Charchoune Serge --- Kandinsky Wassily --- Baranov-Rossiné Vladimir --- Matiouchine Mikhaïl --- Ender Xenia --- Survage Léopold --- Exter Alexandra --- Marc Franz --- Boccioni Umberto --- Léger Fernand --- Bruce Patrick Henry --- Bomberg David --- Picabia Francis --- 7.036 --- 75.036 --- Exhibitions --- Art européen --- Abstract art --- Art, Non-objective --- Non-objective art --- Art, Modern --- abstracte, niet-figuratieve kunst --- Art, European - 19th century - Exhibitions --- Modernism (Art) - Europe - Exhibitions --- Art, Abstract - Europe - Exhibitions --- Visual perception - Exhibitions --- 1800 - 1914. --- 19de eeuw. --- 20ste eeuw. --- Abstract [modern European style]
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This book explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstractions early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way. Works are presented in groups that serve as case studies, each engaging a key topic in abstractions first years: an artist, a movement, an exhibition or thematic concern. Key focal points include Vasily Kandinskys ambitious Compositions V, VI and VII ; a selection of Piet Mondrians work that offers a distilled narrative of his trajectory to Neo-plasticism ; and all the extant Suprematist pictures that Kazimir Malevich showed in the landmark 0.10 exhibition in 1915.0Exhibition: MoMA, New York, USA (23.12.2012-15.4.2013).
kunst --- twintigste eeuw --- abstractie --- abstracte schilderkunst --- abstracte kunst --- Albers Josef --- Apollinaire Guillaume --- Arp Hans --- Atkinson Lawrence --- Balla Giacomo --- Bell Vanessa --- Berlewi Henryk --- Boccioni Umberto --- Bomberg David --- Bortnyk Alexander --- Bortnyk Sandor --- Bragaglia Anton Giulio --- Bruce Patrick Henry --- Cangiullo Francesco --- Carra Carlo --- Cendrars Blaise --- Coburn Alvin Langoon --- Debussy Claude --- Delaunay Robert --- Delaunay-Terk Sonia --- Depero Fortunato --- Dove Arthur --- Duchamp Marcel --- Duchamp Suzanne --- Eggeling Viking --- Ender Kseniia --- Gaudier-Brzeska Henri --- Giacometti Alberto --- Goncharova Natalia --- Graeff Werner --- Grant Duncan --- Hartley Marsden --- Hölzel Adolf --- Huszar Vilmos --- Itten Johannes --- Kandinsky Wassily --- Klee Paul --- Kliun Ivan --- Klutsis Gustav --- Kobro Katarzyna --- Kruchenykh Aleksei --- Kupka Frantisek --- von Laban Rudolf --- Larionov Mikhail --- Léger Fernand --- Lewis Wyndham --- Lissitzky El --- Macdonald-Wright Stanton --- Macke August --- Malevich kazimir --- Man Ray --- Ray Man --- Marc Franz --- Marinetti Filippo Tommaso --- Matiouchine Mikhaïl --- Matiushin Mikhail --- Moholy-Nagy Laszlo --- Mondrian Piet --- Mondriaan Pïet --- Nijinsky Vaslaw --- O'Keeffe Georgia --- Pettoruti Pietro --- Picabia Francis --- Picasso Pablo --- Popova Liubov --- Richter Hans --- Rodchenko Alexander --- Russell Morgan --- Russolo Luigi --- Saunders Helen --- Schad Christian --- Schamberg Morton Livingston --- Schoenberg Arnold --- Schwitters Kurt --- Severini Gino --- Stella Joseph --- Stieglitz Alfred --- Strand Paul --- Strzeminski Wladyslaw --- Survage Leopold --- Szpakowski Waclaw --- Taeuber-Arp Sophie --- Tatlin Vladimir --- Tzara Tristan --- Unovis --- van der Leck Bart --- van Doesburg Theo --- Vantongerloo Georges --- Varèse Edgard --- Weber Max --- Wigman Mary --- muziek --- kunst en muziek --- poëzie --- kunst en poëzie --- vorticisme --- geometrische abstractie --- constructivisme --- lyrische abstractie --- Bloomsbury group --- 0.10 --- De Stijl --- dans --- kunst en dans --- film --- kunst en film --- abstracte film --- kubisme --- Rhythmus 21 --- 7.036.1/037 --- Exhibitions
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Cet ouvrage est édité à l'occasion de la grande exposition thématique du Centre Pompidou " Sons & Lumières " consacrée aux relations entre la musique/le son et les arts plastiques au XXe siècle. Le XXe siècle est souvent considéré comme un moment de convergence et de dialogue des arts. Tandis qu'avec l'essor de l'abstraction, autour de 1910, la peinture cherche une correspondance avec cet art abstrait par excellence qu'est la musique, les nouveaux médias nés du développement de l'électricité prennent le relais de ce mythe ancestral. Les arts de la lumière, le cinéma et la vidéo offrent tout au long du siècle un terrain d'investigation particulièrement fertile aux confrontations entre l'image et le son. Parallèlement, les pratiques créatrices se nourrissent d'une réflexion critique sur les possibles équivalences entre la vue et l'ouïe : à partir de processus artistiques incluant des notions telles que le hasard, le bruit non hiérarchisé et le silence, les nouvelles approches de la musique liées à la performance mettent en doute l'idéal des " correspondances ". À la question posée par l'esthétique romantique puis par la génération symboliste : " Peut-on traduire les images en son et réciproquement ? ", l'art du XXe siècle offre des réponses multiples et contrastées, suivant tantôt le fil de l'utopie, tantôt celui d'une pure jouissance des sens. Le catalogue rend compte de la richesse et de la diversité de ces expériences singulières avec un abondant corpus d'œuvres, de documents et un ensemble de textes présentant une lecture scientifique et critique de ces affinités entre le sonore et le visuel, qui ont construit la sensibilité audiovisuelle de notre temps. (Quatrième de couverture)
color [perceived attribute] --- Vibrations --- thema's in de kunst --- hedendaagse kunst --- art [fine art] --- music [discipline] --- Optics. Quantum optics --- light [energy] --- sound art --- light art --- sound [acoustics] --- Art --- anno 1900-1999 --- Histoire de la peinture --- Musique --- Peinture --- Son --- Sound in art --- Sound installations (Art) --- Art and music --- Arts, Modern --- Couleur --- Espace sensoriel --- Futurisme --- Jazz --- Lumière --- Musicien --- Musique contemporaine --- Peintre --- Peinture abstraite --- Vidéo --- History --- Bach, Jean-Sébastien --- Cage, John --- Davis, Stuart --- Duchamp, Marcel --- Eggeling, Viking --- Marclay, Christian --- Pfenninger, Rudolf --- Schönberg, Arnold --- Viola, Bill --- 20e siècle --- Tentoonstellingscatalogi ; Parijs ; Centre Georges Pompidou --- 7.049 --- kunst --- (069) --- twintigste eeuw --- muziek --- geluid --- kunst en muziek --- film --- video --- videokunst --- synesthesie --- Bach Johann Sebastian --- jazz --- Davis Stuart --- Pfenninger R --- Cage John --- Schönberg Arnold --- Eggeling Viking --- Viola Bill --- Duchamp Marcel --- Marclay Christian --- Kupka Frantisek --- Kandinsky Wassily --- Giacometti Alberto --- Matiouchine Mikhaïl --- Scriabin Alexander --- Ginanni-Corradini Arnaldo --- Ginanni-Corradini Bruno --- Russel Morgan --- Macdonald-Wright Stanton --- O'Keeffe Georgia --- Hartley Harsden --- Braque Georges --- Grant Duncan --- Survage Léopold --- Baranov-Rossiné Vladimir --- Janco Marcel --- Picabia Francis --- Taeuber-Arp Sophie --- Richter Hans --- van Doesburg Theo --- Itten Johannes --- Hauer Josef Matthias --- Klee Paul --- Nouveau Henri --- Albers Josef --- Hirschfeld-Mack Ludwig --- Schwerdtfeger Kurt --- Pesanek Zdenek --- Ponc Miroslav --- Laszlo Alexander --- Bilinsky Boris --- Fischinger Oskar --- Disney Walt --- Wilfred Thomas --- Mondriaan Piet --- Mondrian Piet --- Dove Arthur --- Pollock Jackson --- Lye Len --- Smith Harry --- Whitney John --- Moholy-Nagy Laszlo --- Hausmann Raoul --- Keene Peter --- Pfenninger Rudolf --- Whitney James --- Laposky Ben --- Gysin Brion --- La Monte Young --- Young La Monte --- Zazeela Marian --- Sharits Paul --- Paik Nam June --- Beck Stephen --- Vasulka Steina --- Vasulka Woody --- futurisme --- Rauschenberg John --- Fluxus --- Beuys Joseph --- Nauman Bruce --- Graham Rodney --- Huyghe Pierre --- 7.036 --- Iconografie ; verschillende onderwerpen --- (Musea. Collecties) --- Exhibitions --- music [performing arts] --- Environmental sound installations (Art) --- Sound environments (Art) --- Sound sculpture (Art installations) --- Installations (Art) --- 78.04.3 Paris --- Cage, John, 1912-1992 --- History. --- Sound in art - Exhibitions --- Sound installations (Art) - History - Exhibitions --- Art and music - Exhibitions --- Arts, Modern - 20th century - Exhibitions --- art [discipline] --- music [performing arts genre]
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Réédition dans laquelle apparaît la vie tumultueuse, riche et croisée des métropoles, avec leur enchevêtrments d'idées, leurs correspondances de sensibilités, les heurts et les rencontres aussi de créateurs qui, souvent sans le savoir, décidaient de nouvelles grammaires. Cet ouvrage entend apporter les éléments d'une réflexion critique et pluridisciplinaire.
Arts, French --- Arts, Modern --- Arts, American --- Art, French --- Art, Modern --- Art, American --- Arts français --- Arts modernes --- Arts américains --- Art français --- Art --- Art américain --- American influences --- French influences --- Influence américaine --- Influence française --- Exhibitions --- Histoire de la peinture --- Histoire de l'art --- 20e siècle --- France --- kunst --- Frankrijk --- Verenigde Staten --- twintigste eeuw --- muziek --- fotografie --- film --- schilderkunst --- architectuur --- beeldhouwkunst --- Alechinsky Pierre --- Andre Carl --- Archipenko Alexander --- Arman --- Arp Jean --- Balthus --- Berman Eugene --- Bolotowsky Ilya --- Brancusi Constantin --- Braque Georges --- Brauner Victor --- Brecht George --- Breer Robert --- Breton André --- Bruce Patrick Henry --- Brusse Mark --- Bryen Camille --- Bury Pol --- Cahn Marcell --- Calder Alexander --- Carles Arthur B. --- César --- Cézanne Paul --- Chagall Marc --- Chamberlain John --- De Chirico Giorgio --- Christo --- Conner Bruce --- Cornell Joseph --- Covert John --- Crotti Jean --- Czaky Joseph --- Dali Salvador --- Dasburg Andrew --- Davis Stuart --- Delaunay Robert --- Delaunay Sonia --- Delvaux Paul --- Demuth Charles --- Derain André --- De Zayas marius --- Diller Burgoyne --- Dine Jim --- Domela César --- Dominguez Oscar --- Donas Marthe --- Dove Arthur --- Dreier Katherine --- Dubuffet Jean --- Duchamp Marcel --- Duchamp-Villon Raymond --- Einstein William --- Ernst Max --- Erro --- Fahlstrom Oyvind --- Filliou Robert --- Flavin Dan --- Francis Sam --- von Freytag-Loringhoven Elsa --- Frost Arthur Burdett --- Gabo Naum --- Gauguin Paul --- Giacometti Alberto --- Glarner Fritz --- Gleizes Albert --- Golub Leon --- Gorin Jean --- Gorky Arshile --- Gris Juan --- Hains Raymond --- Halicka Alice --- Halpert Samuel --- Hartley Marsden --- Hartung Hans --- Hayter Stanley William --- Helion Jean --- Henri Florence --- Herbin Auguste --- Hirshfield Morris --- Jean Marcel --- Johns Jasper --- Kandinsky Wassily --- Kaprow Allan --- Kelly Ellsworth --- Kienholz Edward --- Klein Yves --- Kline Franz --- De Kooning Willem --- Kupka Frantisek --- Lachaise Gaston --- De la Fresnaye Roger --- Lam Wifredo --- Laurencin Marie --- Laurens Henri --- Léger Fernand --- Lichtenstein Roy --- Lipchitz Jacques --- Louis Morris --- Macdonald-Wright Stanton --- Magritte René --- Ray Man --- Marcoussis Louis --- Marin John --- Masson André --- Mathieu Georges --- Matisse Henri --- Matta Roberto --- Maurer Alfred --- Metzinger Jean --- Miro Joan --- Mitchell Joan --- Mondrian Piet --- Moore Henry --- Morris Robert --- Motherwell Robert --- Murphy Gerald --- Nadelman Elie --- Nevelson Louise --- Newman Barnett --- Nicholson Ben --- Noland Kenneth --- O'Keeffe Georgia --- Oldenburg Claes --- Oppenheim Meret --- Ossorio Alfonso --- Ozenfant Amedée --- Paalen Wolfgang --- Pevsner Antoine --- Phocas Suzanne --- Picabia Francis --- Picasso Pablo --- Poliakoff Serge --- Pollock Jackson --- Rancillac Bernard --- Rauschenberg Robert --- Raynaud Jean-Pierre --- Raysse Martial --- Redon Odilon --- Reinhardt Ad --- Richter Hans --- Riopelle Jean-Paul --- Rivers Larry --- Rodin Auguste --- Roosevelt Adelheid --- Rosenquist James --- Rothko Mark --- Rouault Georges --- Rousseau Henri --- Roy Pierre --- Russell Morgan --- De Saint-Phalle Niki --- Saul Peter --- Sayen Henry Lyman --- Schamberg Morton --- Schwitters Kurt --- Segal George --- Serra Richard --- Severini Gino --- Sheeler Charles --- Smith Leon Polk --- Soulages Pierre --- De Souza Cardoso Amedeo --- Spoerri Daniel --- De Stael Nicolas --- Stampfli Peter --- Stankiewicz Richard --- Steichen Edward --- Stella Frank --- Stella Joseph --- Stieglitz Alfred --- Still Clyfford --- Storrs John --- Strand Paul --- Survage --- Takis Vassilakis --- Tanguy Yves --- Tanning Dorothea --- Taylor Henry Fitch --- Telemaque Hervé --- Tinguely Jean --- Tobey Mark --- Torres-garcia Joaquin --- Tutundjian Leon-Arthur --- Valmier Jean --- Van Doesburg Theo --- Van Gogh Vincent --- Vantongerloo Georges --- Vasarely Victor --- De La Villeglé Jacques Mahé --- Villon Jacques --- Vordemberge-Gildewart Friedrich --- Walkowitz Abraham --- Warhol Andy --- Weber Max --- von Wiegand Charmion --- Wols --- Arp Hans --- 7.036 --- Arts français --- Arts américains --- Art français --- Art américain --- Influence américaine --- Influence française --- Vie artistique --- États-Unis --- Relations extérieures --- Carles Arthur B --- Relations extérieures --- États-Unis
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