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Film
Rhythms
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Year: 2000 Publisher: S.l. : Len Lye Foundation,

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Lye, Len


Film
Len Leye (1957)
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Year: 2007 Publisher: Kent : Creative Arts Television Archive,

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Lye, Len


Book
Len Lye : all souls carnival.
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ISBN: 9780908848515 090884851X Year: 2011 Publisher: Aotearoa, New Zealand Govett-Brewster Art Gallery

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"The exhibition was the largest presentation of Len Lye’s work in his homeland New Zealand. Len Lye: All Souls Carnival took its name from Lye’s 1957 film of the same name. Arguably Lye’s most kaleidoscopic and ambitious cinematic experiment, the film was originally presented at New York’s Carnegie Hall along with a live orchestral piece by American composer Henry Brant. Lye biographer and film scholar Roger Horrocks restored the film with the assistance of the New Zealand Film Archive and the Museum of Modern Art (MoMA), New York, which holds the original hand-painted material. A dazzling, choreographed mix of sound, light and movement, the exhibition included many of Lye’s most well known works as well as several not seen in decades."--Publisher description.

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Lye, Len,

Len Lye : a biography.
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ISBN: 1869402472 Year: 2001 Publisher: Auckland Auckland University Press

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Artists --- Biography --- Lye, Len,

Len Lye.
Authors: --- --- --- --- --- et al.
ISBN: 9782844260345 2844260349 Year: 2000 Publisher: Paris Centre Pompidou

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Book
MLy : documentatiemap
Publisher: Antwerpen

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Dissertation
Het KEERPUNT.
Authors: --- ---
Year: 2010 Publisher: Gent : [s.n.],

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Book
Art that moves : the work of Len Lye
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ISBN: 9781869404222 Year: 2009 Publisher: Auckland, N.Z. : Auckland University Press,

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Book
Jazz as visual language : film, television and the dissonant image
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ISBN: 1350986925 1786731002 1786721007 9781786721006 9781786731005 9781784533441 1784533440 Year: 2016 Publisher: London, England : London, England : I.B. Tauris & Co. Ltd, Bloomsbury Publishing,

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"This book provides a timely analysis of the relationship between jazz and recording and broadcast technologies in the early twentieth century. Jazz histories have traditionally privileged qualities such as authenticity, naturalness and spontaneity, but to do so overlooks jazz's status as a modernist, mechanised art form that evolved alongside the moving image and visual cultures. Jazz as Visual Language shows that the moving image is crucial to our understanding of what the materiality of jazz really is. Focusing on Len Lye's direct animation, Gjon Mili's experimental footage of musicians performing and the BBC's Jazz 625 series, this book places emphasis on film and television that conveys the 'sound of surprise' through formal innovation, rather than narrative structure. Nicolas Pillai seeks to refine a critical vocabulary of jazz and visual culture whilst arguing that jazz was never just a new sound; it was also a new way of seeing the world."--


Film
Le movement des images; Des arts plastiques au cinema (2006): Anémic Cinéma (1925); Ein Lichtspiel schwartz-weiss-grau (1930), Rose Hobart (1937), Gnir Rednow (1955); Rhythm (1957); Hand Catching Lead (1968); Film-tract: n°1968 (1968); 70 (1970); Garden of Luxor(1972); Bob (1973)
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Year: 2006 Publisher: Paris : Éditions du Centre Pompidou,

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