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"The exhibition was the largest presentation of Len Lye’s work in his homeland New Zealand. Len Lye: All Souls Carnival took its name from Lye’s 1957 film of the same name. Arguably Lye’s most kaleidoscopic and ambitious cinematic experiment, the film was originally presented at New York’s Carnegie Hall along with a live orchestral piece by American composer Henry Brant. Lye biographer and film scholar Roger Horrocks restored the film with the assistance of the New Zealand Film Archive and the Museum of Modern Art (MoMA), New York, which holds the original hand-painted material. A dazzling, choreographed mix of sound, light and movement, the exhibition included many of Lye’s most well known works as well as several not seen in decades."--Publisher description.
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Lye, Len --- 791.471 LYE --- abstracte film --- abstractie --- animatie --- experimentele film --- film --- kunst --- Lye Len --- Lye, Len, --- Criticism and interpretation.
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Lydiat, Anne --- Lynch, Gerald --- Lynds, Clyde --- Lynggaard, Finn --- Lyons, Michael --- Lye, Len
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Witkin, Joel-Peter --- Matta-Clark,Gordon --- Lye, Len --- Cai Guo Qiang --- De Clercq, Anouk --- Van Kerckhoven, Anne-Mie --- Carels, Edwin
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Artists --- Kinetic sculpture --- Experimental films --- Artistes --- Sculpture cinétique --- Films expérimentaux --- Biography --- Biographies --- Lye, Len, --- Biography.
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"This book provides a timely analysis of the relationship between jazz and recording and broadcast technologies in the early twentieth century. Jazz histories have traditionally privileged qualities such as authenticity, naturalness and spontaneity, but to do so overlooks jazz's status as a modernist, mechanised art form that evolved alongside the moving image and visual cultures. Jazz as Visual Language shows that the moving image is crucial to our understanding of what the materiality of jazz really is. Focusing on Len Lye's direct animation, Gjon Mili's experimental footage of musicians performing and the BBC's Jazz 625 series, this book places emphasis on film and television that conveys the 'sound of surprise' through formal innovation, rather than narrative structure. Nicolas Pillai seeks to refine a critical vocabulary of jazz and visual culture whilst arguing that jazz was never just a new sound; it was also a new way of seeing the world."--
Jazz in motion pictures. --- Jazz on television. --- Lye, Len, --- Mili, Gjon, --- Criticism and interpretation. --- Television --- Motion pictures --- Jazz au cinéma
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Michaud, Philippe-Alain --- Duchamp, Marcel --- Moholy-Nagy, Laszlo --- Cornell, Joseph --- Lye, Len --- Serra, Richard --- Fromanger, Gérard --- Breer, Robert --- Jarman, Derek --- Close, Chuck
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