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1989 (1)

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Circulating Jim Crow : the 'Saturday Evening Post' and the war against black modernity
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ISBN: 9780231212656 9780231212649 Year: 2024 Publisher: New York Columbia University Press

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Abstract

"For much of the first half of the twentieth century, The Saturday Evening Post was one of the most influential magazines in the United States read in millions of homes. In the popular imagination, the Post is probably best remembered for its cheery, often nostalgic Norman Rockwell covers portraying American culture as quaint, wholesome, and idyllic, but between those covers lurked a more troubling reality. Under the direction of its longtime editor, George Horace Lorimer, a liberal but also a lifelong advocate for white superiority and racial purity, The Saturday Evening Post, was filled with poetry, fiction, and essays that deployed paternalistic condescension and demeaning humor against Blacks. Writers in the Post used humor and Black dialect fiction to normalize White supremacy and to make the dehumanization of Blacks seem like nothing more than common sense and just good fun. In describing the creation and promulgation of the soft power of Jim Crow ideology in the pages of The Saturday Evening Post, Adam McKible also discusses the efforts of Black writers to counteract these characterizations. Langston Hughes, W.E.B. DuBois, and other Harlem Renaissance writers criticized The Saturday Evening Post and fought back against commodified racial caricature popularized by Lorimer. In examining how Black writers responded to The Saturday Evening Post's assault on the idea of Black modernity, McKible provides a new understanding of the Harlem Renaissance and the fight against Jim Crow ideology"--

Creating America : George Horace Lorimer and the Saturday Evening Post.
Author:
ISBN: 0822936097 9780822971450 0822971453 9780822936091 9780822954385 0822954389 Year: 1989 Publisher: Pittsburgh University of Pittsburgh press

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Before movies, radio and television challenged the hegemony of the printed word, "The Saturday Evening Post" was the pre-eminent vehicle of mass culture in the United States. And to the extent that a mass medium can be the expression of a single individual, this magazine with a peak circulation of almost three million copies a week was seen as the expression of its editor, George Horace Lorimer. In this work, Cohn shows how Lorimer made the "Post" into a powerful magazine that both celebrated and helped to form the values of its time. Mixing quotes with commentary, he outlines the growth of the magazine through the mid-1930s and the ways its evolution fitted - and did not fit - into prevailing cultural and political values. Cohn's analysis of George Horace Lorimer's 40-year editorship of the Saturday Evening Post cleverly sums up the purpose and ideology of that famous magazine.

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