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This book analyses the relationships between contemporary media and popular music, both via the mediation of music, and music as mediator. It does so through a series of original interviews with key practitioners: musicians, writers, magazine editors, radio presenters and major and independent label bosses. Those interviewed include Mark Ellen, editor of Smash Hits, Q, Mojo and currently Word magazines; Mark Cooper, producer of Later…with Jools Holland and CEO of Music Entertainment at the BBC; Ben Watt, half of Everything But The Girl and owner of independent label Buzzin' Fly; and Fiona Talkington, original and current presenter of the Sony Award winning Late Junction on BBC Radio 3. Through these interviews, theory and practice are measured against each other and the book considers their experiences and observations in order to explore the ways popular music is produced, marketed and mediated. Examining visual, print, radio and new media, Media and Popular Music draws together disparate elements of music and media which formerly have not been considered together, and provides a fresh and innovative contribution to the swiftly growing field of popular music studies.
Médias et musique. --- Musique populaire --- Mass media and music. --- Popular music --- Dans les médias. --- History and criticism. --- Music and mass media --- Music --- Philosophy and aesthetics. --- Médias et musique. --- Dans les médias.
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In the present time electronic media are the most powerful factory that influence music culture. They change social functions of music, they affect musical behavior, music taste and aesthetic ideals of the society. The power of film, television and other media is based on the fact that the media trigger complex audiovisual perceptions or they determine the ways of how music evokes extra-musical imaginations. Audiovisual Media and Music Culture struggles to systematize and classify the basic categories of audiovisual communication, it explains music in media as a category of space and time, reveals the laws of the music culture development, the advantages and disadvantages of civilization trends and it also separates value constants from transition episodes.
Mass media --- Communication --- Music --- Médias --- Musique --- Audio-visual aids --- Aides audiovisuelles --- Audiovisuelle Medien --- Mass media and music. --- Musikleben --- Musikleben. --- Audiovisuelle Medien. --- Mass media. --- Mass media and culture. --- Social aspects. --- Médias et musique. --- Médias et culture. --- Aspect social. --- Médias et musique. --- Médias et culture.
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Music --- Sociology of culture --- Rock music --- Popular culture --- Mass media and music --- Social aspects --- History and criticism --- History --- 316.7 --- #SBIB:309H140 --- Cultuursociologie --(algemeen) --- Populaire muziek: algemene werken --- Mass media and music. --- Social aspects. --- History and criticism. --- 316.7 Cultuursociologie --(algemeen) --- Musique --- Rock (Musique) --- Culture populaire --- Médias et musique --- Aspect social --- Histoire et critique --- Histoire --- Médias et musique --- Music and society --- Music and mass media --- Music - Social aspects --- Rock music - History and criticism --- Popular culture - History - 20th century
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"In just over a decade, Janelle Monáe has become a formidable figure in global media culture. Her Afrofuturist concept albums and "emotion pictures" established Monáe as an ambitious innovator who draws on science fiction to rewire our understanding of race and gender. As an actor, her performances have explored these same vectors across other media, while her music provides the soundtrack for socially engaged media productions, from Us to David Byrne's American Utopia. Monáe's increasingly central presence in the global media landscape makes her an ideal figure to investigate the dynamics between media, race, and gender. By interweaving its analysis of Monáe's own music and screen performances with other works that extend these vectors, Power Up! The Transmedia Afrofuturism of Janelle Monáe gives an innovative, accessible, and inspiring account of the transformative role popular media can play in our understanding of race, gender, sexuality, and capitalism"--
Identite sexuelle dans la musique. --- Science-fiction dans la musique. --- Medias et musique. --- Musique populaire --- Gender identity in music. --- Afrofuturism. --- Science fiction in music. --- Mass media and music. --- Popular music --- Histoire et critique. --- History and criticism. --- Monáe, Janelle --- Criticism and interpretation. --- Janelle Monáe, global media, Afrofuturist, emotion pictures, innovator, science fiction, sci-fi, race, gender, race studies, gender studies, actor, music, soundtrack, socially engaged, media production, David Byrne’s American Utopia, screen performance, Transmedia, sexuality, capitalism, black feminism, intersectionality, POSTHUMANISM, POSTCAPITALISM, cultural aesthetic, philosophy of science, philosophy of history, intersection, African diaspora, culture, technology, blackness, futuristic, black history, black culture, African-American, speculative, reimagining, Black to the Future, rapper, record producer, model, Atlantic Records, Wondaland Arts Society, Grammy Award, MTV Video Music Award, ASCAP Vanguard Award. --- Mass media and music --- Science fiction in music --- Afrofuturism --- Gender identity in music
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