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Book
Microphones and loudspeakers : the ins and outs of audio
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ISBN: 0937803359 Year: 1998 Publisher: New York (N.Y.): Audio engineering society

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Loudspeakers --- Microphone

3-D audio using loudspeakers
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ISBN: 0792381564 Year: 1998 Publisher: Boston (Mass.) : Kluwer academic,

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Loudspeaker handbook.
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ISBN: 0412097214 Year: 1997 Publisher: New York Chapman & Hall

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Book
An anthology of articles on loudspeakers from the pages of the Journal of the Audio Engineering Society, vol. 26-vol. 31 (1978-1983)
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Year: 1984 Publisher: New York : Audio Engineering Society,

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An anthology of articles on loudspeakers from the pages of the Journal of the Audio Engineering Society, vol. 1-vol. 25 (1953-1977)
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Year: 1978 Publisher: New York : Audio Engineering Society,

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Loud speakers : theory, performance, testing and design
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Year: 1960 Publisher: New York, NY : Dover Publications,

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Book
Haut-parleurs : structures, qualités et rendement, conception et utilisation, baffles et enceintes acoustiques, sonorisation
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Year: 1961 Publisher: Paris : Société des éditions Radio,

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Book
IEEE Std 219-1961 (ANSI S1.5-1963) : IEEE Recommended Practice on Audio and Electro Acoustics Loudspeaker Measurements 1961
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ISBN: 1504402103 Year: 1961 Publisher: Piscataway, New Jersey : IEEE,

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IEEE Std 219-1975 (Revision of IEEE Std 219-1961) : IEEE Recommended Practice for Loudspeaker Measurements
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ISBN: 1504402111 Year: 1975 Publisher: Piscataway, New Jersey : IEEE,

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Book
Microphone Techniques In Stereo And Surround Recording
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ISBN: 832337385X Year: 2011 Publisher: Kraków : Wydawnictwo Uniwersytetu Jagiellońskiego,

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Sound engineering is one of the fastest-growing branches of music production. The need for a broad-based discussion on the issues constituting the art of sound engineering persists and loses none of its relevance, revealing that sound engineering should not be investigated only in the mathematical and physical context (musical acoustics) or the engineering aspect (signal processing and modification).Publications targeted primarily at musicians are few and far between, which is why the mutual understanding for different priorities which effectively concern the same issues faced by the engineer, the acoustician and the musician, seems to be a complex problem and the main concept explored in this publication.This book is intended for musicians or sound directors, but also acousticians and sound engineers wishing to learn how the musicians think. The monograph is also addressed to musicians who intend to record their material in the studio in the near future, but do not possess knowledge on studio construction, studio workflow or the art of recording. It seems important to familiarize the musicians with the reality that awaits them on the other side of the glass, thus fostering their responsibility for the work jointly produced by them – entering the studio – and the sound director.

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