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Music -- History and criticism. --- Musical criticism. --- MUSIC / General.
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This Companion is the first academic introduction to the 1960s/70s 'Krautrock' movement of German experimental music that has long attracted the attention of the music press and fans in Britain and abroad. It offers a structured approach to this exceptionally heterogeneous and decentralized movement, combining overviews with detailed analysis and close readings. The volume first analyzes the cultural, historical and economic contexts of Krautrock's emergence. It then features expert chapters discussing all the key bands of the era including Can, Kraftwerk, Tangerine Dream, Neu!, Faust, Ash Ra Tempel, Cluster and Amon Düül II. The volume concludes with essays that trace the varied, wide-ranging legacy of Krautrock from a variety of perspectives, exploring in particular the impact of German experimental music in the Anglosphere, including British post-punk and Detroit Techno. A final chapter examining the current bands that continue the Krautrock sound closes this comprehensive overview of the Krautrock phenomenon.
Krautrock (Music) --- Popular music --- MUSIC / General --- History and criticism.
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24.50 historical studies of music: general. --- Music. --- Muziek. --- Muziekgeschiedenis.
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24.50 historical studies of music: general. --- Brahms, Johannes, --- Duitsland.
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24.50 historical studies of music: general. --- Tembang Sunda. --- Indonesië. --- Jawa Barat.
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Ethnomusicologie. --- Etnomusicologie. --- Musik. --- Naturvolk. --- Folk music -- History and criticism. --- MUSIC / General.
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Richard Rodgers was an icon of the musical theater, a prolific composer whose career spanned six decades and who wrote more than a thousand songs and forty shows for the American stage. In this absorbing book, Geoffrey Block examines Rodgers's entire career, providing rich details about the creation, staging, and critical reception of some of his most popular musicals. Block traces Rodgers's musical education, early work, and the development of his musical and dramatic language. He focuses on two shows by Rodgers and Hart (A Connecticut Yankee and The Boys from Syracuse) and two by Rodgers and Hammerstein (South Pacific and Cinderella), offering new insights into each one. He concludes with the first serious look at the five neglected and often maligned musicals that Rodgers composed in the 1960's and 1970's, after the death of Hammerstein.
Compositeurs --- MUSIC / General. --- Biographies --- États-Unis. --- Rodgers, Richard, --- Rodgers, --- Criticism and interpretation.
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Our modern narratives of science and technology can only go so far in teaching us about the death. Can an act of the imagination, in the form of opera, take us the rest of the way? Might opera, an art form steeped in death, teach us how to die, as this work suggests? A physician and a literary theorist bring together scientific and humanistic perspectives on the lessons on living and dying that opera imparts
Death in opera. --- Opera --- MUSIC / Genres & Styles / Opera. --- MUSIC / General. --- Opera.
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